A young woman lives a life filled with bad choices. She marries and has a child with an abusive thief at a young age who quickly ends up in prison. Left alone she takes up with his mate (... See full summary »
An ex-con, fresh out of prison, goes to L.A. to try to learn who murdered his daughter. However, he quickly finds that he is completely out of place with no understanding of the culture he finds. His investigations are helped by another ex-con. Together they learn that his daughter had been having an affair with a record producer, who is presently having an affair with another young woman. An aging actress, who also knew his daughter, forces him to look at his own failures as a father. The movie does focus on the drama of the situation and the inter-relationships of the characters and seldom slips into an action piece. Written by
John Sacksteder <email@example.com>
Why don't they make shows about people's daily lives you'd be interested in watching? You know, like "Sick Old Man" or "Skinny Little Weakling." "Big Fat Guy." Wouldn't you watch a show called "Big Fat Guy"? I'd watch that fucking show.
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The Movie "Traffic" and "Out of Sight" Were Supposed to Be
Like its title and leading man (Terrance Stamp), "The Limey" surprises by what it is NOT. Stamp plays an aging hood, a "Limey," who has spent much of his life in prison. At first glance, Stamp appears a "loser," who is now throwing what remains of his life away on a questionable vendetta against an aging rock producer (Peter Fonda) who may or may not be responsible for the death of Stamp's daughter. However, director Steven Soderbergh ("Traffic," "Out of Sight," "Erin Brockavich"),skillfully intercuts scenes of past, present and future, nonsync dialogue, music, peripheral action and plotting to create an efficient, consistently surprising and highly effective movie. Just as the film is about to become routine and predictable, new key characters and plot information is revealed. To Soderbergh's credit, this never seems forced or contrived. Alas, Soderbergh's style tends to undercut the effectiveness of Leslie's Warren's role, and the climactic shoot out is disappointingly pat. Nevertheless,the payoff is terrific. Special note should be made of the performances of Luis Guizman, Barry Newman and, especially, Nicky Katt ("Boston Public").
Don't let the title fool you, "The Limey" is one terrific movie and Soderbergh, for once, deserves all the praise he can get.
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