A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
In the novel, Frank states that one of his dream jobs after being a paramedic was to be a medical technical adviser on films. Joe Connelly, the author, does that for this film, both providing the source material and acting as technical adviser. See more »
While hospitals that provide ambulance service in New York City have their own supervisors and administration, they would not be "captains" as in the character of Captain Barney; EMS officers would be NYC*EMS (1990s as in the movie) or FDNY (today). See more »
This film is grossly underappreciated. This represents director Martin Scorsese and writer Paul Schrader at their best. They gave us classics like TAXI DRIVER, RAGING BULL, and THE LAST TEMPTATION OF CHRIST, but they've outdone themselves here. Yeah, it's a masterpiece, but one that's not easily accessible.
Nicholas Cage plays Frank an ambulance driver who hasn't saved anyone in months, a man who is feeling guilty and about to break under the weight of the suffering and sorrow he sees in New York City. Scorsese, always working with religious sensibilities, turns this film into a three day descent into the underworld, with Frank being raised to life on the third day, just like Jesus was.
No story to speak of, but then that's the point--the lives of ambulance drivers are largely plotless. It's got the same strengths as other Scorsese classics--visually stunning, uncompromising in its portrayal of the darker side of human nature, and a dead-on portrayal of people at their most desperate. Add to that an almost dreamlike quality that makes the streets of New York look like some metropolitan hell. The thing that sets this film apart, however, is a genuine compassion for its characters. Scorsese's an excellent filmmaker, but he could sometimes be accused of portraying his characters a little coldly. This film is all heart, all the way through. This is the Scorsese of TAXI DRIVER and MEAN STREETS, the Scorsese who takes chances on projects that really mean something, the Scorsese that was missing in GANGS OF NEW YORK.
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