It is 1977, Dublin rocks to the music of Thin Lizzy and the world is stunned by the death of Elvis Presley. Frankie, caught between acne and adulthood, has just completed his final exams in... See full summary »
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students, who wants to search through his papers, and her estranged sister, who shows up to help settle his affairs.
A young man who was born without an immune system and has lived his life within a plastic bubble in his bedroom finds out that the woman he has loved since childhood is about to be married ... See full summary »
Jack is caught with the wife of his employer, a Vegas thug. The thug sends goons after Jack, who convinces his best friend, Pilot, to flee with him. Pilot insists that they head for Seattle, but doesn't tell Jack why. The goons learn from Pilot's drug source where the youths are headed, and they follow, hell bent on breaking Jack's feet. On the road, Jack and Pilot give a ride to Cassie, a distressed young woman. She and Jack hit it off. They pick up an aging stoner headed to Seattle for Kurt Cobain's memorial, and they help a circus sideshow family. Why is Pilot so set on Seattle, will the goons catch Jack, and is there any way the friends' competing needs can be resolved? Written by
In the club scene when they were "testing" the Molly, one of the club kids was Shannon Leto - Jared's brother and co-founder/drummer of their band 30 Seconds to Mars. See more »
When Jack decides to take a power saw and make their car into a "convertible", Pilot is seen asleep in the driver's seat on interior shots, but the car is empty in several of the exterior shots. See more »
[walks up to Pilot]
You the boyfriend? You like alligator dick?
[touches Pilot's lips]
Like to suck it?
See more »
There are a few things you have to keep in mind when watching a film like this, where the director's vision is a bizarre, artistic twist on a certain demographic, in this case, outer-Vegas trailer-trash. First off, he is showing some incredible chemistry between two unique characters, who are actually really fascinating people (Leto & Gyllenhaal). Secondly, whoever made a post about this film not holding itself together needs to take a step back for a second. As a film production major, I look for different styles and techniques while watching films. So maybe I just notice the cool little things that the Director does more.... or maybe some people just can't get past the bizarre story. I think this film was designed to take the viewer on a ride that many of them have not been on. The RAVE scenes where intense, and beautifully filmed. The visit to see the Dand-E-fine girls is classic. Gyllenhaal pulls off one of the most convincing stoners ever on film, and the kid is just - the man. Leto is brilliant in anything he ever has or ever will be in, the man is incredibly talented, and this project is no different. Blair does her job, she fits the part... not a huge fan, but it's certainly not a big enough deal to take anything away from the film, on any level. Jeremy Piven is a GOD. PERIOD. He delivers one of the best monologues in recent memory. John C. McGinley is always a nice addition to any movie. So with all these cool things to say about this little indie film, how come everyone doesn't agree? Maybe we weren't looking for the same thing when we watched it. But isn't that the case a lot of the time? Then why bad-mouth this film? They're being petty, that's why. Listen, I think that any film that serves its purpose and entertains should be given a chance... it's a cool little bizarre film. Enjoy.
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