Seth Warner has reached the end of his rope. Ever since his wife died two years earlier, his world has been in turmoil. He is despondent, his career has fallen apart, even his house has ... See full summary »
A crowd of guys in their 20's spend most of their time hanging out. It's Christmas time in the early 1990's and the guys all begin to think it's about time they went about their lives ... See full summary »
Moscow, 1952. Anna is taken to the Kremlin where she has to cure Stanlin himself. She needs to keep the secret at all costs and as her relationship with the URSS leader grows, her couple with Vassilli tumbles.
A young man with an addiction to gambling has managed to get himself into serious debt. In an effort to pay off the bookies, his uncle pulls a few strings and gets him a job working for a gangster who needs a "runner" to place bets with various bookies. The gangster keeps his new "runner" on a short leash, and for the most part the young gambler behaves himself. However, the temptation of walking around with large sums of cash proves too great, and the "runner" puts both his job and his survival on the line when he dips into his boss's funds to buy a ring for his girlfriend. Written by
(Are You) The One That I've Been Waiting For
Written by Nick Cave
Performed by Nick Cave & The Bad Seeds
Courtesy of Mute Records Ltd. U.K./Reprise Records
By Arrangement with Warner Special Products See more »
A good plot and well-developed characters, but it ends up being too simplistic.
It is never pleasant to watch someone dig himself deeper and deeper into a hole, despite others' attempts to save him. Or because of others' attempts to make the hole deeper. Edward (Ron Eldard) is a compulsive gambler, born and raised in Las Vegas, who finds a solution to his money woes: run numbers for Deep Throat, a big-time gambler and thug (John Goodman). For a while, it looks like he's doing well -- Edward falls in love with Karina (Courtney Cox Arquette), and makes a good sum of money for Deep Throat. He cannot resist the temptations of gambling, however, and slowly, yet inevitably, slips time and again. Goodman is fun to watch -- no Mr. Nice Guy here. Arquette also acts well, showing a depth not seen in Friends or the Scream movies. Still, the movie lacks something -- there are a few subplots going on in the background that are never explained, and the ending, after a good build-up, ends up being too simplistic for my liking.
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