Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one ... See full summary »
While going to the town of Ashby Wake, the drifter Cassie is hit by a car driven by Marion Kirkman and loses her memory. Marion invites Cassie to stay in her huge old house with her family,... See full summary »
A librarian begins a passionate affair with a mysterious woman who walks into his library. When she suddenly disappears he travels down to London to search for her only to discover that she... See full summary »
Lillian is a 21-year-old drifter engaged to a philandering loser and locked in her room with a strange man. She lives next to a failed violinist who won't stop playing his instrument. He ... See full summary »
An academic obsessed with "roadside attractions" and his tv-star daughter finally discover the world's largest ice cream cone, the centerpiece for an old gold-rush town struggling to stay ... See full summary »
Morgan J. Freeman
Brendan Sexton III,
Kuki, a divorced Italian socialite, changes her life after a serious car crash. She accepts a marriage proposal from Paolo Gallmann, a man she doesn't know well, and she moves to Kenya with... See full summary »
Della Myers is an overwhelmed upper-middle-class housewife who lives in a large house in the suburbs with her twin children and her abusive husband, Kenneth. Kenneth lets Della know that he... See full summary »
"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
A film student searches the Internet for ideas for the horror film and finds HELL PAGE, an interactive horror script writing programme. She accepts all the conditions without reading them, ... See full summary »
Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one rainy night, her sister Jenna abandons her newborn, autistic daughter at her home. Maggie takes the baby in, and she becomes the daughter she never had. Six years later Jenna suddenly re-appears with a mysterious new husband, Eric, and abducts Cody. Despite the fact that Maggie has no legal rights to Cody, FBI agent John Travis, an expert in ritual homicide and occult-related crime, takes up her cause when he realizes that Cody shares the same birth date as several other recently missing children. The little girl, it soon becomes clear, is more than simply "special." She manifests extraordinary powers that the forces of evil have waited centuries to control, and her abduction sparks a clash between the soldiers of good and evil that can only be resolved, in the end, by the strength of one small child... Written by
The bridge where the car "accident" takes place is actually the Blue Water Bridge between Point Edward, Ontario and Port Huron, Michigan. It was being "twinned" at the time so the whole bridge was closed down for repairs and was available for numerous re-takes. The scenery shots of NYC were then placed in the background, although people who grew up there recognize the shores as being Point Edward and Pt. Huron, respectively, not NYC. See more »
During the scene in Eric Stark's New York apartment, the Skydome (located in Toronto) can be seen in the window. See more »
Woman on Bus:
Did ya see it yet, darlin'?
Woman on Bus:
Star of Yakov. What they be callin' the Christmas star. Ain't been seen since Bethlehem. And now it's here.
Woman on Bus:
Oh, yes. It's very nice. It's a good sign for all good people. Means someone special come from God. What do ya think 'bout that?
I don't know, I - I'm not sure I believe in that king of thing.
Woman on Bus:
Oh, that don't matter. It's there if you believe or not believe. It don't care.
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A most underrated movie, unfairly condemned by others
I have been going to the movies for 55 years now. And I have been writing novels for nearly 30 years, with 38 published thus far. One of my favorite genres as a moviegoer is the horror thriller, which is one in which I have written also, usually within a Christian context.
BLESS THE CHILD is unquestionably one of the finest genre movies I have ever seen, the kind that combine Christian themes and thriller techniques. I like it because it is relatively subdued, with sincere underplayed acting, and a minimum of Hollywood hocus-pocus.
The themes are:
1) The triumph of God over the devil, instead of the reverse. 2) The power of prayer. 3) The depiction of angels of light. 4) Brief but effective moments when demonic creatures, normally in an unseen supernatural existence, are revealed starkly. 5) No attempt to make evil seem other than loathsome, destructive. 6) Child-like faith enables us to resist Satan.
The direction by Chuck Russell was excellent, involving; no wonder he came close to directing the screen version of THIS PRESENT DARKNESS. There was almost no foul language, and the brutal episodes were less in number than usual.
I notice the Christian moments were referred to as "propaganda". Why is it propaganda when biblical references are used but not propaganda when humanism, nihilism, abortion, homosexuality, adultery and such are similarly promoted?
I showed BLESS THE CHILD to a neighbor couple, folks who are not especially religious. They were enthralled by it, reacting nervously when the suspense is intensified, rejoicing at the more inspiring moments.
BLESS THE CHILD is not a toweringly great movie but, rather, an intensely reverent one, directed with intelligence, acted with conviction, without nude scenes, and thankfully lacking a tidal wave of vulgarity,
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