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The Limey (1999)

7.1
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Ratings: 7.1/10 from 21,858 users   Metascore: 73/100
Reviews: 236 user | 122 critic | 32 from Metacritic.com

An extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.

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Title: The Limey (1999)

The Limey (1999) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
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Eduardo Roel (as Luis Guzman)
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Jim Avery
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Uncle John (as Joe Dallessandro)
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Warehouse Foreman
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Tom Johannson
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Rick (Valentine's Bodyguard)
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Larry (Valentine's Bodyguard)
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Lady on Plane
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Pool Hall Creep (as Wayne Péré)
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Storyline

An ex-con, fresh out of prison, goes to L.A. to try to learn who murdered his daughter. However, he quickly finds that he is completely out of place with no understanding of the culture he finds. His investigations are helped by another ex-con. Together they learn that his daughter had been having an affair with a record producer, who is presently having an affair with another young woman. An aging actress, who also knew his daughter, forces him to look at his own failures as a father. The movie does focus on the drama of the situation and the inter-relationships of the characters and seldom slips into an action piece. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Plot Synopsis

Taglines:

Vengeance knows no boundaries. See more »


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

4 August 1999 (France)  »

Also Known As:

Vengar la sangre  »

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend:

£66,119 (UK) (10 December 1999)

Gross:

$3,193,102 (USA) (28 January 2000)
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Company Credits

Production Co:

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The first song heard in The Limey (1999) is "The Seeker" by The Who. During the 1960s one of The Who's two managers was Christopher Stamp, Terence Stamp's brother. See more »

Quotes

Wilson: You tell him, you tell him I'm coming. Tell him I'm fucking coming!
See more »

Connections

Features Access Hollywood (1996) See more »

Soundtracks

King Midas in Reverse
Written by Allan Clarke, Tony Hicks and Graham Nash
Arranged and Conducted by John Scott as Johnny Scott
Performed by The Hollies
Published by Dick James Music Limited
Courtesy of EMI Records
Under license from EMI Music Special Markets
See more »

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User Reviews

Excellent revenge movie with one minor problem...
13 December 2001 | by (Perth, Australia) – See all my reviews

Soderbergh is a really odd director. His movies have run the gamut from the wacky, self indulgent surrealism of 'Schizopolis' to the pandering, sell-out mediocrity of 'Ellen Brockovich'. He's really hard to get a handle on. 'Out Of Sight' was stylish with an outstanding cast but left me cold. 'Traffic' featured a handful of great performances, most notably Benicio Del Toro's, but was overall simplistic, unconvincing and cliched. For my money his strongest achievements to date have been his overlooked noir-ish 'Underneath', and this, his involving revenge drama 'The Limey'.

Terrence Stamp, a fine actor who has appeared in more than his fair share of bad movies, really takes this role and runs with it. He radiates dignity and power as Wilson, the English career criminal out to avenge the death of his estranged daughter. My only problem with his performance, and the movie as a whole, is his Cockney accent, which borders on caricature. If you can get over that hurdle you'll be impressed by the depth of his performance.

Peter Fonda, who has never impressed me much as an actor in the past (not even his much lauded role in the overrated 'Ulee's Gold'), is also fine as the sleazy record producer who Wilson suspects of wrongdoing. Stamp and Fonda obviously relish playing these characters, and their chemistry together is the cornerstone of the movie. Both actors are supported by an impressive array of old and new faces - including a surprisingly effective Lesley Anne Warren (her best since 'Cop'), the always watchable Luis Guzman ('Boogie Nights', 'Carlito's Way', etc.), blasts from the pasts Barry Newman (cult classic 'Vanishing Point') and Joe Dallessandro (former Warhol superstar), and future star in the making Nicky Katt ('Strange Days', 'SubUrbia').

Soderbergh cleverly uses footage from Ken Loach's kitchen sink drama 'Poor Cow' for flashbacks, and plays upon Stamp and Fonda's 60s screen personas, but the film is no exercise in mere nostalgia. 'The Limey' is a rarity in Hollywood these days - an intelligent, thoughtful, well crafted and acted adult movie. I liked it a lot.


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