In an economically devastated Alaskan town, a fisherman with a troublesome past dates a woman whose young daughter does not approve of him. When he witnesses the murder of his shady brother, he, the woman and the kid run to the wilderness.
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Dan Rivera González
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Tony Lo Bianco,
Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
Sonia moves with her kids to Trinidad where her husband Jo is working in the oil business. The milieu change and the discovery of an the affair her husband has been having makes her lose grip and go into a limbo.
A labyrinthine neo-noir thriller with a tense psychological slant, this dark, existential drama follows the surreal journey of a man trapped in a place where time stands still, yet ... See full summary »
Limbo tells the story of people trying to reinvent themselves in the Southeastern islands of Alaska. The story revolves around Joe Gastineau, a fisherman traumatised by an accident at sea years before, singer Donna de Angelo and her disaffected daughter Noelle who come into Joe's life. When Joe's fast-talking half-brother Bobby returns to town and asks Joe for a favor, the lives of the characters are changed forever. Written by
In a scene near the beginning Donna (Mastrantonio) and Joe (Straithairn) are riding in his truck. Donna's cigarette smoke is blowing away behind her and in close-up her hair is moving, but throughout the scene you can see the windows are obviously both closed. See more »
Noelle De Angelo:
Winter has locked us in its icy embrace. The pelts of the animals are thick and bluish and our home is blanketed with snow. Papa calls it "limbo" because it sure isn't heaven and it's too cold to be hell. Mother wondered about purgatory, but he said no. Purgatory has an end to it. "Don't torture me so," said Mother.
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Challenging, absorbing another John Sayles gem cut distinctly different - more than meets the eye
Once again, as do all John Sayles films, this is no Hollywood fare. There are no easy answers or solutions to the questions raised or problems illustrated. John Sayles gives his insightful subtle approaches to another aspect of life and living, of ordinary people tackling everyday encounters and challenges. Nothing spectacular (yet it is quietly spectacular). It's another multi-character study, and Sayles is very good at telling the story and providing the different premises and details in a seemingly casual manner. Sayles fans know it will not be a boring journey - life lessons will be assimilated.
In LIMBO, photography is skillfully delivered by veteran cinematographer Haskell Wexler (the unforgettable "Medium Cool" 1969, which he also wrote and directed; "The Thomas Crown Affair" 1968 with director Norman Jewison; two with Sayles: "Matewan" 1987, "The Secret of Roan Inish" 1994). Here, graphic detail shots are included on fishing, informing us of the intricacies involved - it's Sayles ingredients to the core.
Mary Elizabeth Mastrantonio, as always, a tour de force. She gets to demonstrate what a wonderful singer she can be. She did a terrific job - she sings so well that it sounds like Judy Collins at times! David Strathairn, for once, is not in a supporting role. He is in the male lead role and as expected, a quiet sensitive delivery of his character as a fisherman incognito. There is mother and daughter tension at play here. Vanessa Martinez played the teenage daughter and what a superb performance - hers is no easy role. The segment by the campfire where she reads from a diary book, her subtle expressions and poignant portrayal complete this triangle of complex emotional cauldron a-brewing yet she held her own in capturing our attention on her touching delivery.
This is not an easy film to consume - it provides mind probing and requires reflective thinking. A John Sayles fan MUST-SEE, or anyone who's ready for a different movie and a change of pace.
Music is by Mason Daring. As usual, the film is written, directed, and edited by John Sayles himself.
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