Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one ... See full summary »
While going to the town of Ashby Wake, the drifter Cassie is hit by a car driven by Marion Kirkman and loses her memory. Marion invites Cassie to stay in her huge old house with her family,... See full summary »
A librarian begins a passionate affair with a mysterious woman who walks into his library. When she suddenly disappears he travels down to London to search for her only to discover that she... See full summary »
Lillian is a 21-year-old drifter engaged to a philandering loser and locked in her room with a strange man. She lives next to a failed violinist who won't stop playing his instrument. He ... See full summary »
An academic obsessed with "roadside attractions" and his tv-star daughter finally discover the world's largest ice cream cone, the centerpiece for an old gold-rush town struggling to stay ... See full summary »
Morgan J. Freeman
Brendan Sexton III,
"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
Kuki, a divorced Italian socialite, changes her life after a serious car crash. She accepts a marriage proposal from Paolo Gallmann, a man she doesn't know well, and she moves to Kenya with... See full summary »
This comedy with much Jewish humor is about the widows Doris, Ester and Lucille, who's husbands died one after another in just a few years. The 3 friends in their 50s react quite ... See full summary »
A film student searches the Internet for ideas for the horror film and finds HELL PAGE, an interactive horror script writing programme. She accepts all the conditions without reading them, ... See full summary »
Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one rainy night, her sister Jenna abandons her newborn, autistic daughter at her home. Maggie takes the baby in, and she becomes the daughter she never had. Six years later Jenna suddenly re-appears with a mysterious new husband, Eric, and abducts Cody. Despite the fact that Maggie has no legal rights to Cody, FBI agent John Travis, an expert in ritual homicide and occult-related crime, takes up her cause when he realizes that Cody shares the same birth date as several other recently missing children. The little girl, it soon becomes clear, is more than simply "special." She manifests extraordinary powers that the forces of evil have waited centuries to control, and her abduction sparks a clash between the soldiers of good and evil that can only be resolved, in the end, by the strength of one small child... Written by
The line "the devils greatest trick was convincing man that he didn't exist" is a reference to a similar line in another movie of the same Genre, End of Days (1999). In which Father Kovak (Rod Steiger) says: "Satan's greatest trick was convincing man that he didn't exist". It is also a reference to The Usual Suspects (1995) where the line is "The greatest trick the devil ever pulled was convincing man that he didn't exist" shows up. In fact, that sentence goes back to Charles Baudelaire (1821-1867): "La plus belle des ruses du Diable est de vous persuader qu'il n'existe pas!" (English: "The finest trick of the devil is to persuade you that he does not exist." See more »
When the candles in the cathedral spontaneously ignite, the puddle of wax at the base of the wick shows that each candle has been burning for longer than they appear to have been burning on screen. See more »
She's special, you know that don't you? That's why they want her.
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They must, because I can't believe respected actresses would put their reputations on the line by appearing in this movie.
Let's start at the beginning... the opening credits consist of the camera circling a statue for several minutes. Does the statue have some relevance to the story? Not that I could tell. The basic plot could have been salvaged by writing dialogue that didn't sound like a cross between a Movie of the Week and a soap opera. The details, however, seem to have no impact on the direction of the story: each scene makes some sense in itself, but most make very little sense when viewed as part of a whole. Characters come and go at random - one minute Christina Ricci is there, the next she isn't. Every character is one-dimensional and none of the acting convinced me in the least. It seems like each actor was given a single facial expression to use throughout the whole film.
One scene involving Basinger's character asleep at her computer epitomized the made-for-TV nature of this movie for me... it starts out spooky enough, but then the writer destroys it by turning it into something you'd see on a sitcom.
I got enough Mystery Science Theater-style entertainment from this movie that I don't regret paying $3.75 for it, but I would kick myself if I'd seen it in the evening. At least now I can finally see BATTLEFIELD EARTH: if I can take this, I can take anything.
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