Directed by | |||
| Ismail Merchant | |||
Writing credits | ||
| Ismail Merchant | (a film made by) & | |
| James Ivory | (a film made by) & | |
| Ruth Prawer Jhabvala | (a film made by) | |
Produced by | |||
| Wahid Chowhan | .... | associate producer | |
| Ismail Merchant | .... | producer | |
| Kareem Samar | .... | associate producer | |
Cinematography by | |||
| Vishnu Mathur | |||
Film Editing by | |||
| Amit Bose | |||
| Rita Stern | (co-editor) | ||
Second Unit Director or Assistant Director | |||
| Michael Fields | .... | assistant director | |
Sound Department | |||
| Ray Beckett | .... | sound | |
| Richard King | .... | sound re-recordist | |
| Vali Patel | .... | boom operator | |
Editorial Department | |||
| Anna Ksiezopolska | .... | assistant editor (as Anna Ksiezopolska) | |
| Dilip Roy | .... | assistant editor | |
| Julie Talen | .... | assistant editor | |
Other crew | |||
| Azela Charles | .... | production secretary | |
| Aamer Hussein | .... | assistant to director | |
| Nausheer Nariman | .... | production accountant | |
|
|
|
|
|
| Afghan Star | The Apple | The Visitor | The Hanging Garden | Liberty Heights |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb UK section |
This Merchant-Ivory film is probably very hard to find. It is not available on VHS or DVD, and I have rarely seen it on cable. Just by chance I happened to notice that it was on IFC on a Sunday morning, so I decided to give it a view.
For the most part, this film is excruciatingly boring, moving along at a snail's pace. It has the feel of a documentary, but it also uses recognizable actors. However, they function primarily as narrators. The film provides an extensive portrait of the brothels of the red light district of Bombay. Apparently Indian men regard "courtesans" as sources of much more than sexual gratification, but rather view them much more as Japanese view geishas, that is, as entertainers. The women are seen singing, dancing, and playing board games with the men. Sexual activity is barely hinted at, and presumably it takes place after the entertainment ends. The film is also valuable is that it gives us a good view of the squalor of contemporary Bombay, something which has probably grown much worse in the 20 or so years since this film was made. If you have a fascination with India, try to catch Louis Malle's "Phantom India."