Directed by | |||
| Greg Roach | |||
Writing credits | ||
| Chris Carter | (story) | |
| Richard Dowdy | written by | |
| Greg Roach | written by | |
| Frank Spotnitz | story editor | |
Produced by | |||
| Halle Eavelyn | .... | executive producer | |
| Luke Letizia | .... | associate producer | |
| Phil Peters | .... | producer | |
| Paul Provenzano | .... | executive producer | |
| Gary Sheinwald | .... | producer | |
Original Music by | |||
| Paul Hiaumet | |||
| Mark Snow | |||
Cinematography by | |||
| Jon Joffin | |||
Film Editing by | |||
| Greg Roach | |||
Casting by | |||
| Halle Eavelyn | |||
Production Design by | |||
| Phil Peters | (as Philip Peters) | ||
| Greg Roach | |||
Art Direction by | |||
| Jeanne E. Franz | |||
Costume Design by | |||
| Lisa Kohl | |||
Production Management | |||
| J. Daniel Dusek | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jonas Batt | .... | key second assistant director | |
| Wendi Lampassi | .... | first assistant director | |
| Darin Mercado | .... | second assistant director | |
Art Department | |||
| Kathleen Kasinger | .... | property master | |
| Robert Leisle | .... | assistant prop master | |
| Gretchen Warthen | .... | sets and props | |
Sound Department | |||
| Mickey McMullen | .... | boom operator | |
Special Effects by | |||
| Tony Bohorquez | .... | model maker: miniatures | |
| Michael E. Christ | .... | special effects coordinator | |
| Mark McDaniel | .... | pyrotechnician | |
Stunts | |||
| David Boushey | .... | stunt coordinator | |
| Ian Boushey | .... | stunts | |
| Jolene Hjerleid | .... | stunts | |
| Eric Johnson | .... | stunts | |
| Robert McDougall | .... | stunts | |
| Kerry Skalsky | .... | stunts | |
Camera and Electrical Department | |||
| Mark L. Anderson | .... | camera operator | |
| Theo Angell | .... | director of photography: second unit | |
| Craig Bilodeau | .... | grip | |
| Steve Colgrove | .... | electrician | |
| Cole Drumb | .... | electrician | |
| Tony Ghiglione | .... | grip | |
| Jon LaFollette | .... | key grip | |
| Giovani Lampassi | .... | gaffer | |
| Michael LePard | .... | electrician | |
| Mami Morisaki | .... | second assistant camera | |
| Caleb R. Nelson | .... | grip | |
| Kevin O'Connell | .... | electrician | |
| Jimmie R. Owens | .... | grip | |
| Martijn Veltman | .... | electrician | |
| Charlie Waldron | .... | electrician | |
Transportation Department | |||
| Ronnie King | .... | transportation co-captain | |
| Jon McCarthy | .... | transportation captain | |
Other crew | |||
| Rebecca DeGeorge | .... | script supervisor | |
| Tina Frolund | .... | script supervisor | |
| Phil Hadler | .... | production assistant | |
| Jackson P. Hamiter | .... | internal quality assurance | |
| Jenny Hinkey | .... | script supervisor | |
| Basilio Holder | .... | production assistant | |
| Heather Murphy | .... | production coordinator | |
| Somsy Vejsiri | .... | location assistant | |
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| The X Files | Clear and Present Danger | The X Files: I Want to Believe | Eraser | The Negotiator |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
This was one of the few major games I could play on my old PowerMac, so I was very thankful for the opportunity to even play it. Tough, intriguing and sometimes frustrating, I enjoyed the time I got to play on it, despite the ire I drew from my parents. The only thing I didn't like was Agent Willmore, who was poorly casted in the role. Beyond that, a good show!