A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. This will only take ten minutes, they say, but it turns out to be one ... See full summary »
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. This will only take ten minutes, they say, but it turns out to be one loose end after another, and the ten minutes he is away from his speech become longer and longer... Written by
Maarten Hofman <firstname.lastname@example.org>
Compelling thriller stumbles before the finish line.
A film with Gene Hackman and Morgan Freeman in the two main roles is a dream come true for anyone who loves the art of acting, and their performances here (especially Hackman's, who after all does have the more showy part) are stunning. Stephen Hopkins' direction is hip, inventive and unstagy (though it must be said that his "a person can physically visit someone else's flashbacks" trick had already been done three years earlier, in "The Ugly"), the dialogue is sharp, and the story is compelling. So what's wrong with this picture? You guessed it...the ending! Simply put, the ending is baffling and unbelievable, no matter how you try to "explain" it. This film closely resembles the 1994 French thriller "A Pure Formality", and the irony is that, although that was a much worse film overall, it had a genuine surprise at the end, while "Under Suspicion" has the kind of "surprise" that makes the whole film come off as one big red herring. (**1/2)
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