Her story is well-known - the lonely child who yearned for affection and approval which she finally seemed to find as Hollywood's greatest love goddess. But even though she scaled heights ...
See full summary »
Documentary about the moviestar's last months including her tumultuous love affairs, drug and alcohol dependency, depression and eventual firing from her final film, 20th Century Fox's "... See full summary »
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
Fugitive bank robber Joe Maybe steals the identity of a marshal and rides into a town whose judge asks Joe to act as town marshal but an old flame almost betrays his real identity forcing Joe to claim she's his wife.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Her story is well-known - the lonely child who yearned for affection and approval which she finally seemed to find as Hollywood's greatest love goddess. But even though she scaled heights few could even dream of, she was one of the loneliest of stars. And yet, in spite of the breakdowns, the failed marriages, the sordid rumors surrounding her life -- and her death Written by
This Gene Feldman documentary features funny anecdotes and insights from Sheree North and Celeste Holm especially, describing the drive and will behind Monroe's sadomasochistic help-me pose. Holm tells that Monroe studied Betty Grable, in particular, to imitate her, though Monroe only occasionally paralleled Grable's brassy quality.
Feldman edits the song Diamonds Are A Girls Best Friend to footage of Monroe's ascending success at the time of the film it came from, Gentlemen Prefer Blondes, but the narration incorrectly names her last film as Something HAS to Give.
What emerges from this study is the irony of Monroe's celebrity and how her need for publicity and attention to further her career did not come with the respect she so wanted as an actress. The end does not comment on the way Monroe died, with no mention of the Kennedy- associated murder conspiracy theory, and the highlight of Monroe's acting is said to be in Bus Stop. Otherwise, the label 'sex goddess' is repeated to an extent that you would guess that Marilyn herself would feel is reductive.
Actors Clark Gordon and Susan Strasberg all offer impersonations of Monroe, with Strasberg's own natural elegance in counterpoint to Monroe's perceived tackiness.
7 of 9 people found this review helpful.
Was this review helpful to you?