Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one ...
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While going to the town of Ashby Wake, the drifter Cassie is hit by a car driven by Marion Kirkman and loses her memory. Marion invites Cassie to stay in her huge old house with her family,... See full summary »
A film student searches the Internet for ideas for the horror film and finds HELL PAGE, an interactive horror script writing programme. She accepts all the conditions without reading them, ... See full summary »
In Haiti, the sea and the life-form die; in the Middle East, a town is frozen. These are signs of the Apocalypse and the Vatican is investigating, but Father Lucci advises that these omens ... See full summary »
A werewolf loose in Los Angeles changes the lives of three young adults, who, after being mauled by the beast, learn they must kill their attacker if they hope to change their fate to avoid becoming werewolves too.
Portia de Rossi
Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one rainy night, her sister Jenna abandons her newborn, autistic daughter at her home. Maggie takes the baby in, and she becomes the daughter she never had. Six years later Jenna suddenly re-appears with a mysterious new husband, Eric, and abducts Cody. Despite the fact that Maggie has no legal rights to Cody, FBI agent John Travis, an expert in ritual homicide and occult-related crime, takes up her cause when he realizes that Cody shares the same birth date as several other recently missing children. The little girl, it soon becomes clear, is more than simply "special." She manifests extraordinary powers that the forces of evil have waited centuries to control, and her abduction sparks a clash between the soldiers of good and evil that can only be resolved, in the end, by the strength of one small child... Written by
When the candles in the cathedral ignite together, the camera pulls back and Maggie's shirt can be seen blowing, as if the candles were in fact being blown out, and film was run backwards. See more »
During scene when Maggie is at the front desk of a New York police station, a form with the word "Ontario" and its provincial emblem at the top appear in a brief close-up of the desk. See more »
Woman on Bus:
Did ya see it yet, darlin'?
Woman on Bus:
Star of Yakov. What they be callin' the Christmas star. Ain't been seen since Bethlehem. And now it's here.
Woman on Bus:
Oh, yes. It's very nice. It's a good sign for all good people. Means someone special come from God. What do ya think 'bout that?
I don't know, I - I'm not sure I believe in that king of thing.
Woman on Bus:
Oh, that don't matter. It's there if you believe or not believe. It don't care.
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Well crafted movie that allows you see the good...
Bless the Child was a good movie. I have to admit that when this movie came to theatres, it was one of the few times that negative reviews kept me from seeing a movie. After watching the DVD last night, I was kicking myself for missing a chance to see this movie a year earlier.
Bless the child is full of new or unknown actors, but reguardless it is well acted... Kim Basinger and Jimmy Smits both play their parts well and the script and their acting allows the viewer to see something that may be chemistry building between the two, but doesn't throw it in our faces. The problem with most movies of this type is that the villian is flat and poorly acted... That is not the case in Bless the Child. Rufus Sewell does an excellent job portraying the evil Eric Stark. Although she has a nominal part in the movie, Angela Bettis played the part of Maggies drug-addicted sister so well, I was absolutely hating her. Even with all of this, the movie would not be what it is without the superb acting of Holliston Coleman who plays 6-year-old Cody. At 7, Holliston has more ability than many adult actors. She definately has a future.
The story and directing were both done well. Although it is not the most original story line, it is done a different way. Rarely, if ever, is the force of good allowed to manifest itself in a visible presence. In Bless the Child, however, the good can be seen along with the evil. Although I not by any means a very religious person, this struck a cord with me. There's a sense of hope within this growing evil... The world may just have a chance, not because a big guy with a big gun blew away Satan... no, because there is good out there. The battle between good and evil does have two sides... It's just nice to be able to see the good for a change.
The special effects are also good in this movie. It is by far a special effects movie, but they are used in a smart fashion to provide a glimpse at the battle that goes on all around us, although we don't see it... Only the rat bedroom sequence left me somewhat disappointed, the rest provided a eery mood to the film.
Bless the Child is a great film for what it is and maybe be known as the starting point to the great career of Holliston Coleman. 8/10
Although it may not be a perfect movie,
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