A robotic warrior from a post-apocalyptic future travels back in time to protect a 20-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
Sebastian Caine is a scientist who discovers a formula for invisibility. After an experiment makes him slowly disappear, Cane begins to go insane, and soon threatens the lives of his fellow researchers. Written by
At the start, when Linda tells Matthew that they have to get to the lab, she is wearing a nightshirt and obviously no bra. However, when she sits down at the dressing table, bra straps suddenly become visible under the shirt. See more »
"Hollow Man" seems to improve on second viewing. Yes, it is formulaic. Yes, it is cheesy but for all that it is unabashedly entertaining. On its release it was quite a disappointment considering the talent involved. On reappraisal this film is far better than any action movie delivered by Hollywood since September 11th 2001.
Kevin Bacon is a huge talent and his performance is excellent given the limitations of the script and SFX process. Elisabeth Shue is also extremely engaging. The problem lies in the script. What needed to be explored more fully is the use of such an extreme talent. The guy is invisible. So what can he get up too? All he achieves is the molestation of the beautiful Rhonda Mitra. Kevin Bacon is portraying an eccentric genius. Can he not think of something more inventive than rape?
The direction is pretty pedestrian for Paul Verhoven considering his remarkable talent in this field. "Hollow Man" is a continuation of Paul Verhoven's love affair with Special Effects. Unfortunately the SFX appear stagy and unsubtle. Some effects are very well done but not all of them.
The best effect is a simple one and proves Verhoven as a master of the medium. Kevin Bacon leaves a celebratory dinner but we do not see him leave. Elisabeth Shue turns and is confronted with an empty chair. This simple device works remarkably well because it is rather creepy and unexpected. More moments of such simple imagination and ingenuity needed to be introduced into the proceedings rather that the complete reliance on computer effects. Less is more, as they say.
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