How tenuous is man's hold on civilization when survival becomes an issue? When the lights go out and stay out for several days, suburbanites Matthew and Annie learn the hard way that man is... See full summary »
Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
Tom's a regular guy, a utilities lineman, married, with a young son, his wife is pregnant; he hangs out with long-time pals in a Chicago neighborhood. At a party, his sister-in-law hypnotizes him, and he goes into a deep trance. Before waking him, she suggests that he keep his mind open. That night he sees flashes of violence and the ghost of a young woman. His young son, too, is "a receiver," but while the boy is calm and coherent in his conversations with spirits, Tom is confused and agitated. Over time, the young woman's story comes to the surface, and Tom begins a hunt for her body that puts him and his usually understanding wife, Maggie, in grave danger. Written by
In the scene where Tom gets angry after digging in the back yard and kicks the bucket towards the wall, it was not suppose to hit and break the window. This was a "happy accident" and it could be used in the film as Kevin Bacon stayed in character and continued the scene. See more »
When Tom is arguing with Maggie in the back yard, a piece of dirt on Tom's shoulder appears and disappears from scene to scene. See more »
Performed by Moist
Written by David Usher, Mark Makowy, Jeff Pearce and Kevin Young
Published by EMI April Music Inc. (ASCAP) o/b/o EMI April Music (Canada) and Like a Scarf Music
Courtesy of A&M Records, Inc. under license from Universal Music Special Markets See more »
I mean, apart from that being the original book's name. There's no direct reference to the title anywhere through the movie. That's the only thing that bothered me through the whole movie, really. Guess it just unsettled me. Except that Einstein wasn't a Gemini, he was born in March. He was a Pisces. But that's irrelevant.
There are lots of little things that make this movie great. There are so many bits where you expect something to happen, but it doesn't. That makes you look for the next one, when it really *must* happen this time, for sure. And it doesn't. Again. So you're kept on the edge of your seat, waiting for something scary to jump up and frighten you half to death. But it doesn't. For all its spooky and weird subject-matter, Stir of Echoes keeps it simple, and in doing so makes itself even more climactic.
Where The Sixth Sense was spooky, this movie is frightening. It's like when you watched Dr Who as a kid and hid behind the couch because you couldn't bear to watch. Kevin Bacon is fantastic, and loses his mind quite convincingly. The 'Dig' sequence, along with the total madness that follows, reminds me of Stephen King's The Tommyknockers. And that book was spooky enough.
Zachary David Cope (why do all kids have three names nowadays?) is also brilliant as little Jake, although Kathryn Erbe as Maggie leaves a little to be desired. She's too flat - not enough emotion. And I love the way all the little things are tied up, especially the end sequence with Jake in the car...
If you liked The Sixth Sense, this is not quite the same standard, although it's pretty close. If you didn't like The Sixth Sense because you didn't think it got personal enough, this one's for you. Although I don't think anyone's going to get remotely close to the ending of The Sixth Sense for a very very long time.
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