A boy kidnapped by two mismatched hitmen puts them at each other's throats while being driven to their employers, possibly to be killed. Cohen, an older professional becomes increasingly ... See full summary »
When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Billy Bob Thornton,
When unemployed dockworker Joey Coyle finds $1.2 million that fell off of an armored car, he decides to do the logical thing: take the money and run. After all, he says, finders keepers. He... See full summary »
When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of... See full summary »
Lara Flynn Boyle
An ex-con, fresh out of prison, goes to L.A. to try to learn who murdered his daughter. However, he quickly finds that he is completely out of place with no understanding of the culture he finds. His investigations are helped by another ex-con. Together they learn that his daughter had been having an affair with a record producer, who is presently having an affair with another young woman. An aging actress, who also knew his daughter, forces him to look at his own failures as a father. The movie does focus on the drama of the situation and the inter-relationships of the characters and seldom slips into an action piece. Written by
John Sacksteder <email@example.com>
During filming, Steven Soderbergh was unsure exactly which scenes from Poor Cow (1967) he wanted to use. So he asked Warner Bros. for permission to use the entire film so that he could choose the scenes later. But Warner Bros. refused. Soderbergh told the head of Warner Bros. that he would never make a film for him again. The executive relented and allowed Soderbergh to use any scenes from the film that he wished. See more »
I'd tell you to blow it out your ass, but my dick's in the way.
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The Movie "Traffic" and "Out of Sight" Were Supposed to Be
Like its title and leading man (Terrance Stamp), "The Limey" surprises by what it is NOT. Stamp plays an aging hood, a "Limey," who has spent much of his life in prison. At first glance, Stamp appears a "loser," who is now throwing what remains of his life away on a questionable vendetta against an aging rock producer (Peter Fonda) who may or may not be responsible for the death of Stamp's daughter. However, director Steven Soderbergh ("Traffic," "Out of Sight," "Erin Brockavich"),skillfully intercuts scenes of past, present and future, nonsync dialogue, music, peripheral action and plotting to create an efficient, consistently surprising and highly effective movie. Just as the film is about to become routine and predictable, new key characters and plot information is revealed. To Soderbergh's credit, this never seems forced or contrived. Alas, Soderbergh's style tends to undercut the effectiveness of Leslie's Warren's role, and the climactic shoot out is disappointingly pat. Nevertheless,the payoff is terrific. Special note should be made of the performances of Luis Guizman, Barry Newman and, especially, Nicky Katt ("Boston Public").
Don't let the title fool you, "The Limey" is one terrific movie and Soderbergh, for once, deserves all the praise he can get.
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