| Bill Pullman | ... | The Virginian | |
| Diane Lane | ... | Molly Stark | |
| John Savage | ... | Steve | |
| Harris Yulin | ... | Judge Henry | |
| Colm Feore | ... | Trampas | |
| James Drury | ... | Rider | |
| Gary Farmer | ... | Buster | |
| William MacDonald | |||
| Brent Stait | ... | Griffin | |
| Sheila Moore | ... | Mrs. Henry | |
| Darcy Belsher | |||
| Philip Granger | ... | Ben | |
| Dennis Weaver | ... | Sam Balaam | |
| Dawn Greenhalgh | ... | Molly's Mother | |
| Norman Edge | ... | Thorsen | |
| Jim Rattai | ... | Nebrasky (as James Rattai) | |
| Mark Anderako | ... | Mr. Odgen | |
| Maureen Rooney | ... | Mrs. Ogden | |
| Billy Merasty | ... | Lee Talltrees | |
| Tom Glass | ... | Drifter | |
| Joe Dodds | ... | Thick Bandana | |
| Stephen Hair | ... | Bannister | |
| Marty Antonini | ... | Craig | |
| Keith Frey | ... | Wagon Driver | |
| Maesa Pullman | ... | Alice Bell | |
| Al Hurwitz | ... | First-aid worker | |
| Jessica Blatt | ... | Young Female Househand | |
| Arnold Lawson | ... | Wiggins | |
| Larry Austin | ... | Diamond Joe | |
| Farron Dearden | ... | 9 Year Old Boy | |
| Tom Morris | ... | Piano Player | |
| Ben Tone | ... | Quinces | |
| Dillinger Steele | ... | Shorty | |
| Iloe Flewelling | ... | Aunt Edna | |
| Raven Robson | ... | 9 Year Old Girl | |
| Meggie Beal | ... | 11 Year Old Girl | |
| Melissa Softley | ... | Flower Girl | |
| Chris Benson | ... | Drummer (as Christopher Benson) |
Directed by | |||
| Bill Pullman | |||
Writing credits(WGA) | ||
| Owen Wister | (novel) | |
| Larry Gross | (teleplay) | |
Produced by | |||
| Daniel H. Blatt | .... | executive producer | |
| Ruth Fainberg | .... | producer | |
| Grace Gilroy | .... | co-producer | |
| Gary M. Goodman | .... | producer | |
| Bill Pullman | .... | producer | |
| Lynn Raynor | .... | producer | |
| Barry Rosen | .... | executive producer | |
Original Music by | |||
| Nathan Barr | |||
Cinematography by | |||
| Peter Wunstorf | |||
Film Editing by | |||
| Paul Trejo | |||
Casting by | |||
| Anne McCarthy | |||
| Mary Vernieu | |||
Production Design by | |||
| Rick Roberts | |||
Art Direction by | |||
| Tracey Baryski | |||
Set Decoration by | |||
| Janice Blackie-Goodine | |||
Costume Design by | |||
| Jane Robinson | |||
Makeup Department | |||
| Chris Bridges | .... | animatronic designer | |
| Iloe Flewelling | .... | key hair stylist | |
| Gail Kennedy | .... | key makeup artist | |
| Echo Noyes | .... | assistant hair stylist | |
| Joanne Preece | .... | assistant makeup artist | |
Production Management | |||
| Bruce Dunn | .... | post-production supervisor | |
| Grace Gilroy | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Phil Chipera | .... | first assistant director: pick-ups | |
| Warren Cronin | .... | trainee assistant director | |
| Richard Duffy | .... | third assistant director: second unit | |
| Anne Fraleigh | .... | third assistant director | |
| Tom Glass | .... | second unit director | |
| Alan Goluboff | .... | first assistant director | |
| Chris Lamb | .... | third assistant director | |
| Kayla Popp | .... | first assistant director: second unit | |
| Kristie Sills | .... | second assistant director | |
| Craig Wallace | .... | first assistant director: second unit | |
| Tovah Zalik-Wallace | .... | trainee assistant director | |
Art Department | |||
| Sean Blackie | .... | assistant set decorator | |
| Dave 'Grizz' Borley | .... | construction coordinator | |
| Jason Coxworthy | .... | set dresser | |
| Ron Darby | .... | construction buyer | |
| Laurie Dobbie | .... | assistant property master | |
| Darrin Fletcher | .... | storyboard artist | |
| Dean Goodine | .... | property master | |
| Amber Humphries | .... | set decoration buyer | |
| Duane E. Martin | .... | on-set dresser | |
| Denise Nadredre | .... | scenic artist | |
| Melodi Petrigo | .... | art department coordinator | |
| Gary Clayton Ripley | .... | scenic artist (as Gary Ripley) | |
Sound Department | |||
| William H. Angarola | .... | supervising sound editor | |
| Garrell Clark | .... | sound mixer | |
| Thomas DeGorter | .... | supervising foley editor | |
| Gary Gegan | .... | sound re-recording mixer | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| Anna MacKenzie | .... | sound editor | |
