CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
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A lawyer becomes a target by a corrupt politician and his NSA goons when he accidentally receives key evidence to a serious politically motivated crime.
A CIA agent on the ground in Jordan hunts down a powerful terrorist leader while being caught between the unclear intentions of his American supervisors and Jordon Intelligence.
Director:
Ridley Scott
Stars:
Leonardo DiCaprio,
Russell Crowe,
Mark Strong
On a US nuclear missile sub, a young first officer stages a mutiny to prevent his trigger happy captain from launching his missiles before confirming his orders to do so.
Director:
Tony Scott
Stars:
Denzel Washington,
Gene Hackman,
Matt Craven
With an unmanned, half-mile-long freight train barreling toward a city, a veteran engineer and a young conductor race against the clock to prevent a catastrophe.
Director:
Tony Scott
Stars:
Denzel Washington,
Chris Pine,
Rosario Dawson
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
Director:
Jay Russell
Stars:
Joaquin Phoenix,
John Travolta,
Jacinda Barrett
When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians. Written by
Sujit R. Varma
Ciarán Hinds (President Nemerov) who did not previously speak a word of Russian, learned all of his large chunks of Russian dialogue in two weeks. See more »
Goofs
When Jack is in bed with Cathy, a shot of their feet shows Jack to be on the right. When we see their bodies, Jack is on the left. See more »
Quotes
[over the Hot Line, after the carrier attack]
President Nemerov:
[in Russian]
I ordered no such attack. You must not respond to this action until we have investigated all possibilities.
President Fowler:
Like you did in Chechnya? Mr. President, who is in control of your armed forces?
President Nemerov:
[in Russian]
You dropped the bomb on Hiroshima. You dropped the bomb on Nagasaki. Do not lecture me on Chechnya!
See more »
"Romance: Io la vidi e al suo sorriso"
from opera "Don Carlo"
Composed by Giuseppe Verdi
Performed by Thomas Harper
Conducted by Michael Halász
with Czecho-Slovak Radio Symphony Orchestra (Bratislava) and Slovak Philharmonic Chorus
Courtesy of Naxos of America
By Arrangement with Source/Q See more »
The movie adaptation of Tom Clancy's "The Sum of All Fears" might be a starkly frightening movie, could be a cautionary tale of homeland terrorism and nuclear war - that is, if it wasn't caught in the confounding cinematic time-warp it finds itself in. It is primarily set after the fall of the Berlin wall and the end of the nuclear arms race with the Russians, however it's also a prequel with a younger, cocky Jack Ryan (plug-in flavor of the month Ben Affleck) and with the principle villains being Nazis. This movie will probably be remembered more for it's unfortunate post-9/11 release date (which gave it a sense of importance) then the silly story and content. It's not even so much that the Nazis-as-bad-guys thing is an overused, now out of date cliche as much as the idea that they were Middle Eastern terrorists in Clancy's book and the writers and director Phil Robinson changed them smacks of pure political correctness. Nobody wants to offend the terrorists. As a result the movie feels phony. And that's a big problem because we feel detached from it and, thus, don't feel it is as sharp, timely and intense as Clancy meant it to be. The reason that movies like "Fail Safe" and "Dr. Strangelove" were so brilliant is because they were gutsy enough to take on the public's fears directly. This movie isn't, in fact, it goes out of it's way to hide in it's phony world from doing anything gutsy. All movie villains have to be white Anglo Saxon Europeans most likely with `sinister' Russian or German accents. This type of stuff might frighten liberal Hollywood types who think the president might drop nukes at any moment, but it's not going to resonate with most people.
It also doesn't help that we can't connect with the characters. Affleck does a fine job or running around yelling, but there isn't a lot of development in the young Ryan or in any character we meet. Robinson's direction is purely rudimentary. The whole thing has the feel of a clumsy TV movie. It's race-against-the-clock gives us no real payoff. There is exactly one really good scene here involving Morgan Freeman, a cell phone and a stadium full of people. It also has one interesting little monologue about how the internet and technology has connected terrorism globally like never before. But without any characters, eye-candy action or resonating story we're left pondering why we wasted our time on this thing.
Alternate viewing recommendation: "24 - Season 2". Kiefer Sutherland's Jack Bauer runs circles around Ryan in generally the same plot only more intense, frighteningly timely and on a more epic scale.
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Final Score: 4.0 (out of 10)
The movie adaptation of Tom Clancy's "The Sum of All Fears" might be a starkly frightening movie, could be a cautionary tale of homeland terrorism and nuclear war - that is, if it wasn't caught in the confounding cinematic time-warp it finds itself in. It is primarily set after the fall of the Berlin wall and the end of the nuclear arms race with the Russians, however it's also a prequel with a younger, cocky Jack Ryan (plug-in flavor of the month Ben Affleck) and with the principle villains being Nazis. This movie will probably be remembered more for it's unfortunate post-9/11 release date (which gave it a sense of importance) then the silly story and content. It's not even so much that the Nazis-as-bad-guys thing is an overused, now out of date cliche as much as the idea that they were Middle Eastern terrorists in Clancy's book and the writers and director Phil Robinson changed them smacks of pure political correctness. Nobody wants to offend the terrorists. As a result the movie feels phony. And that's a big problem because we feel detached from it and, thus, don't feel it is as sharp, timely and intense as Clancy meant it to be. The reason that movies like "Fail Safe" and "Dr. Strangelove" were so brilliant is because they were gutsy enough to take on the public's fears directly. This movie isn't, in fact, it goes out of it's way to hide in it's phony world from doing anything gutsy. All movie villains have to be white Anglo Saxon Europeans most likely with `sinister' Russian or German accents. This type of stuff might frighten liberal Hollywood types who think the president might drop nukes at any moment, but it's not going to resonate with most people.
It also doesn't help that we can't connect with the characters. Affleck does a fine job or running around yelling, but there isn't a lot of development in the young Ryan or in any character we meet. Robinson's direction is purely rudimentary. The whole thing has the feel of a clumsy TV movie. It's race-against-the-clock gives us no real payoff. There is exactly one really good scene here involving Morgan Freeman, a cell phone and a stadium full of people. It also has one interesting little monologue about how the internet and technology has connected terrorism globally like never before. But without any characters, eye-candy action or resonating story we're left pondering why we wasted our time on this thing.
Alternate viewing recommendation: "24 - Season 2". Kiefer Sutherland's Jack Bauer runs circles around Ryan in generally the same plot only more intense, frighteningly timely and on a more epic scale.