| Photos (See all 30 | slideshow) | Videos (see all 5) |
| Bob Hoskins | ... | Joe Hilditch | |
| Arsinée Khanjian | ... | Gala | |
| Elaine Cassidy | ... | Felicia | |
| Sheila Reid | ... | Iris | |
| Nizwar Karanj | ... | Sidney | |
| Ali Yassine | ... | Customs Officer | |
| Peter McDonald | ... | Johnny Lysaght | |
| Kriss Dosanjh | ... | Salesman | |
| Gerard McSorley | ... | Felicia's Father | |
| Marie Stafford | ... | Felicia's Great Grandmother (as Maire Stafford) | |
| Gavin Kelty | ... | Shay Mulroone | |
| Brid Brennan | ... | Mrs. Lysaght | |
| Mark Hadfield | ... | Television Director | |
| Danny Turner | ... | Young Joey Hilditch | |
| Susan Parry | ... | Salome | |
| Claire Benedict | ... | Miss Calligary | |
| Jean Marlow | ... | Mrs. Crimm | |
| Sidney Cole | ... | Ethiopian | |
| Barry McGovern | ... | Gatherer | |
| Sandra Voe | ... | Jumble Sale Woman | |
| Leila Hoffman | ... | Bag Lady | |
| Bob Mason | ... | Jimmy | |
| Emma Powell | ... | Clinic Receptionist | |
| Julie Cox | ... | Marcia Tibbits | |
| Nicki Murphy | ... | Lost Girl | |
| Kelly Brailsford | ... | Lost Girl | |
| Polly York | ... | Lost Girl | |
| Gem Durham | ... | Lost Girl | |
| Kerry Stacey | ... | Lost Girl | |
| Laura Chambers | ... | Lost Girl | |
| Bianca McKenzie | ... | Lost Girl | |
| Ladene Hall | ... | Lost Girl |
Directed by | |||
| Atom Egoyan | |||
Writing credits | ||
| William Trevor | (novel) | |
| Atom Egoyan | (screenplay) | |
Produced by | |||
| Bruce Davey | .... | producer | |
| Karen Glasser | .... | associate producer | |
| Ralph Kamp | .... | executive producer | |
| Robert Lantos | .... | co-producer | |
| Paul Tucker | .... | executive producer | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Paul Sarossy | (director of photography) | ||
Film Editing by | |||
| Susan Shipton | |||
Casting by | |||
| Leo Davis | |||
Production Design by | |||
| Jim Clay | |||
Art Direction by | |||
| Chris Seagers | |||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Miri Ben-Schlomo | .... | hair assistant (as Miri Ben-Shlomo) | |
| Miri Ben-Schlomo | .... | makeup assistant (as Miri Ben-Shlomo) | |
| Stevie Hall | .... | hair designer | |
| Morag Ross | .... | makeup designer | |
Production Management | |||
| Ted Morley | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | second assistant director | |
| Danny McGrath | .... | third assistant director (as Dan McGrath) | |
| David J. Webb | .... | first assistant director (as David Webb) | |
Art Department | |||
| Malcolm Bensted | .... | storeman | |
| John Bohan | .... | construction coordinator | |
| Peter Dorme | .... | draughtsman | |
| Gill Ducker | .... | production buyer | |
| Paul Duff | .... | stand-by carpenter | |
| Heidi Gibb | .... | art department assistant | |
| Jo Graysmark | .... | location art director | |
| Bill Hargreaves | .... | chargehand stand-by props | |
| David Mears | .... | stand-by painter | |
| Brian Mitchell | .... | stand-by stagehand | |
| Steve Payne | .... | dressing props | |
| Graeme Purdy | .... | property master | |
| Pippa Rawlinson | .... | art department stand-by | |
| Bob Sherwood | .... | stand-by props | |
| Jan Spoczynski | .... | draughtsman | |
| Robin Heinson | .... | chargehand painter (uncredited) | |
Sound Department | |||
| Colin Baxter | .... | associate sound effects editor | |
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby | |
| Ed Colyer | .... | adr mixer | |
| Sue Conley | .... | dialogue editor | |
| Keith Elliott | .... | foley recordist | |
| Keith Elliott | .... | sound re-recording mixer | |
| James Harris | .... | sound assistant | |
| Peter Kelly | .... | sound re-recording mixer | |
| Andy Malcolm | .... | foley artist | |
| Timothy Mehlenbacher | .... | assistant sound editor | |
| Steve Munro | .... | sound designer (as Steven Munro) | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| John Pitt | .... | sound maintenance engineer | |
| Steve Pollet | .... | assistant sound editor | |
| Tim Roberts | .... | adr editor | |
| Brian Simmons | .... | production sound mixer | |
| David Drainie Taylor | .... | dialogue editor | |
| John F. Thompson | .... | foley assistant | |
| Rebecca Wright | .... | foley assistant | |
| Sharon Zupancic | .... | foley assistant | |
Stunts | |||
| Colin Skeaping | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sophie Baker | .... | still photographer | |
| Ian Buckley | .... | grip | |
| Chris Dale | .... | camera trainee | |
| Shaun Evans | .... | clapper loader | |
| Warren Ewen | .... | electrician | |
| Chuck Finch | .... | gaffer (as Robert 'Chuck' Finch) | |
| Stephen Finch | .... | electrician (as Steve Finch) | |
| Graham Hall | .... | focus puller | |
| Nigel Kirton | .... | Steadicam operator | |
| Brad Larner | .... | Steadicam assistant | |
| Simon Lucas | .... | electrician | |
| Billy Merrell | .... | best boy | |
