FantasticFest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, and action movies from all around the world. Here's a list of some of our favorite movies at FantasticFest.
Ambrosio (Franco Nero) is a monk who is sexually tempted by an emissary of the Devil, a young girl in monk's robes. After he has committed numerous crimes, it appears that he will be caught... See full summary »
While traveling, a crew of documentary makers met a horrible fate when their van fell off a cliff. Though only one of them really died, the rest were 'accidentally' dragged into hell where each were tortured according to their sins.
Archaeological team unearths a body of a young woman, who was told to be a witch buried in the bog some 300 years ago. Soon a naked woman appears and drives the men of the village crazy. ... See full summary »
Roland af Hällström
In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. ... See full summary »
A Yakuza underling is given the assignment to rid an apartment of its tenants within a week. He tries a variety of desperate tactics to no avail. Soon his problems get worse as an evil ... See full summary »
The seduction of death itself (in the form of an alluring ghost) is familiar enough territory in Japanese ghost stories (Ghost Story Of Yotsuya, Kuroneko, etc), the twist here being Communist director Yamamoto's playful depiction of the villagers' efforts to thwart the ghost's advances towards their middle class school teacher, Shinzaburou.
As with most Yamamoto films, the emphasis here is on the ensemble playing of the cast rather than any leads. That said, the roles of Banzou and his wife do seem rather overplayed, probably betraying their origin as kabuki grotesques.
Handsomely shot (Chishi Makiura) and scored (Sei Ikeno) to evoke a vivid sense of the dark, sticky nights of Obon, this is a curious and thoughtful horror film that somehow manages to give Bhuddism, capitalism and family a good kicking within the restrictions of the genre and the source material.
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