The story of a ten years old boy who, as most of the children in Yugoslavia of the fifties can hardly imagine his life without the great national leader - marshal Tito. In his school, he ... See full summary »
A man awakens from a two-month-long coma. Total amnesia. A bullet fired point blank. He doesn't remember anything. He's told that he had a wife and a son. They've been killed. He's revealed... See full summary »
A homophobic, middle-aged, Serbian gangster ends up sacrificing himself to protect Gay freedom in his country. RADMILO (35) and MIRKO (30) are young and successful gay couple, and they ... See full summary »
Ilija Cvorovic, a reformed former Stalinist who spent several years in a prison as a political prisoner, is called in for a routine conversation. He returns home convinced that the police ... See full summary »
A small border post on the Yugoslav-Albanian border in the spring of 1987. Frustrated and always drunk, lieutenant Pasic feels a strange pain in his groins. He seeks help from the only ... See full summary »
Till recently an University professor, a bohemian writer, a member of Belgrade's intellectual circles and a passionate opponent of the Milosevic's regime, TEJA is today a manager of a big ... See full summary »
"THE TRAP" is a modern film noir reflecting the true face of Serbian (Eastern European) 'society in transition.' It's a story that could happen to you. It is a film about an ordinary man, ... See full summary »
The film consists of three parallel stories that are interwoven and played in Vozdovac. In the first story, Braca tries to seduce Iris, a model from the city center. Although they try not ... See full summary »
In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her... See full summary »
Urban comedy, happening during a night in Belgrade. Mare, Pop and Gojko are three friends who grew up together. Mare and Pop have always been musicians, while Gojko (who was harassed by ... See full summary »
Take `The Clockwork Orange', add `Trainspotting', add `Once Upon a Time in America'...Throw away all the cinema glamour. Add harsh reality. I do not know what you will get as a result and I can't promise you it will be something good. But if you are Srjan Dragoevic, you will get `Rane' and it will be breathtaking.
I've watched tonns of various movies - & felt like nothing could impress, thrill or shock me - till I've discovered Yugoslavian/postYugoslavian cinema. Black humor. Real passion. Authentic - might be the best definition. The characters are a l i v e and you just wonder how the director managed to put so much pieces of real life inside the picture. What other cinema schools tried to archieve through `experiments' - like Dogma for example - that is to say by inventing boarders, limits & rules for itself - those Yugoslavs did or do by working in often ordinary, may be even classic way - and the main trick is that they seem to have no boarders! The movies I've watched were dark but still they never lacked `lust for life'. Yugoslavian cinema seems to have national specific but always keeps in mind the best examples of European/American cinema. Almost all listed above refers to `Rane'. Mix `Trainspotting' with `Clockwork orange' add a little bit of `Once upon a time in America' & put it on the streets of Belgrade of the nineteth...Take two teenagers who do not know any reality except hatred, violence, crime & poverty - and put them inside the story. One of the most bizzare things for me was - how it reminds the Russia of the early ninteth - rapid inflation, depression & political madness. Two main characters are the guys from my area. It makes me wonder - why former Yugoslavian directors managed to make a number of brilliant movies - trying to expalin what is happening - during extremely hard times - while Russia hadn't already produced even a single good & honest movie about what is happening in Chechnya? Well may be one or two but it is still doubtfull. That's a shame.
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