Bullet Ballet (1998)

Director:

Shinya Tsukamoto

Writer:

Shinya Tsukamoto (writer)

Release Date:

18 December 1999 (Taiwan)

Genre:

Crime | Drama | Thriller

Plot:

A man sees his life changed for ever when his fiancee shoots herself. Baffled, he wants by all means...

Plot Keywords:

Gun | Punk | Cult | Drug | Cult Favorite

Awards:

2 wins & 2 nominations

Cast

Shinya Tsukamoto	...	Goda
Kirina Mano	...	Chisato
Tatsuya Nakamura	...	Idei
Takahiro Murase	...	Goto
Kyoka Suzuki	...	Kiriko
Hisashi Igawa	...	Kudo
rest of cast listed alphabetically:
Katijah Badami
Gabriela Bravo
Rachele Fanedman
Eshragh Farshao
Tomisaburô Horikoshi
Teruhisa Irie
Chu Ishikawa
Kazuyuki Izutsu
Shin-Ichi Kawahara
Mekdachi Khalil
Sujin Kim
Yôko Kubota
Hisakatsu Kuroki
Hiromi Kuronuma
Arminda Ramos
Tomorowo Taguchi
Yukinobu Toda
Mika Tsuda
Masato Tsujioka
Kôji Tsukamoto
Chiko Ueda
Max Von Schuler
Kanta Wickramasinghe
Keisuke Yoshida

Runtime:

87 min | Canada:90 min | Finland:98 min | Taiwan:88 min | Argentina:98 min (Mar del Plata Film Festival)

Country:

Japan

Language:

Japanese | English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Italy:VM14 (DVD rating) | Taiwan:R-18 | France:-16 | Japan:R-15 | South Korea:15 | Argentina:16

Company:

Kaijyu Theater

BULLET BALLET (Shinya Tsukamoto, 1998) *1/2

This is my third film from this director, following the two TETSUO efforts; he seems to have quite a following, but I haven’t been impressed with what I’ve seen so far – on the contrary, the combination of flashy style and intense approach resulted not only in being off-putting but, for this viewer, it provoked boredom more than anything else! Anyway, while in those two earlier films, the visceral tone and unrelenting bleakness could perhaps be excused given their sci-fi/body-horror plot lines, these come off as mere hollow gestures in the juvenile delinquent milieu depicted here!

The plot, if so it can be called, concerns a middle-aged man (played by the director himself!) who, in trying to come to terms with his fiancée’s baffling suicide, frantically tries to obtain a similar weapon (presumably in order to join her in the afterlife). However, during his nightly rounds of the city’s back streets, he runs into a gang of small-time (read: low-life) thugs who rough him up – so, he then finds a new purpose for his gun! Still, through his ambivalent relationship with a sluttish and tomboyish girl in the group, he’s drawn into open warfare between clans – and even intercedes for them when a hit-man turns up to exterminate them at their hide-out! While such a narrative could have spelt considerable visual excitement and even thematic depth, the grungy feel of it all (the ugly black-and-white cinematography of an industrial wasteland setting – which can now be seen as typical Tsukamoto - rapid cutting, noisy soundtrack) plus the obnoxious characters prevents audience engagement for practically the entire duration (not that the ostensible bond between the hero and the girl is handled satisfactorily, or in any way comprehensively): mercifully, the thing lasts for just a little over 80 minutes!

Finally, I have to say that, while I’m generally a devoted fan of Japanese cinema, there are certain elements inherent in the Oriental outlook (usually having to do with nihilistic violence and/or mundane melodrama), which I haven’t been able to get into, no matter how hard I try…