Bringing Out the Dead (1999)

User Rating:

6.7/10   

Director:

Martin Scorsese

Writers (WGA):

Joe Connelly (novel)
Paul Schrader (screenplay)

Release Date:

22 October 1999 (USA)

Genre:

Drama | Thriller

Plot:

An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out...

Plot Keywords:

Hell | Ghost | Paramedic | Rescue | Ambulance

Awards:

2 wins & 4 nominations

Cast

Nicolas Cage	...	Frank Pierce
Patricia Arquette	...	Mary Burke
John Goodman	...	Larry
Ving Rhames	...	Marcus
Tom Sizemore	...	Tom Wolls
Marc Anthony	...	Noel
Mary Beth Hurt	...	Nurse Constance
Cliff Curtis	...	Cy Coates
Nestor Serrano	...	Dr. Hazmat
Aida Turturro	...	Nurse Crupp
Sonja Sohn	...	Kanita
Cynthia Roman	...	Rose
Afemo Omilami	...	Griss
Cullen O. Johnson	...	Mr. Burke (as Cullen Oliver Johnson)
Arthur J. Nascarella	...	Captain Barney (as Arthur Nascarella)

MPAA:

Rated R for gritty violent content, drug use and language.

Runtime:

121 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:16 | Portugal:M/16 | Malaysia:18SG (uncut version) | Malaysia:U (cut version) | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia) | Canada:PA (Manitoba) | Canada:R (Ontario) | Philippines:R-18 | Brazil:18 | New Zealand:R16 | Argentina:16 | Australia:R | Chile:18 | Finland:K-15 | France:-12 | Germany:16 (bw) | Hong Kong:IIB | Singapore:M18 (re-rating) | South Korea:18 | Spain:13 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R (certificate #36706)

Filming Locations:

11th Avenue & 54th Street, Manhattan, New York City, New York, USA

Company:

De Fina-Cappa

Trivia:

This is the last movie to have been released on LaserDisc in the United States.

Goofs:

Continuity: Just before Wolls crashes the ambulance, Frank starts to drink from a bottle of rubbing alcohol as he sits in the right front seat. The shot immediately shifts to one through the right side passenger window. The bottle is gone, and Frank is just staring forward.

Quotes:

Griss: Don't make me take off my sunglasses!

Movie Connections:

References Manhattan (1979)

Soundtrack:

Le Sacre du Pintemps/The Rite of Spring

A brilliant film

Bringing out the Dead, unfortunately, has fewer fans than it deserves. Why? Because this isn't simply a "New York" movie, or a movie about a paramedic, or about euthenasia, despite the ostensible setting and plot points.

Instead, Scorsese has created a cinematic myth about how haunted modern existence can be, and what it takes to be "saved" and find grace in a seemingly godless world. His vision of New York is all literate existential comedy, not a window into the rotten Big Apple. Mere satiric commentary on the tragedy of life in New York is for journeyman directors; Scorsese is doing something else entirely here.

In other words, this is that really rare beast--a literate film that is, first and foremost, still a great movie. In the plot and its implications, there's more here of Flannery O Conner or Virginia Woolf than there is here of, say, Tom Wolf. More pariticularly, Bringing out the Dead does with masterful filmmaking what Joyce's The Dead did in prose. This film is a truly eye-opening investigation into how the living exist in the shadow of the dead and dying.

The film accomplishes this incredibly difficult task on many levels--the cinematography alone should give you a clue that this is definitely not Taxi Driver or Goodfellas--there's something more sublime here (the beauty that American Beauty explains wonderfully is shown everywhere in this film, but Bringing out the Dead is less mundane, simple and "character" oriented). Every shot is right, and the numerous computer effects here--on display almost for their own sake in The Matrix--are here poetically put together by a master director.

So, just for it's approach to a subject that few movies or directors would even attempt, this film will be a classic. Oddly enough, one of the few movies it can be compared with is Hitchcock's Vertigo, which confronts the same issues in a different way. Scotty's (Jimmy Stewart) desire to "raise" the dead is as strong as Frank's, and audiences didn't much like Vertigo when it was released either.

The acting, the music, the incredible photography--they're all great, if you realize you are watching a literate, funny, well-plotted (as opposed to simply plotted) meditation on the ghosts that increasingly inhabit our technocratic dwellings.

Too good for a grade: see it on the biggest, best screen you can while you can. BTW--it's better the second time.