| Mike Maas | ... | Victor Drub / Dumpster Bum | |
| Nick Fenske | ... | Mechanic | |
| Mark Priolo | ... | Frank Priolo | |
| Joe Carnahan | ... | Sid French | |
| Andrew Fowler | ... | Mike Carbuyer | |
| Gloria Gómez | ... | Julie Carbuyer (as Gloria Gomez) | |
| Dan Leis | ... | Bob Melba | |
| Josephine Arreola | ... | Elda | |
| Dave Booth | ... | Jerry | |
| Kevin Hale | ... | Pinto Guy | |
| Max Ancar | ... | Frank Manzano | |
| Leah Carnahan | ... | Ginger | |
| Scott Taylor | ... | Dick Dupree Sr. | |
| Eric Lutes | ... | Dick Dupree Jr. | |
| Carlos V. Hernandez | ... | Diaz Carbajal (as Carlos Hernandez) | |
| Dan Harlan | ... | Danny Woo | |
| Karla Cave | ... | Dottie Woo | |
| Karen Olsen | ... | Attendant | |
| Matt Carnahan | ... | Mitchell Wayne Richter | |
| James Salter | ... | Raymont Phelps | |
| Ken Rudulph | ... | FBI Agent Jared | |
| Jerry Rainbolt | ... | Jerry Goldman | |
| Honor Echlund | ... | Stripper (as Carol Curry) | |
| Rick Reinaldo | ... | Inmate 1 | |
| Dave Collagan | ... | Inmate 2 | |
| Michael A. Saumure | ... | Vernon Cash (as Michael Saumure) | |
| Kurt Johnson | ... | Hilbilly Sniper | |
| Hugh McChord | ... | Mr. Reich | |
| Tanja Anguay | ... | Woo Cowgirl 1 | |
| Priya Patel | ... | Woo Cowgirl 2 | |
| Chuck Leis | ... | Pete the Bartender | |
| Kellee Benedict | ... | FBI Agent Littel | |
| Mark S. Allen | ... | FBI Agent Franks | |
| Shad Selby | ... | Paramedic | |
| Stew Oleson | ... | Milt Huggins | |
| Spencer Mulcahy | ... | Hick in Overalls | |
| Dave Pierini | ... | Bill the Mechanic |
Directed by | |||
| Joe Carnahan | |||
Writing credits | ||
| Joe Carnahan | (written by) | |
Produced by | |||
| Peter Broderick | .... | executive producer | |
| Joe Carnahan | .... | producer | |
| Leon Corcos | .... | producer | |
| Kevin Hale | .... | co-producer | |
| Charles Leis | .... | executive producer | |
| Dan Leis | .... | producer | |
| Patrick Lynn | .... | producer (as Patrick M. Lynn) | |
| Chip Sires | .... | co-producer | |
Original Music by | |||
| Martin Birke | (original musical score) | ||
| Mark Priolo | (original musical score) | ||
Cinematography by | |||
| John Alexander Jimenez | (director of photography) (as John A. Jimenez) | ||
Film Editing by | |||
| Joe Carnahan | |||
Art Direction by | |||
| Eric Lutes | |||
Costume Design by | |||
| Mooshie | |||
Makeup Department | |||
| Eric Lutes | .... | makeup artist | |
Production Management | |||
| Leon Corcos | .... | post supervisor | |
| Carlos V. Hernandez | .... | unit production manager (as Carlos Hernandez) | |
| Mark Stolaroff | .... | post-production manager: Next Wave Films (uncredited) | |
Second Unit Director or Assistant Director | |||
| William H. Rhodes | .... | first assistant director (as William Rhodes) | |
Art Department | |||
| Eric Lutes | .... | designer: original boiler plate logo | |
Sound Department | |||
| Dave Booth | .... | boom operator | |
| John Flanagan | .... | sound designer | |
| John Flanagan | .... | sound editing | |
| Aaron Kinney | .... | additional sound recording | |
| Aaron Kinney | .... | sound effects | |
| Spencer Mulcahy | .... | sound recordist | |
| Chris Pickett | .... | sound effects | |
| Mike Shively | .... | additional sound recording | |
Stunts | |||
| Rockne Carnahan | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kelly Bohren | .... | grip | |
| Leon Corcos | .... | additional photography | |
| Mark Herzig | .... | additional photography | |
| Spencer Mulcahy | .... | gaffer | |
| Kerry Sweeney | .... | grip (as Kieran M. Sweeney) | |
Editorial Department | |||
