A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
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Detective/psychologist Alex Cross loses his partner in an out of control 'bust.' He stops working and cannot forgive himself. He is drawn back to work reluctantly when a senator's daughter is kidnapped and the kidnapper seems to want to deal with Alex personally. Written by
This story takes place over the course of a few days. In the novel that the film is based on, the story takes place over the course of around two years. Also, in the book, Alex Cross is 38 years old with two kids, where as in the film he is in his mid to late fifties. See more »
When Soneji returns from his firefight with Cross and Flannigan outside the Russian President's house, he has a silencer on his gun, but during the firefight he clearly doesn't have one on. See more »
Tonight was your first night at the club, wasn't it?
No. I've been there a few times before.
Really? Well, how come I haven't seen you?
I noticed you the first night I walked in. You always stand out.
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The final two characters listed are Man Who Can't Answer Phone Potentially Evil Guy On Train See more »
Precocious kids, computers, and a famous kidnapping figure into this elaborate thriller set in Washington, D.C. A guilt-ridden detective (Morgan Freeman) and his Secret Service partner (Monica Potter) try to catch a psycho who abducts the child of a prominent family. The film is aimed at viewers who like crime puzzles and mind games. There's lots of action and dark suspense.
The film's underlying concept is fascinating and clever. But the screenplay overlays the ingenious concept with implausible, and at times confusing, plot twists. After my second viewing I still had unanswered questions.
The screenplay had another weakness. At least seven times, it used TV news coverage of the abduction to advance the plot. Relying on TV news reporting is a stale and tiresome plot device that detracts from any film, in my opinion. Here, its repetitiveness made it even more irritating.
The film's characters were not particularly interesting. Freeman's Alex Cross was dull and plodding; Potter's Jezzie Flannigan was nasal and humorless. And the melodramatic music was manipulative and too loud.
"Along Came A Spider" does have entertainment value, derived from its suspenseful action, and cloak and dagger intrigue, enhanced by excellent cinematography and good set design. I just wish that the film's screenplay had been as clever as the concept upon which the screenplay was based.
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