| Arata | ... | Takashi Mochizuki, counsellor | |
| Erika Oda | ... | Shiori Satonaka, trainee counsellor | |
| Susumu Terajima | ... | Satoru Kawashima, counsellor | |
| Takashi Naitô | ... | Takuro Sugie, counsellor | |
| Kyôko Kagawa | ... | Kyoko Watanabe, Ichiro's Wife | |
| Kei Tani | ... | Kennosuke Nakamura, boss | |
| Taketoshi Naitô | ... | Ichiro Watanabe, who cannot choose his favourite experience | |
| Tôru Yuri | ... | Gisuke Shoda, who talks about sex | |
| Yûsuke Iseya | ... | Yusuke Iseya, who refuses to choose his experience | |
| Sayaka Yoshino | ... | Kana Yoshino, talks about Disneyland | |
| Kazuko Shirakawa | ... | Nobuko Amano, who talks about her affair with a married man | |
| Kotaro Shiga | ... | Kenji Yamamoto, who wants to forget his past | |
| Hisako Hara | ... | Kiyo Nishimura, old lady who loves cherry blossoms | |
| Sadao Abe | ... | Ichiro (as young man) | |
| Natsuo Ishidô | ... | Kyoko Watanabe as a young woman | |
| Tomomi Hiraiwa | ... | Receptionist | |
| Tae Kimura | ... | Dining Hall Worker | |
| Yasuhiro Kasamatsu | |||
| Akio Yokoyama | ... | Security Guard | |
| Miyako Yamaguchi | ... | Dining Hall Worker | |
| Kazuji Araki | ... | Dead Man | |
| Kunio Endo | ... | Dead Man | |
| Michi Okuma | ... | Dead Woman | |
| Shinichiro Okuno | ... | Dead Man | |
| Yoshitaka Kaneko | ... | Dead Man | |
| Keigyoku Kane | ... | Dead Man | |
| Yone Kori | ... | Dead Woman | |
| Masaaki Kojima | ... | Dead Man | |
| Terumasa Takahashi | ... | Dead Man | |
| Chie Takamatsu | ... | Dead Woman | |
| Kimiko Tatara | ... | Dead Woman | |
| Toshio Nomoto | ... | Dead Man | |
| Nanae Hirakawa | ... | Dead Woman | |
| Taro Bundo | ... | Dead Man | |
| rest of cast listed alphabetically: | |||
| Reila Aphrodite | |||
| Naruki Matsukawa | |||
Directed by | |||
| Hirokazu Koreeda | |||
Writing credits(in alphabetical order) | ||
| Hirokazu Koreeda | writer | |
Produced by | |||
| Masayuki Akieda | .... | producer | |
| Shiho Sato | .... | producer | |
| Yutaka Shigenobu | .... | executive producer | |
Original Music by | |||
| Yasuhiro Kasamatsu | |||
Cinematography by | |||
| Masayoshi Sukita | |||
| Yutaka Yamasaki | |||
Film Editing by | |||
| Hirokazu Koreeda | |||
Production Design by | |||
| Hideo Gunji | |||
| Toshihiro Isomi | |||
Sound Department | |||
| Osamu Takizawa | .... | sound designer | |
| Osamu Takizawa | .... | sound recordist | |
Camera and Electrical Department | |||
| Yuzuru Sato | .... | gaffer | |
Other crew | |||
| Linda Hoaglund | .... | subtitler: English | |
| Recent Posts (updated daily) | User |
|---|---|
| The old lady. | nachash91 |
| The last scene. | greenroot |
| That fancy clock | Cten05 |
| Dismal Setting | tcmaya |
| 2 scenes cut out? | readams |
| No longer available on DVD? | BenjaminKatz |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
The Afterlife is best thought of as a kind of thought experiment, perhaps in the same vein as Groundhog Day. The point is not that this may be what we experience after death; it is rather that we need to think more about what it is in this life that we'd really like to keep with us forever.
This point needs emphasis. When asked what we want most in life, most of us will talk about our career, or a business venture perhaps, or some other accomplishment. This movie suggests that these kinds of things may not, at the end of the day, be so important as some other experiences we may have. In any case, it challenges us to rethink what it is we really value.
Some reviewers complain about the quite ordinary surroundings and "poor production values" of the movie. I prefer to think of the choice of sets etc as humble and realistic. Could any movie, whatever its budget, ever possibly do justice to this subject matter?
Much of this movie is devoted to explorations of the lives of a number of rather ordinary people, trying to identify their most cherished memories. Some reviewers have condemned The Afterlife as boring, boring, BORING on this account. It all depends on whether other people interest you. If all you want to see is car chases, sex, explosions, cool special effects,...avoid this movie. Only, it's worth noting that the lives and thoughts of others may help us to better understand ourselves. And nowhere more so than in this movie.