| Christopher B. Reeves | .... | dialogue editor | |
| Daniel Tripoli | .... | dialog & adr editor | |
| Markus Wade | .... | boom operator | |
| Rick Hinson | .... | supervising sound editor (uncredited) | |
Special Effects by | |||
| James Paradis | .... | special effects coordinator | |
Visual Effects by | |||
| Tim T. Cunningham | .... | visual effects producer (uncredited) | |
| Mitchell S. Drain | .... | visual effects supervisor (uncredited) | |
Stunts | |||
| Joe Dodds | .... | stunts | |
| Denton Edge | .... | stunts | |
| Norman Edge | .... | stunts | |
| Jim Finkbeiner | .... | stunts | |
| Bruce Flewelling | .... | stunts | |
| Corry Glass | .... | stunts | |
| Jason Glass | .... | stunts | |
| Kristy Glass | .... | stunts | |
| Shawn Lauder | .... | stunts | |
| Vern Lonsberry | .... | stunts | |
| Ross Nelson | .... | stunts | |
| Lynn Patterson | .... | stunts | |
| Blake Schlosser | .... | stunts | |
| Greg Schlosser | .... | stunts | |
Camera and Electrical Department | |||
| John Adshead | .... | key grip | |
| Christopher Ball | .... | camera operator: second unit | |
| Kirk Chiswell | .... | first assistant camera | |
| Donovan Fraser | .... | second assistant camera | |
| Stephen Goad | .... | best boy electric | |
| David Gray | .... | still photographer | |
| Kenneth Hewlett | .... | director of photography: second unit | |
| Corey Lee | .... | best boy grip | |
| Stephan McLellan | .... | electrician | |
| Chris Meakes | .... | gaffer | |
| Tim Milligan | .... | dolly grip | |
| Chooch Paglaro | .... | video assist operator | |
| Quincy Paglaro | .... | second assistant camera | |
| Scott Storm | .... | grip | |
| Carey Toner | .... | Steadicam operator | |
| Carey Toner | .... | camera operator: "a" camera | |
| John Trapman | .... | camera operator: Wescam camera | |
| Ed Turner | .... | lamp operator | |
| Joe Waistell | .... | first assistant camera | |
| Gregory White | .... | first assistant camera: aerial unit | |
Casting Department | |||
| Sean Cossey | .... | casting assistant: Canada | |
| Alyson Lockwood | .... | extras casting | |
| Rachael Erwin | .... | casting assistant (uncredited) | |
| Chris Parson | .... | casting intern (uncredited) | |
Editorial Department | |||
| Wendi Jill Raderman | .... | assistant editor | |
Transportation Department | |||
| Bruce McGregor | .... | production driver | |
| Grant McPhee | .... | transportation captain | |
| Bruce Milward | .... | driver: honeywagon | |
Other crew | |||
| Bannister Bergen | .... | production assistant | |
| Mark Bronson | .... | post-production accountant | |
| Gary Brunson | .... | assistant post-production accountant | |
| Robert Hilton | .... | location manager | |
| Peter Horn | .... | assistant location manager (as Peter G. Horn) | |
| Connie House | .... | craft service | |
| Tara Howie | .... | production assistant | |
| Tara Howie | .... | utility stand-in | |
| Michael Kruk | .... | production assistant | |
| Anisa Lalani | .... | production coordinator | |
| Michael Lewis | .... | production controller | |
| Nancy Joy McDonald | .... | script supervisor | |
| Danielle McVickers | .... | assistant: Mr. Blatt | |
| Marion Milner | .... | script supervisor: second unit | |
| James Ralph | .... | stand-in | |
| Heather Roscorla | .... | assistant accountant | |
| Jacqueline Wechselberger | .... | production accountant | |
| Chris Ippolito | .... | stand-in (uncredited) | |
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| Dark Command | The Ox-Bow Incident | The Quick and the Dead | Cat Ballou | Destry |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Emphasis has been placed on realism is this exceptionally scripted and well directed/enacted version of previously screened material. The characters' interrelationships have been portrayed in much greater depth than is usual in many action westerns. It's refreshing to have the issue of guilt and ambivalence resulting from an act of moral conviction and responsibility revealed, elevating the value of what could have been simply a stale reissue of antique western genre. This fresh film provides the opportunity of fulfilling viewing--worth the investment of time.