| Leon Corcos | .... | editor: Media 100 editing | |
| Skot Kuiper | .... | telecine transfer | |
| Andrew Pratt | .... | negative cutter (as Andy Pratt) | |
| Harry Muller | .... | color timer (uncredited) | |
| Tara Veneruso | .... | post-production consultant (uncredited) | |
Music Department | |||
| Dan Kolton | .... | composer: original lounge compositions | |
| Mama's Gravy | .... | composer: additional music | |
| Casualty Park | .... | composer: additional music | |
| Mark Pieruccini | .... | composer: additional music | |
| Luis Resto | .... | composer: original lounge compositions | |
| Joel McDonell | .... | musician: drums, Mama's Gravy (uncredited) | |
| Vince Mellone | .... | musician: guitar, Mama's Gravy (uncredited) | |
| John Mullick | .... | musician: bass, Mama's Gravy (uncredited) | |
Transportation Department | |||
| Leon Corcos | .... | vehicle provider: 1963 Burgundy Le Mans | |
| Joel McDonell | .... | driver (uncredited) | |
Other crew | |||
| Armain Austin | .... | production assistant | |
| Jim Davis | .... | production assistant | |
| Karen Olsen | .... | production assistant | |
| Rick Stevenson | .... | weapons specialist | |
| Sean Michael Sullivan | .... | production assistant (as Sean Sullivan) | |
| Joel McDonell | .... | production assistant (uncredited) | |
Thanks | |||
| Mike Arbios | .... | special thanks | |
| Karl R. Austen | .... | special thanks (as Karl Austen) | |
| Michelle Byrd | .... | special thanks | |
| George Allen Carnahan | .... | in memory of: 1925 - 1997 | |
| Maile Carnahan | .... | this film is dedicated to: with love and absolution (as Maile) | |
| Mary Carnahan | .... | special thanks | |
| Rockne Carnahan | .... | this film is dedicated to: with love and absolution (as Rockne) | |
| Woody Carnahan | .... | special thanks (as Woody) | |
| Deborah Chausse | .... | special thanks | |
| Cario Cordero | .... | special thanks (as Cario) | |
| Christy Cordero | .... | this film is dedicated to: with love and absolution (as Christine) | |
| Sandy Cordero | .... | special thanks | |
| Andy Crittenden | .... | special thanks | |
| Karl Davis | .... | special thanks | |
| Neil Friedman | .... | special thanks | |
| Geoffrey Gilmore | .... | special thanks (as Geoff Gilmore) | |
| Alan Koshiyama | .... | special thanks | |
| Megan Leis | .... | special thanks | |
| Hans Schiff | .... | special thanks | |
| Jonathan Sehring | .... | special thanks | |
| Sharon Sklar | .... | special thanks (as Sharan Sklar) | |
| Mark Stolaroff | .... | special thanks | |
| Milton Tabbot | .... | special thanks | |
| Elliot Troshinsky | .... | special thanks | |
| Tara Veneruso | .... | special thanks | |
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| The Stunt Man | One Night at McCool's | Freeway | G-Men Never Forget | Ricochet |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
It amazes me the impact that two movies ("Reservoir Dogs" and "Pulp Fiction") can have. Quentin Tarantino has become by far the most imitated director of his generation on the strength of those two movies.
"Blood, Guts, Bullets and Octane" is one in a long, long string of Tarantino ripoffs, but it's certainly not a bad one (like "Two Days in the Valley," which made me want to puke). As the title suggests, it's high-energy, high-impact, and gritty. Actual, indie-film gritty, not Hollywood faux gritty. Still, the overwhelming unoriginality of the whole affair kind of bogs it down.
Carnahan has since attained his own identity and gone on to vastly better things, though: "Narc" is perhaps the best cop movie I have ever seen.