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The Wounds (1998)
"Rane" (original title)

8.1
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This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

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Cast

Cast overview, first billed only:
Dusan Pekic ...
Pinki
Milan Maric ...
Svaba
Dragan Bjelogrlic ...
Kure
...
Suzana
...
Stojan (as Miki Manojlovic)
Gorica Popovic ...
Nevenka
Vesna Trivalic ...
Lidija
Andreja Jovanovic ...
Dijabola
...
Biber
Zorka Manojlovic ...
Svabina baka (as Zora Manojlovic)
Danilo 'Bata' Stojkovic ...
Komsija
Danica Maksimovic ...
Ninana
Radoslav Milenkovic ...
Inspektor (as Rale Milenkovic)
Nikola Pejakovic ...
Kafedzija (as Nidzo Pejakovic)
Milorad Mandic ...
Bilder (as Milorad Mandic-Manda)
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Storyline

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

Plot Summary | Add Synopsis

Taglines:

The Years Have Passed Only Wounds Have Remained

Genres:

Comedy | Crime | Drama | War

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Details

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Release Date:

15 May 1998 (Federal Republic of Yugoslavia)  »

Also Known As:

Euro Scarface  »

Filming Locations:


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Aspect Ratio:

1.85 : 1
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Connections

References We Are Not Angels (1992) See more »

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User Reviews

Incredibly potent
24 July 2004 | by (United States) – See all my reviews

Srdjan Dragojevic dedicates his film 'The Wounds' to "post-Tito generations," and it can be seen as of a piece with his previous film 'Pretty Village, Pretty Flame,' an allegory concerning the Bosnian conflict that was one of the angriest, most jarring anti-war films I've seen. 'The Wounds' is an even more aggressive film, told in non-linear fashion, like 'Pretty Village,' beginning in 1996, coiling five years back in time, and progressing to its starting point, so that the events that follow from thereon have an even greater immediacy. The storyteller is a young man named Pinki, born on the day of Marshal Tito's death, named such because his father was arrested after naming him "Tito" -- in honor of the fallen leader, but interpreted by authorities as an insult.

Pinki and his pal Kraut idolize a gangster known as Dickie, who lives in the same housing project. Dickie, an impulsive sociopath who carries a gun at all times and fires it into his television set at random, takes them under his wing and grooms them to become violent criminals. The film, by this point, may begin to remind a viewer of 'GoodFellas,' or the more current 'City of God,' from Brazil. But while those films were stylistically bold, this film is stylistically outrageous. Srdjan Dragojevic slings acid in the face of the viewer, forever surprising his audience with uncompromising nastiness. One does not grow inured to the shocks, however, because the shocks have poetry and relevance, and the movie is tremendously entertaining. This is very exciting filmmaking, the likes of which dwarfs recent work from American filmmakers like Scorsese and Tarantino. Furthermore, it's probably better than anything else from the arguably competitive recent spate of films from the former Yugoslavia, all of which yield a collective cry of anger in the face of the Bosnian civil war, the social conditions of that region, and the region's recent history.

Like other Yugoslav films, 'The Wounds' employs a burlesque tone in its depiction of sexuality, violence, social revolt, and family strife, and yet it does so with such conviction that the movie becomes hypnotic. It would be satire, except its anger is so palpable. It would be allegory, except its writing is so vivid. Whatever it is, it's not easily forgotten.


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Message Boards

Recent Posts
R.I.P. Dusan Pekic (Pinki) aleks3
This is a great film... White_Whale
8.0 and not in top 250 ? mircea_nemes
What are the boys singing during the fornication scene? sergio-mcf
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