Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one ... See full summary »
Lillian is a 21-year-old drifter engaged to a philandering loser and locked in her room with a strange man. She lives next to a failed violinist who won't stop playing his instrument. He ... See full summary »
While going to the town of Ashby Wake, the drifter Cassie is hit by a car driven by Marion Kirkman and loses her memory. Marion invites Cassie to stay in her huge old house with her family,... See full summary »
A librarian begins a passionate affair with a mysterious woman who walks into his library. When she suddenly disappears he travels down to London to search for her only to discover that she... See full summary »
An academic obsessed with "roadside attractions" and his tv-star daughter finally discover the world's largest ice cream cone, the centerpiece for an old gold-rush town struggling to stay ... See full summary »
Morgan J. Freeman
Brendan Sexton III,
"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
A film student searches the Internet for ideas for the horror film and finds HELL PAGE, an interactive horror script writing programme. She accepts all the conditions without reading them, ... See full summary »
A young entrepreneur goes to Asia to outsource the manufacturing of surfboards. He discovers that gold from WWII is hidden in the island caves. But he gets gold fever and powerful forces try to stop him.
Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one rainy night, her sister Jenna abandons her newborn, autistic daughter at her home. Maggie takes the baby in, and she becomes the daughter she never had. Six years later Jenna suddenly re-appears with a mysterious new husband, Eric, and abducts Cody. Despite the fact that Maggie has no legal rights to Cody, FBI agent John Travis, an expert in ritual homicide and occult-related crime, takes up her cause when he realizes that Cody shares the same birth date as several other recently missing children. The little girl, it soon becomes clear, is more than simply "special." She manifests extraordinary powers that the forces of evil have waited centuries to control, and her abduction sparks a clash between the soldiers of good and evil that can only be resolved, in the end, by the strength of one small child... Written by
In the original script, a character is deliberately pushed off a subway platform. This had to be changed to an accidental fall before the Toronto Transit Commission would allow filming on its property. See more »
During scene when Maggie is at the front desk of a New York police station, a form with the word "Ontario" and its provincial emblem at the top appear in a brief close-up of the desk. See more »
The devil's greatest achievement is that people don't believe he exists. Nowadays, the concept of evil is politically incorrect.
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A most underrated movie, unfairly condemned by others
I have been going to the movies for 55 years now. And I have been writing novels for nearly 30 years, with 38 published thus far. One of my favorite genres as a moviegoer is the horror thriller, which is one in which I have written also, usually within a Christian context.
BLESS THE CHILD is unquestionably one of the finest genre movies I have ever seen, the kind that combine Christian themes and thriller techniques. I like it because it is relatively subdued, with sincere underplayed acting, and a minimum of Hollywood hocus-pocus.
The themes are:
1) The triumph of God over the devil, instead of the reverse. 2) The power of prayer. 3) The depiction of angels of light. 4) Brief but effective moments when demonic creatures, normally in an unseen supernatural existence, are revealed starkly. 5) No attempt to make evil seem other than loathsome, destructive. 6) Child-like faith enables us to resist Satan.
The direction by Chuck Russell was excellent, involving; no wonder he came close to directing the screen version of THIS PRESENT DARKNESS. There was almost no foul language, and the brutal episodes were less in number than usual.
I notice the Christian moments were referred to as "propaganda". Why is it propaganda when biblical references are used but not propaganda when humanism, nihilism, abortion, homosexuality, adultery and such are similarly promoted?
I showed BLESS THE CHILD to a neighbor couple, folks who are not especially religious. They were enthralled by it, reacting nervously when the suspense is intensified, rejoicing at the more inspiring moments.
BLESS THE CHILD is not a toweringly great movie but, rather, an intensely reverent one, directed with intelligence, acted with conviction, without nude scenes, and thankfully lacking a tidal wave of vulgarity,
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