Jon Arbuckle travels to the United Kingdom, and he brings his cat, Garfield, along for the trip. A case of mistaken cat identity finds Garfield ruling over a castle, but his reign is soon jeopardized by the nefarious Lord Dargis , who has designs on the estate.
Jennifer Love Hewitt,
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two come back together. On the way he discovers France, bicycling, and true love, among other things.
When the Littles go to an orphanage to adopt a new family member, their son, George, insists on a little brother as opposed to a big one. His request is honored more literally than he ever imagined when a charming young mouse named Stuart is chosen. While George is disappointed and initially unwelcoming to his new brother, the family cat, Snowbell, is even less enthusiastic at the prospect of having a mouse as his "master" and plots to get rid of him. Against these difficulties, Stuart resolves to face them with as much pluck, love and courage as he can muster. In doing so, he shows his beloved new family that great things can truly come in small packages. Written by
Kenneth Chisholm <email@example.com>
In December 2009 Gergely Barki (an art researcher at Hugary's National Gallery) was watching the film with his daughter and saw a painting on the wall in the background of the Little apartment. He recognized it as the long-lost work "Sleeping Lady with Black Vase" by Robert Bereny, which Barki had only ever seen as a black & white photograph from 1928. Barki hunted the painting through the studio, finding it had been purchased from an antique shop by an assistant to the set designer for $500 to use in the film; she then purchased it from the studio once the production was completed. The painting was sold by the American owner to a collector. As of November 2014 the painting was to be auctioned in Budapest, with a starting price of EUR110000 ($137000). See more »
Snowbell loses his collar and tags into the lake when the Central Park altercation takes place, but he is wearing them again when he returns to the Littles' house. See more »
[while the alley cats are chasing Stuart in the roadster]
I hope he runs out of gas!
I hope you do!
Why don't you run to the back?
I can't help it! I have a nervous stomach!
And I have an empty stomach! Now, get that mouse!
See more »
The opening credits are shown on a typewriter. See more »
If you told me five years ago that I'd be watching a movie about a mouse who is adopted by humans, I'd probably ask you what kind of drugs you were taking and how many would I need to take to enjoy such puerile piffle. But five years ago we didn't have the kind of technical wizardry we have now; witness Toy Story, the new Star Wars, or any of the recent Disney films. Five years ago, the mouse would have been a regular rodent with a not-too-subtle voiceover. Remember Homeward Bound, the movie about the two dogs and the cat? There was no computer animation there, and you were basically left with three animals who appeared to cavort onscreen while some humans talked in the background.
So now here we have Stuart Little, a tiny little mouse (voiced by the always-fresh Michael J. Fox) who has lived his entire life in an orphanage. One day, the Littles (Hugh Laurie and Geena Davis) come to the orphanage looking for a brother for their young son George (Jonathan Lipnicki). Of course, with so many cute little boys and girls, it's impossible to choose - until they come across Stuart, who seems smart, funny, and wise beyond his years. George isn't too fond of Stuart at the start - he expected something a little... um, taller - but this is a kids' movie, after all, so eventually they bond as only a boy and his mouse brother can - by winning a boat race against a nasty bully.
There are a few storylines jammed into this 85-minute extravaganza. Stuart wants to learn about his natural parents, the family cat wants to kill him, and the parents want Stuart and George to get along. The way most of it plays out will come off as standard movie fare - predictable to those of us over 10, perhaps - but the winning charm of Fox as the loveable Stuart coupled with an engaging and appealing cast of characters makes up for any familiarity you might feel. On top of it all - the special effects. Now, I'm not one to heap overweening praise on special effects, but at no point during the viewing of this movie did I consider Stuart (or the cat, voiced by Nathan Lane) to be an artificial computer creation. Sure, you have to suspend belief a little bit for this movie, but hey - don't you have to do that with almost any movie, anyway?
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