In an economically devastated Alaskan town, a fisherman with a troublesome past dates a woman whose young daughter does not approve of him. When he witnesses the murder of his shady brother, he, the woman and the kid run to the wilderness.
May-Alice Culhane was a successful soap opera star, but a car accident has left her bound to a wheelchair. She returns to her now-empty family home in the bayous of Louisiana which she had ... See full summary »
Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
Sonia moves with her kids to Trinidad where her husband Jo is working in the oil business. The milieu change and the discovery of an the affair her husband has been having makes her lose grip and go into a limbo.
In 1966 New Jersey, Jill Rosen, a frustrated high schooler, is intrigued by an enigmatic new student known only as the Sheik. Sheik is an Italian whose primary interests are his car, Frank ... See full summary »
LIMBO is set in a small town in rural Denmark, teenager Sara and young teacher Karen develop a connection. A quiet drama interested as much in the lives of its female protagonists as their ... See full summary »
Anna Sofie Hartmann
Sofia Nolsøe Mikkelsen,
Annika Nuka Matthiasen
Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages... See full summary »
Dan Rivera González
Limbo tells the story of people trying to reinvent themselves in the Southeastern islands of Alaska. The story revolves around Joe Gastineau, a fisherman traumatised by an accident at sea years before, singer Donna de Angelo and her disaffected daughter Noelle who come into Joe's life. When Joe's fast-talking half-brother Bobby returns to town and asks Joe for a favor, the lives of the characters are changed forever. Written by
In a scene near the beginning Donna (Mastrantonio) and Joe (Straithairn) are riding in his truck. Donna's cigarette smoke is blowing away behind her and in close-up her hair is moving, but throughout the scene you can see the windows are obviously both closed. See more »
[stranded on an island, Joe is making smoke signals to attract planes]
Donna De Angelo:
So then we hope that someone sees this and wonders what the story is?
Noelle De Angelo:
Somebody who doesn't want to kill us.
[Donna scoffs at her]
It's a possibility...
Donna De Angelo:
Geez, you two are a perfect match. Doom and gloom.
Noelle De Angelo:
There's no use pretending.
Donna De Angelo:
Yes, there is! We are on a camping trip. We're on a survival school camping trip! I mean, this is what they call quality time, isn't it? This is what they mean. No distractions, no media stuff, we ...
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I don't know all of Sayles work, but I plan to. This film really impressed me.
What I look for is a few things, that if done well will really satisfy. Among them are:
--daring use of the cinematic medium
--transporting me to a conceptual space that I otherwise wouldn't have experienced
CINEMATIC: Sayles is a storyteller, who thoroughly understands what it means to build a narrative scaffold using film. This is theater completely recast for the unique strengths of film, and only possible when the same person writes, directs and edits. This camera is literally introduced as a character when noelle offers it an `hoordoov.' The camera participates, the lights participate. We have overlapping dialog, overlapping cuts, multiple views of the same scene. We have long panning multithreaded scenes. We have a dramatic pacing which starts slow, sets a lot of potential threads and convincingly fools you into relying on certain expectations.
Then narrative commitments are made before you are ready, and then come faster and more unexpectedly until the very gutsy end. Sayles knows in real storytelling, there's a game between teller and listener, each trying to outwit the other. A masterful storyteller teases but plays by the rules, allowing the reader to take risks. It takes craft to do this in the written word, and is extremely rare using the more intimate but external and slippery experience of cinema.
TRANSPORTING: Alaskan wilderness as theme park where stories are safely refined for casual visitors. That would be enough given this level of craft. But Sayles takes us into Noelle's diary world. That's the center of this film's world, the world of the mystical Shefox. Deep imagery here -- superficially referenced in the `real' action. I do not expect to ever forget that visit. The self-reference is in both.
Much has been made of the actors, and I think that a mistake since the creative force here is clearly Sayles. But this girl Martinez has some magic. Who will write parts for her?
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