Billie Frank, an out of work alcoholic actress, used to be somewhat of a star in her day, but now she's all washed up. With the help of her mother, Trudy, Billie tries to pick up the pieces... See full summary »

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3   2   1  
2001   2000   1999   1998  
Nominated for 1 Primetime Emmy. Another 1 nomination. See more awards »

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Cast

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 Billie Frank (55 episodes, 1998-2001)
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 Dave Parelli (55 episodes, 1998-2001)
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 Trudy Frank (55 episodes, 1998-2001)
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 Jackie Garcia (30 episodes, 1998-1999)
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Storyline

Billie Frank, an out of work alcoholic actress, used to be somewhat of a star in her day, but now she's all washed up. With the help of her mother, Trudy, Billie tries to pick up the pieces of her life and move on. Billie meets Dave, a guy who lives in her apartment building, and is also an alcoholic. The show is based upon their relationship, along with all the others in AA with them. Written by Jonesy

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... perfect for Showtime. See more »

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Comedy

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TV-MA
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1 August 1998 (USA)  »

Also Known As:

Príserná kocovina  »

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(55 episodes)

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1.33 : 1
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Did You Know?

Trivia

The character of Billie Frank is based upon Claudia Lonow's experience. Billie is an ex-soap actress who is famous for portraying a character called Diana Gateway in a series called "Emerald Bluff". Claudia Lonow is famous for portraying Diana Fairgate in Knots Landing (1979). See more »

Quotes

Billie Frank: I think that we should do something that makes us feel better.
Dave Parelli: What is there besides sex?
Billie Frank: Häagen-Dazs!
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Soundtracks

Another Rude Awakening
(Title Theme: 1998-2000)
Theme by Claudia Lonow, Chuck E. Weiss & Tony Gilkyson
Performed by Alana Davis
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User Reviews

A funny, intense half-hour of entertainment.
6 March 2000 | by (Fayetteville, AR) – See all my reviews

Perhaps one of the most "difficult" television series to ever make it into production, Showtime's "Rude Awakening" is worth the effort it takes to warm up to a cast of flawed, occasionally unlikable, and all-too-human characters.

The material is a look at addiction, sex, and dysfunctional families, filtered through a sitcom sensibility. Sherilyn Fenn's Billie Frank is habitually self-destructive, with a gift for making the wrong choice at every given opportunity, and most of the addiction, sex, and dysfunction revolves around her.

What makes Billie a watchable, sympathetic creation is her ability to spot her own culpability in her failures, and her sputtering, stuttering romance with Jonathan Penner's Dave. Penner gets a lot of mileage out of the show's thinnest major character, the owner of a coffee shop and the person who helped guide Billie into a 12-step program, but his function is mostly just to stand around and trade hyper-sexual barbs with Fenn.

Lynn Redgrave, on the other hand, is in full diva mode with Trudy, Bille's mother. And it is indeed a sight to behold; intensely, bitingly funny, cruel, and relentlessly self-involved, Trudy is a work of art. Unlike her daughter, Redgrave's character has no saving grace, but somehow remains the most compelling thing on the screen at any given moment.

Without question, RA's run has been uneven. When it wanders away from its central themes, the show can easily begin to look like the most painful sort of cable comedy, with little more than explicit language but like its main character, when "Rude Awakening" finds its feet and takes a clear-eyed look at where it is and where it hopes to go, it can make for a funny, intense half-hour of entertainment.


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