6.8/10
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383 user 163 critic

Bringing Out the Dead (1999)

Haunted by the patients he failed to save, an extremely burned-out Manhattan ambulance paramedic fights to maintain his sanity over three fraught and turbulent nights.

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(novel), (screenplay)

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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Nurse Constance
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Cy Coates
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Dr. Hazmat
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Nurse Crupp
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Kanita
Cynthia Roman ...
Rose
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Griss
Cullen O. Johnson ...
Mr. Burke (as Cullen Oliver Johnson)
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Captain Barney (as Arthur Nascarella)
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Storyline

An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out, exhausted, seeing ghosts, especially a young woman he failed to save six months' before, and no longer able to save people: he brings in the dead. We follow him for three nights, each with a different partner: Larry, who thinks about dinner, Marcus, who looks to Jesus, and Tom, who wallops people when work is slow. Frank befriends the daughter of a heart victim he brings in; she's Mary, an ex-junkie, angry at her father but now hoping he'll live. Frank tries to get fired, tries to quit, and keeps coming back, to work and to Mary, in need of his own rebirth. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Saving a Life is the ultimate rush See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for gritty violent content, drug use and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 October 1999 (USA)  »

Also Known As:

Vidas al límite  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

$6,193,052 (USA) (22 October 1999)

Gross:

$16,640,210 (USA) (7 January 2000)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Martin Scorsese has admitted that he didn't enjoy shooting the film at all. Most of it was filmed at night in mid-December so conditions were continually harsh. See more »

Goofs

At the end of the movie we see an F.D.N.Y. Ambulance in the background. The story takes place in the early 1990s. In the early '90s, N.Y.C. E.M.S. was still under The Health and Hospitals Corporation of N.Y.C. The Fire Department did not take over E.M.S. until 1995, when Mayor Rudolph Guilliani saw that E.M.S. could supplement the income of F.D.N.Y. See more »

Quotes

Frank Pierce: Oh, I see. With all the poor people of this city who wanted only to live and were viciously murdered, you have the nerve to sit here, wanting to die, and not go through with it? You make me sick!
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Connections

Referenced in The Cinema Snob: To Catch a Yeti (2014) See more »

Soundtracks

Don't You Worry 'Bout a Thing
Written by Stevie Wonder
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User Reviews

 
Powerful and engrossing cinema from a truly great team.
4 October 2008 | by (United Kingdom) – See all my reviews

Frank Pierce is a member of the Nork York paramedics, serving the Hell's Kitchen district he is witness to some terrible incidents. As he starts to crack under the pressure of the job, and getting no help from a succession of zany partners, Frank may just find solace with an ex-junkie girl who's father he brought in dying of a heart attack.

Martin Scorsese can never be accused of not being adventurous, after dabbling in Eastern spiritualism with 1997s Kundun, he returns to New York and tackles a wing of America's tortured heroes. Based on the novel by Joe Connelly, Bringing Out The Dead is at times a difficult watch in many ways, but it's haunting poignancy is told with brilliantly adroit ease from one of America's famed directors, whilst it has to be said that the humour that is in there is darkly genius in its execution. We are along for the ride with haunted Frank for three days (and nights) as he and his borderline bonkers partners deal with overdoses, heart attacks, drunks and a notably cynical virgin birth! As Frank starts to see ghosts of people he couldn't save in the past, Scorsese and his team treat us to an adrenalin fuelled nightmare, the editing (Thelma Schoonmaker) is swift and explosive like, Robert Richardson's cinematography framing certain aspects of this journey with impacting deftness, and then we have the soundtrack.

Scorsese is always a man who takes great care in sound tracking his movies, in fact few modern day directors can touch his knack for a perfect soundtrack. Fusing Motown with 70s Punk Rock would seem an odd combination, but all of it works as the paramedics start to feel the strain and (in some cases) as the mania takes hold. It's rare to hear a New York Dolls track in a movie, to hear a Johnny Thunders solo track is as rare as a dog that speaks Norwegian, and here the use of Thunders' You Can't Put Your Arms Around A Memory is pitch perfect, impacting so. Such is the use of early Clash standards as our protagonists feed off each others precarious mental conditions, it's a soundtrack to savour basically.

Nicholas Cage plays Frank Pierce, and it's a great performance full of restraint and honesty, it's the sort of performance that his detractors tend to forget about such is its emotive simplicity. Tom Sizemore (wonderfully manic), Ving Rhames, John Goodman and Patricia Arquette fill out the cast and all do fine work, but I'm sure they would be the first to acknowledge the excellence of Paul Schrader's screenplay. This piece is far from being a masterpiece, but with it's intensity sitting side by side with a paramedics need for coping, it's clear that Scorsese and his talented team have made one of the most astute and undervalued pieces of the 90s. 9/10


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