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An robotic warrior from a post-apocalyptic future travels back in time to protect a 20-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
Director:
Jonathan Mostow
Stars:
Arnold Schwarzenegger,
Nick Stahl,
Claire Danes
The X-Men band together to find a mutant assassin who has made an attempt on the President's life, while the Mutant Academy is attacked by military forces.
Director:
Bryan Singer
Stars:
Patrick Stewart,
Hugh Jackman,
Ian McKellen
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
The cyborg who once tried to kill Sarah Connor is dead, and another T-101 must now protect her teenage son, John Connor, from an even more powerful and advanced Terminator, the T-1000.
Director:
James Cameron
Stars:
Arnold Schwarzenegger,
Linda Hamilton,
Edward Furlong
Searching for a cure to Alzheimer's disease a group of scientists on an isolated research facility become the bait as a trio of intelligent sharks fight back.
Director:
Renny Harlin
Stars:
Thomas Jane,
Saffron Burrows,
Samuel L. Jackson
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Director:
Jonathan Mostow
Stars:
Bruce Willis,
Radha Mitchell,
Rosamund Pike
A man goes on the run after he discovers that he is actually a "harvestable being", and is being kept as a source of replacement parts, along with others, in a Utopian facility.
Elisabeth Shue is Linda Foster, a scientist who is working on a serum to make people invisible. When another scientist tries the serum and becomes invisible his colleagues figure another way to bring him back to the normal world. Written by
<m_sanchero@hotmail.com>
To get the right reaction from the cast, Paul Verhoeven had speakers put in different places on the set, and had Kevin Bacon's voice come from different speakers so the cast would genuinely react to the invisible character moving around. For the scene with the invisible gorilla, the director screamed to the microphone imitating gorilla noises. See more »
Goofs
When they pull the circuit board out of the camera, it would have lost power immediately and the recorded image would have stopped then, not when they pulled the loop wires off. See more »
Quotes
[first lines]
Sebastian:
[another failed molecule design]
Damn it!
See more »
Ever since the original Halloween was released in 1978, there have been countless imitation films that desperately, although primarily unsuccessfully, attempt to feed off of the success of that film by copying its premise of a faceless and unstoppable killer. In the late 90s, there have been a resurgence of these films, such as the Scream movies, which started off good and then went sharply downhill with each additional sequel, Urban Legend, and I Know What You Did Last Summer (as well as, God willing, it's only sequel, I Still Know What You Did Two Summers Ago). Hollow Man is a film that takes a fantastic premise and reduces it to yet another of these cheap imitation slasher films.
Sure, the whole invisible man thing has been done before. Done to death, if you include literary examples. But let's face it, the possibility of human invisibility is one of the most fascinating premises that you can possibly tell a story about. The unfortunate thing about Hollow Man was that no one involved with the making of the movie seemed to realize that. What you have here is the development of an invisibility serum (as well as a reversing visibility serum) by a brilliant scientist, who successfully uses it on a gorilla in some of the best special effects scenes to date, and then uses it on himself. Well, of course he uses it on himself, what scientist could possibly resist? And why would any scientist WANT to resist? Well, the reason may be that, evidently, invisibility serum turns even the most intelligent scientists into raving madmen.
The absolutely infinite amount of possibilities for an invisible character are completely ignored here in favor of turning him into yet another bland faceless killer. This time, we may know who it is that's trying to kill people, but what we don't know is why he completely ignores the outside world. This is the greatest scientific discovery of mankind, and this bonehead decides to use it to become a peeping tom and to spy on his girlfriend. This vast and hugely unfortunate simplification of the potential for the story of an invisible man is both bitterly disappointing and more than a little insulting. As Roger Ebert mentions in his review of Hollow Man, it seems that director Paul Verhoeven, who directed such great films as RoboCop and Total Recall, seems to think that his audience is so intellectually dim that they prefer a mindless killer to the incredibly imaginative villain (or protagonist) that Dr. Sebastian Caine could have become.
Hollow Man is an absolutely fascinating display of brilliant special effects, which seem to map out internal anatomy just as good as any medical textbook, and is also a great deal of fun as the visible characters desperately try to make Dr. Caine visible again, but it is a dismal failure on the story level. The film starts out with a gigantic amount of intelligence, both that required for the development of an invisibility serum and that involved in the brilliant premise of the story, but winds up in the end as nothing more than yet another mindless thriller, completely lacking in thought and intrigue.
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Ever since the original Halloween was released in 1978, there have been countless imitation films that desperately, although primarily unsuccessfully, attempt to feed off of the success of that film by copying its premise of a faceless and unstoppable killer. In the late 90s, there have been a resurgence of these films, such as the Scream movies, which started off good and then went sharply downhill with each additional sequel, Urban Legend, and I Know What You Did Last Summer (as well as, God willing, it's only sequel, I Still Know What You Did Two Summers Ago). Hollow Man is a film that takes a fantastic premise and reduces it to yet another of these cheap imitation slasher films.
Sure, the whole invisible man thing has been done before. Done to death, if you include literary examples. But let's face it, the possibility of human invisibility is one of the most fascinating premises that you can possibly tell a story about. The unfortunate thing about Hollow Man was that no one involved with the making of the movie seemed to realize that. What you have here is the development of an invisibility serum (as well as a reversing visibility serum) by a brilliant scientist, who successfully uses it on a gorilla in some of the best special effects scenes to date, and then uses it on himself. Well, of course he uses it on himself, what scientist could possibly resist? And why would any scientist WANT to resist? Well, the reason may be that, evidently, invisibility serum turns even the most intelligent scientists into raving madmen.
The absolutely infinite amount of possibilities for an invisible character are completely ignored here in favor of turning him into yet another bland faceless killer. This time, we may know who it is that's trying to kill people, but what we don't know is why he completely ignores the outside world. This is the greatest scientific discovery of mankind, and this bonehead decides to use it to become a peeping tom and to spy on his girlfriend. This vast and hugely unfortunate simplification of the potential for the story of an invisible man is both bitterly disappointing and more than a little insulting. As Roger Ebert mentions in his review of Hollow Man, it seems that director Paul Verhoeven, who directed such great films as RoboCop and Total Recall, seems to think that his audience is so intellectually dim that they prefer a mindless killer to the incredibly imaginative villain (or protagonist) that Dr. Sebastian Caine could have become.
Hollow Man is an absolutely fascinating display of brilliant special effects, which seem to map out internal anatomy just as good as any medical textbook, and is also a great deal of fun as the visible characters desperately try to make Dr. Caine visible again, but it is a dismal failure on the story level. The film starts out with a gigantic amount of intelligence, both that required for the development of an invisibility serum and that involved in the brilliant premise of the story, but winds up in the end as nothing more than yet another mindless thriller, completely lacking in thought and intrigue.