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Zatoichi Goes to the Fire Festival (1970)

Zatôichi abare-himatsuri (original title)
Not Rated | | Drama, Adventure, Action | 12 August 1970 (Japan)
Cowritten by star Shintaro Katsu, this adventure pits Zatoichi against one of his most diabolical foes: a blind yakuza boss whose reign of terror and exploitation has made him nearly mythic... See full summary »

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On the road, Zatoichi meets a dying pregnant woman and delivers the child moments before she passes. Honor bound, he sets out to find the next-of-kin who he discovers have their own problems.

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Star Shintaro Katsu sits in the director's chair for this psychedelic and unremittingly bleak entry in the Zatoichi series, which is unlike any other in its grind-house grimness. A tale of ... See full summary »

Director: Shintarô Katsu
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Zatoichi is tricked by a crime gang into killing a man. Realizing his mistake, he sets out to protect the dead man's sister, who is conflicted in accepting his help.

Director: Kenji Misumi
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Zatoichi runs afoul of some evil fugitives, working for a corrupt law official.

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Zatoichi returns to his home village for the first time in over ten years to find much has changed and that corruption abounds.

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Zatoichi tries to unrest the mob rule over a small village all while the gang leader's bodyguard is actually the Yojimbo, secretly taking the gang down from the inside. Will the two heroes realize in time that they are on the same side?

Director: Kihachi Okamoto
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After an artist is threatened by the yakuza into creating valuable but highly illegal pornography, the law aims to execute him. Zatoichi, having been honor bound to protect the man and his family, must now run against the law.

Director: Kenji Misumi
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In a town where debt-ridden peasants are being ruthlessly exploited, Zatoichi is forced to take sides between a cruel yakuza boss and his seemingly altruistic rival.

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Zatoichi, while fighting off the usual group of gangsters, meets the apprentice of the swordsman who created his blade, who relays bad news about the sword.

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Drama
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Promising to make a delivery for a dying man, the blind swordsman Zatoichi comes across the usual crime gangs but also meets a blind monk who brings into question his use of violence.

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A samurai with a high skill in chess makes friends with Zatoichi, who finds that things become peculiar in his presence.

Director: Kenji Misumi
Stars: Shintarô Katsu, Mikio Narita, Chizu Hayashi
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Cast

Cast overview, first billed only:
Shintarô Katsu ...
Reiko Ôhara ...
Kiyo
Pîtâ ...
Umeji
Kazuko Yoshiyuki ...
Wife
Kô Nishimura ...
Migi
Ryûnosuke Kaneda ...
Boss Kuroko
Kunie Tanaka ...
Packhorse Driver
Osami Nabe ...
Mistress Auctioneer
Jun Nagasawa ...
Egg Slinging Kuroko Yakuza
Utae Shôji ...
Teahouse Owning Wife
Reiji Shoji ...
Teahouse Owning Husband
Yôsuke Kondô ...
Boss Men
Kenzo Tatake ...
Wealthy Mistress Auction Buyer
Yoshio Yoshida ...
Mistress of Auction Yakuza Boss
Eizô Kitamura
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Storyline

Cowritten by star Shintaro Katsu, this adventure pits Zatoichi against one of his most diabolical foes: a blind yakuza boss whose reign of terror and exploitation has made him nearly mythic. Guest starring the legendary Tatsuya Nakadai as a ronin haunted by a traumatic past, and featuring an unforgettable nude swordfight in a bathhouse, this twenty-first entry in the series is a fan favorite. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A legendary figure in Japan is Zatoichi - the blind masseur with healing hands and a swift sword.


Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

12 August 1970 (Japan)  »

Also Known As:

Zatoichi Goes to the Fire Festival  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Connections

Followed by Zatôichi (1989) See more »

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User Reviews

 
Sweet, often interesting and potently exiting entry in the long running chanbara series
26 May 2009 | by (United Kingdom) – See all my reviews

I revisited this one last night, after not thinking over much of it on a first viewing some years ago. Unlike some of the more exploitative of openly deranged and violent old school swordplay outings, the Zatoichi films were it seems, pretty serious minded and fairly mild when it came to grue or craziness. This one has a tiny bit of blood splatter but its basically pretty dry. I'm more naturally suited to watching films like the Lone Wolf and Cub movies or Shintaro Katsu's own Hanzo movies, but I found myself having a good time with this film. Its definitely a mood thing but also I think that the Zatoichi films have a cumulative effect, in that the more you watch the more you come to know his character and appreciate the style of film, so each movie builds upon the last. This film sees Zatoichi arouse the jealousy of a mysterious wandering samurai and the wrath of a blind Yakuza boss, in a tale that seem almost languid in the first hour or so, before gearing up for a cracking conclusion. Of course, when I say languid I don't mean boring, the film has a variety of fun characters and a vibrant, kooky sense of humanity to it that is always oddly compelling, as well as splashes of swift and sweet swordplay as Zatoichi dispatches all comers. There are also a few moments of wacky humour like Zatoichi landing buckets on attackers heads during a pitched naked swordfight in a bath house and some eye opening moments, like Zatoichi's encounters, and near very close encounter with a gay (I assume) pimp. This last is played by the cult performer Peter in an early role. He later became a bit more known to trash fans for playing the titular role in Guinea Pig 6: Devil Woman Doctor. Also of note cast wise are veteran actor Tatsuya Nakadai, who appeared in the likes of Ran and Kagemusha, grimly determined and righteously ticked off as the jealous samurai, beautiful Reiko Ohara as a bit of a love interest for our mighty blind swordsman, and Masayuki Mori as the seemingly wise, ultimately sinister blind boss, who really comes into strikingly malign form in the finale. The last 20 minutes or so are tight and thrilling, as the earlier sense of fun and near frivolity switches into mean intensity, climaxing with a couple of fine and memorable fights and a bit of trademark bleak philosophising from Zatoichi. Everything knits together well and the film acquires a real good punch. Though I think I'll have to come back to this film after seeing more of the series down the line to appreciate it more, I can still see it as a fine film with a lot going for it for fans of this kind of cinema. I'd say its probably the second best, or maybe even the joint best of the ones I've seen thus far, parring with or slightly lesser to Zatoichi The Outlaw. So, Zatoichi fans will undoubtedly dig this one and newcomers will probably find it a good entry into the series. Those looking for faster and grislier things will likely be put off, as I initially was, but its rewarding stuff and something that definitely repays repeat viewings. Ultimately, if it looks like your sort of thing and you've read to the end of this review without being put off, why not check it out? You could do far worse, and you might really dig it.


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