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Bringing Out the Dead (1999)

6.8
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Ratings: 6.8/10 from 47,487 users   Metascore: 70/100
Reviews: 381 user | 168 critic | 34 from Metacritic.com

A Manhattan ambulance paramedic, overworked and haunted by visions of his failures, fights to keep a tenuous grip on his clarity.

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(novel), (screenplay)
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Cast

Cast overview, first billed only:
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...
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Nurse Constance
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Cy Coates
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Dr. Hazmat
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Nurse Crupp
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Kanita
Cynthia Roman ...
Rose
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Griss
Cullen O. Johnson ...
Mr. Burke (as Cullen Oliver Johnson)
...
Captain Barney (as Arthur Nascarella)
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Storyline

An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out, exhausted, seeing ghosts, especially a young woman he failed to save six months' before, and no longer able to save people: he brings in the dead. We follow him for three nights, each with a different partner: Larry, who thinks about dinner, Marcus, who looks to Jesus, and Tom, who wallops people when work is slow. Frank befriends the daughter of a heart victim he brings in; she's Mary, an ex-junkie, angry at her father but now hoping he'll live. Frank tries to get fired, tries to quit, and keeps coming back, to work and to Mary, in need of his own rebirth. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

ghost | paramedic | ambulance | rescue | hell | See more »

Taglines:

Saving a Life is the ultimate rush See more »

Genres:

Comedy | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for gritty violent content, drug use and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 October 1999 (USA)  »

Also Known As:

Vidas al límite  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

£356,544 (UK) (7 January 2000)

Gross:

£967,925 (UK) (21 January 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When he was promoting the film on Charlie Rose, Scorsese said that one third of his movie was filmed inside ambulances and predominantly at night. See more »

Goofs

When Frank and Marcus use Narcan on I.B. Bangin, Frank injects the Narcan into one of the wrist veins. Drugs are never main-lined without a patent I.V. because possible infiltration of the drug would cause tissue damage. If an I.V. can't be established, Narcan is given either intramuscular (I.M.) or intranasal (I.N.). See more »

Quotes

Frank Pierce: [listening to the radio] Hey, it's Love!
Marcus: Yep, she only works when I'm workin'.
Frank Pierce: I heard you and Love went on a blind date.
Marcus: Yeah.
Frank Pierce: She hit you with a bottle?
Marcus: Why you gotta bring that up? She loved me like no woman ever has.
See more »

Connections

Referenced in You Shoot, I Shoot (2001) See more »

Soundtracks

Threat
Written by Elmer Bernstein
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A brilliant film
13 November 1999 | by (Toronto, Canada) – See all my reviews

Bringing out the Dead, unfortunately, has fewer fans than it deserves. Why? Because this isn't simply a "New York" movie, or a movie about a paramedic, or about euthenasia, despite the ostensible setting and plot points.

Instead, Scorsese has created a cinematic myth about how haunted modern existence can be, and what it takes to be "saved" and find grace in a seemingly godless world. His vision of New York is all literate existential comedy, not a window into the rotten Big Apple. Mere satiric commentary on the tragedy of life in New York is for journeyman directors; Scorsese is doing something else entirely here.

In other words, this is that really rare beast--a literate film that is, first and foremost, still a great movie. In the plot and its implications, there's more here of Flannery O Conner or Virginia Woolf than there is here of, say, Tom Wolf. More pariticularly, Bringing out the Dead does with masterful filmmaking what Joyce's The Dead did in prose. This film is a truly eye-opening investigation into how the living exist in the shadow of the dead and dying.

The film accomplishes this incredibly difficult task on many levels--the cinematography alone should give you a clue that this is definitely not Taxi Driver or Goodfellas--there's something more sublime here (the beauty that American Beauty explains wonderfully is shown everywhere in this film, but Bringing out the Dead is less mundane, simple and "character" oriented). Every shot is right, and the numerous computer effects here--on display almost for their own sake in The Matrix--are here poetically put together by a master director.

So, just for it's approach to a subject that few movies or directors would even attempt, this film will be a classic. Oddly enough, one of the few movies it can be compared with is Hitchcock's Vertigo, which confronts the same issues in a different way. Scotty's (Jimmy Stewart) desire to "raise" the dead is as strong as Frank's, and audiences didn't much like Vertigo when it was released either.

The acting, the music, the incredible photography--they're all great, if you realize you are watching a literate, funny, well-plotted (as opposed to simply plotted) meditation on the ghosts that increasingly inhabit our technocratic dwellings.

Too good for a grade: see it on the biggest, best screen you can while you can. BTW--it's better the second time.


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