As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
In Jersey City, an African American hit man follows "Hagakure: The Way of the Samurai." He lives alone, in simplicity with homing pigeons for company, calling himself Ghost Dog. His master, who saved his life eight years ago, is part of the local mob. When the boss' daughter witnesses one of Ghost Dog's hits, he becomes expendable. The first victims are his birds, and in response, Ghost Dog goes right at his attackers but does not want to harm his master or the young woman. On occasion, he talks with his best friend, a French-speaking Haitian who sells ice cream in the park, and with a child with whom he discusses books. Can he stay true to his code? And if he does, what is his fate? Written by
When Ghost Dog is in the park, just before the Raymond, the Haitian ice cream man, is introduced, the Crips in the park are rhyming to the beat of Raekwon's 1995 song "Ice Cream," which was produced by The RZA, who also composed the film's score See more »
The Pit Bull that always follows Ghost Dog around is referred to as a "He" when in fact it is a she. See more »
The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's ...
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The second to last person thanked at the credits' close is Akira Kurosawa--the Japanese filmmaker who filmed one of the Ghost Dog's central texts, Rashomon. See more »
Performed by Andrew Cyrille and Jimmy Lyons
Music by Andrew Cyrille with lyrics by Jeanne Lee
Published by Major 'A' Music (ASCAP)/Nai-Lyn Music (BMI)
Courtesy of Black Saint Records See more »
Men clinging to noble, outdated ideals in a world that no longer cares about such things: that's the concept here. Whitaker shows amazing strength and control in an antihero role that is necessarily secretive and subdued. Silva and Tormey turn in solid performances -- Tormey is especially poignant as the second-fiddle mafioso, torn between his admiration of Ghost Dog and his devotion to his own sempai (Silva).
The excellent soundtrack, courtesy of RZA, adds its own somber-yet-hip mood to the work. Jarmusch frames his characters on rooftops, on 'hood byways, in mansions, in the back rooms of Chinese restaurants, and everywhere there is a feeling of the walls closing in, of things coming to an end, of finality. See it. It's a good movie.
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