The Limey
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2 items from 2016

Sharon Stone’s “Wee” Marvel Role Should Be the Original Wasp

9 May 2016 10:59 AM, PDT | | See recent FilmSchoolRejects news »

Because the McU is into “very expensive nostalgia”

Sharon Stone revealed on The Late Late Show last Thursday that she’s joining the McU, and while she had no details to share because of a confidentiality agreement, she said that it’s a “wee” part. Now, that could just be in reference to the size of her role, or it could be a sneaky hint that she’s actually playing a miniaturizing superhero.

Namely Janet van Dyne, aka the original version of The Wasp.

There are good reasons why that guess is a bad one. Ant-Man and The Wasp, which is where the character would appear, doesn’t begin filming until summer 2017 for a July 2018 release, and while it’s possible such a significant part has already been cast, or at least is in the stages of being cast, Stone made it sound like she’s doing the movie “now,” as »

- Christopher Campbell

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Interview: Cinematographer Ed Lachman Talks Romantic World Of 'Carol,' Werner Herzog, ‘I’m Not There’ & More

25 January 2016 9:17 AM, PST | The Playlist | See recent The Playlist news »

Pick a period and he’ll nail the look; choose an emotion and he’ll layer it visually. Over a 40-year career, cinematographer Ed Lachman has developed a story-driven approach to the films he’s shot, stemming from his beginnings in European cinema with Wim Wenders, Jean-Luc Godard, and under DPs Sven Nykvist and Vittorio Storraro. He’s also joined with American auteurs, like frequent collaborator Todd Haynes (“Far From Heaven”, “I’m Not There”), Steven Soderbergh (“The Limey”, “Erin Brockovich”) and Sofia Coppola (“The Virgin Suicides”), each time delivering occasionally experimental period pieces. Read More: Retrospective: The Films Of Todd Haynes  The Playlist's recent feature on Lachman’s work acknowledged his influence, as did the Academy of Motion Picture Arts and Sciences: his latest film, Haynes’ drama “Carol” (our review), earned Lachman his second Oscar nomination for Best Cinematography (after “Far From Heaven” in 2003). Based on Patricia Highsmith’s. »

- Charlie Schmidlin

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