The series follows the lives of both the family and the servants in the London townhouse at 165 Eaton Place. Richard Bellamy, the head of the household, is a member of Parliament, and his ... See full summary »
David Powlett-Jones has just returned to England from the trenches of WWI. He was injured and shell-shocked and, after a spell in hospital he gets a job teaching in a boys boarding school ... See full summary »
Re-united after 50+ years apart, Celia and Alan decide to marry. At age 16, Alan's late wife failed to pass on his letter with apology for missing first date and forwarding address. Both now have daughters with lover troubles.
Freddie and Stuart are an old gay couple who have been together for nearly 50 years. Their lives now revolve around entertaining their frequent guests and hurling insults at each other at every opportunity.
Frances de la Tour
After the downfall of Cardinal Wolsey, his secretary, Thomas Cromwell, finds himself amongst the treachery and intrigue of King Henry VIII's court and soon becomes a close advisor to the King, a role fraught with danger.
This British series ran on PBS in the late '80s and stars Barbara Murray and Norman Rodway as Lydia and Charles Brett, theatre stars in London in the 1920s and 30s. Indeed, their whole family is involved in theatre and includes outrageous Martha (Belinda Lang), sullen Edwin (David Yelland), serious Tom the writer (George Winter), and young Perdita (Sally Cookson). Then there are Charles' actor parents (Frank Middlemass and Helenea McCarthy)as well.
In 19 episodes, the stories deal with life in the theatre but also the coming of sound to the movies and the various relationships between all the main characters as well as their servants.
Some of the story lines are weak (like the Irish political stuff) but most are on target. Charles is a vain and stubborn man who overshadows Edwin on the stage, but Edwin (equally vain and stubborn) becomes a hit in movies. Lydia is a musical comedy star and plays peacekeeper at home. Martha is rather outrageous on stage and also in her personal life with a string on scandals linked to her name. Then there's Tom with all his writer angst.
The period sets and clothes are perfect and so are the various old cars. There's lots of old music and references to contemporary stars. It's all very well done.
Barbara Murray and Norman Rodway are excellent as Lydia and Charles, but I'm not sure if Belinga Lang as Martha doesn't steal the show.
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