| David Weller | .... | stand-by rigger (as Dave Weller) | |
| George Worley | .... | generator operator | |
Casting Department | |||
| Alison Crosbie | .... | casting assistant | |
| Pippa Hall | .... | casting: youth | |
Costume and Wardrobe Department | |||
| Debbie Scott | .... | assistant to costume designer | |
| Sunita Singh | .... | wardrobe assistant | |
| Clare Spragge | .... | wardrobe supervisor | |
| Clare Spragge | .... | costume supervisor (uncredited) | |
Music Department | |||
| Daniel Blackman | .... | musician: viola | |
| Frederick Chiverton | .... | music consultant | |
| Jimmy Duncan | .... | composer: song "My Special Angel" | |
| Bridget Hunt | .... | musician: violin | |
| Ron Korb | .... | musician: flute | |
| Andrew Lockington | .... | assistant to composer | |
| Clare Scholtz | .... | musician: oboe | |
| Ron Searles | .... | music engineer | |
| Ameene Shishakly | .... | musician: clarinet | |
| Stephen Stepanic | .... | assistant music engineer | |
| Angelique Toews | .... | musician: violin | |
| Kirk Worthington | .... | musician: cello | |
Transportation Department | |||
| Tim de Malmanche | .... | unit driver | |
| Peter Devlin | .... | unit driver | |
| Willie Fonfe | .... | transportation coordinator | |
| Keith Horsley | .... | unit driver | |
| Ian Clarke | .... | vehicle technician (uncredited) | |
| Sean Thornton | .... | picture vehicle technician (uncredited) | |
Other crew | |||
| Alison Bage | .... | unit nurse | |
| Naoise Barry | .... | co-location manager: Ireland | |
| Debbie Brodie | .... | home economist | |
| Neil Chaplin | .... | production accountant | |
| Marilyn Clarke | .... | production coordinator | |
| Andrew Cooke | .... | co-location manager: Birmingham | |
| Ira Curtis-Coleman | .... | specialist video (as Ira Curtis Coleman) | |
| Nick Daubeny | .... | location manager | |
| Penny Dyer | .... | dialogue coach | |
| Sammy Fonfe | .... | utility stand-in | |
| Anya Gripari | .... | floor runner | |
| Cheryl Leigh | .... | script supervisor | |
| Alison Odell | .... | assistant to director | |
| Alison Odell | .... | assistant to producer | |
| Sammy Pasha | .... | assistant: Bob Hoskins (as Sammy Pascha) | |
| Michaela Piper | .... | publicist | |
| Louisa Rawlins | .... | production office assistant | |
| Lyndy Rist | .... | assistant accountant | |
| Valerie Rosewell | .... | assistant accountant | |
| Mark Somner | .... | co-location manager: London | |
| Sophie Tucker | .... | floor assistant | |
| Simone Urdl | .... | assistant: Mr. Egoyan | |
| Sarah Walden | .... | contact: London | |
| Bonnie F. Watkins | .... | assistant: Mr. Davey | |
| Johanna Weinstein | .... | title designer | |
| Janet Willis | .... | tutor | |
| Andrew Rosen | .... | production assistant: Alliance Atlantis (uncredited) | |
| Simon St. Laurent | .... | opticals: Film Opticals (uncredited) | |
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| Kings & Queen | Persepolis | Intermission | Freeway | If.... |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
Egoyan has disappointed me many previous times, although his "Next of Kin" remains one of my all-time favorite films. Not in a thousand years would I have expected a film like this from Egoyan. We've left Canada, for god's sake; a lovely country, some very talented and multi-talented people there, especially most -- it often seems to me -- of Hollywood's greatest actors and actresses. But to travel across the Atlantic -- Egoyan hasn't done that before. And this plot is character-driven (like "Next of Kin") -- and not always shouting at you "Hey, I'm a strange and brilliant director presenting all this odd stuff for you." Egoyan's penchant for films within films and pictures within pictures and other eccentricities don't distract,this time -- they remain, but much diminished, muted. And it works. Tremendously well, in fact. Families -- that's what Egoyan does best, what he knows most deeply -- how wonderful it is when they work, how deeply we need their sustenance. But how terrible, cruel, sometimes funny, but more often monstrous the effects parents have on their children in so many cases. Hoskins has been so great, so often before, can it really be surprising he's especially excellent here? A fine film; the old Peter Lorre film "M" comes to mind, his role somewhat comparable to Hoskins' here -- but many differences exist between these works. "Felicia's Journey" is amazingly beautiful to watch, idyllic at times; we see Felicia's inner and outer beauty first through our own eyes, then increasingly through Hoskins' character's odd lens. There's beautiful countryside to view. We have both hope and menace -- something slightly askew -- a spicy mix. The mundane, the commonplace are pleasantly present, but murder and madness hover very near. Entirely, hypnotically compelling; that's the best summation. And wonderful.