An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out, exhausted, seeing ghosts, especially a young woman he failed to save six months' before, and no longer able to save people: he brings in the dead. We follow him for three nights, each with a different partner: Larry, who thinks about dinner, Marcus, who looks to Jesus, and Tom, who wallops people when work is slow. Frank befriends the daughter of a heart victim he brings in; she's Mary, an ex-junkie, angry at her father but now hoping he'll live. Frank tries to get fired, tries to quit, and keeps coming back, to work and to Mary, in need of his own rebirth. Written by
Most of the scenes in Bringing Out the Dead take place at night. See more »
When Frank and Larry are trying to resuscitate Mr. Burke, the E.K.G. shows asystole (flat line), but Larry then shocks him with a defibrillator, which would do nothing if the patient were really in asystole. In mitigation, however, what looks like asystole could really be fine ventricular fibrillation, and while the Advanced Cardiac Life Support protocols do not call for defibrillation on an asystolic patient, it is sometimes used just in case. See more »
As an emergency physician and film buff, this film is one of my favorites. Martin Scorcese utilized excellent film technique with his inventive camera shots integrated with a dark comedic plot (check out the triage nurse) to create a bright modern cinema masterpiece with rich characters, comedic irony, and a sense of perseverance against overwhelming angst and the dark underbelly of modern urban life. This film is a classic on a par with Harold and Maude, and the King of Hearts. Three thumbs up- (I'm dysmorphic)... In any case, this movie deserves to be watched by anyone involved in healthcare and anyone involved in EMS activities.
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