An ex-con, fresh out of prison, goes to L.A. to try to learn who murdered his daughter. However, he quickly finds that he is completely out of place with no understanding of the culture he finds. His investigations are helped by another ex-con. Together they learn that his daughter had been having an affair with a record producer, who is presently having an affair with another young woman. An aging actress, who also knew his daughter, forces him to look at his own failures as a father. The movie does focus on the drama of the situation and the inter-relationships of the characters and seldom slips into an action piece. Written by
John Sacksteder <email@example.com>
During filming, Steven Soderbergh was unsure exactly which scenes from Poor Cow (1967) he wanted to use. So he asked Warner Bros. for permission to use the entire film so that he could choose the scenes later. But Warner Bros. refused. Soderbergh told the head of Warner Bros. that he would never make a film for him again. The executive relented and allowed Soderbergh to use any scenes from the film that he wished. See more »
Did you ever dream about a place you never really recall being to before? A place that maybe only exists in your imagination? Some place far away, half remembered when you wake up. When you were there, though, you knew the language. You knew your way around. *That* was the sixties.
No. It wasn't that either. It was just '66 and early '67. That's all there was.
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This is no lime! I mean lie! Director Steven Soderbergh's "The Limey" is one of the most beautifully photographed films I have ever seen. The film stars Terence Stamp who once again readily delivers a terrific performance. The film is about an aging ex-con who tries to avenge the killers who murdered his daughter. Oh blimey! I mean limey! I almost forgot! Peter Fonda executes a very subtle but assenting performance as the mischievous paranoid record executive. However, it is Director's Steven Soderbergh direction that makes this film sweet as lime. Colors reflecting moods, overlapping dialogue intersecting between different scenes, and character thought-provoking facial gestures are all Soderbergh traits that are once again perfected to make every scene work. If you don't believe me, go watch "The Limey" and then you will now that I am not lying. **** Good
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