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Tip Tap Toe (1932)

6.7
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Ratings: 6.7/10 from 15 users  
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Hal and Mitzi have known each other since they were babies. Tap dancer Hal now works as a window dresser in Blake's Department Store, owned by Mitzi's dad. Mr. Blake hates jazz music and ... See full summary »

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(as Alf Goulding)
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Title: Tip Tap Toe (1932)

Tip Tap Toe (1932) on IMDb 6.7/10

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Cast

Complete credited cast:
Hal Le Roy ...
Hal Evans
Mitzi Mayfair ...
Mitzi Blake
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Storyline

Hal and Mitzi have known each other since they were babies. Tap dancer Hal now works as a window dresser in Blake's Department Store, owned by Mitzi's dad. Mr. Blake hates jazz music and dancing. He refuses to let Mitzi marry Hal, because Hal's ambition is to be a dancer on stage. When Mitzi reveals a secret about Mrs. Blake's past, her father soon changes his tune. Written by David Glagovsky <dglagovsky@verizon.net>

Plot Summary | Add Synopsis

Plot Keywords:

dance | tap dancing | See All (2) »

Genres:

Comedy | Musical | Short

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Details

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Release Date:

22 October 1932 (USA)  »

Company Credits

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Technical Specs

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Sound Mix:

(Vitaphone)
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Did You Know?

Trivia

Vitaphone production reels #1464-1465. See more »

Soundtracks

Sweethearts Forever
(uncredited)
Music by Cliff Friend
First number danced by Hal Le Roy
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User Reviews

 
High Kicking Kids
11 July 2003 | by (Forest Ranch, CA) – See all my reviews

A WARNER BROS. VITAPHONE Short Subject.

A pair of dancing sweethearts carry on a private romance in a very public department store window.

TIP TAP TOE is an enjoyable little film and serves primarily as a showcase for its incredibly lithe & limber young stars Hal LeRoy and Mitzi Mayfair, stars of the Ziegfeld Follies of 1931. The story is very silly, but agreeable, and the plot doesn't get too much in the way of the highly energetic duo.

Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.


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