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Until Runaway Bride came on the scene, I didn't realize how dated Pretty
Woman had become! Fans of Pretty Woman will delight in the thinly veiled
references and homages that Runaway Bride serves up. This is a fun film,
very tongue in cheek in it's delivery. The first viewing of the film may
seem a little flat, but after watching it subsequent times, you get a
definite feel for the dance that is perfected here. That is what I look for
in a movie; can I watch it over and over and still delight in it?
I took absolute delight in the setting of this film more so than anything. The movie refers to the town as Hale, Maryland. The actual town is Berlin, Maryland, absolutely gorgeous and located more to the Northeastern part of the state. Setting is everything here because you focus more on the characters and the small town atmosphere than the glitz and glitter of a major city. The character Maggie Carpenter is not unlike women of her generation--perhaps we tend to marry later in life now more than ever because we don't want to make that mistake that ends in divorce. Maggie doesn't know what she wants out of life, but she has enough sense to get down to the minute and realize a mistake. Her timing is rough, but it manages to avoid divorce lawyer, right?
Drink in the backdrop of the movie, and enjoy the main characters and the strong ensemble cast in this enticingly amusing tale of love and romance redefined.
Runaway Bride is just a good romantic comedy. Yes, the director and the two
big name stars are the same as the film's 1990 counterpart, but even though
the two films have striking and almost offensive similarities, Runaway Bride
has a good enough story that I refuse to believe that it relied on the
success of its predecessor.
Julia Roberts is Maggie Carpenter, a hardware store owner (a laughable profession surpassed only by Denise Richards as a nuclear weapons specialist in The World Is Not Enough. Yeah RIGHT!), and Richard Gere is a newspaper columnist (Ike Graham) who has been fired for printing a supposedly false column about a woman who consistently runs out on her marriages. When he travels to the tiny town where she lives to learn more about her life and possibly get his job back, he finds that there is more to her than just a newspaper column.
By the end of the film, there is such a huge media hype about Maggie's wedding that it's a wonder that Ike wasn't honored for his 'false' column about her. Joan Cusack has never looked and acted better than she did in this movie, delivering a wonderful nasally performance that was strangely heartwarming.
Runaway Bride had all kinds of wonderful scenes. I particularly liked the wedding rehearsal scene. The look on Christopher Meloni's face was priceless! There were so many good things about this film that I am able to overlook the superficial look of unoriginality. If you just look past the director and the two big names, the story itself is not at all like any other film. There will, of course, be the inevitable cynical comparisons to Pretty Woman, and these complaints are understandable, but people who condemn Runaway Bride as a rip-off of Pretty Woman or some sort of re-make are simply not looking at the film, but only at the names on the bill. This is a very good romantic comedy, and it should not be missed simply because of a superficial comparison to Pretty Woman.
*** This review may contain spoilers ***
Julia Roberts seems to be one of the most hated celebrities on this
website. I can't really understand why. I find her to be talented and
charming as well as engaging and usually likable, until I saw Runaway
Bride. I thought I was going to like this one but it offered some of
the most unlikable characters I have ever seen in a romantic comedy.
Generally, the audience should want to cheer for the two people to get
together but I couldn't care less. I don't think Maggie Carpenter
(Julia Roberts) actually deserved to be in a marriage because she was
selfish, immature and seemed incapable of love. I just couldn't fathom
why anyone would actually be attracted to her. She has weddings like
there no big deal and she probably wasted a lot of money between the
four failed ones she had. She has her fiancé invest all of his time
into the relationship, trying to show her that he does indeed love her
only to be left at the altar. I guess the situation was supposed to be
humorous and I shouldn't have taken it so seriously but it was tough to
overlook all of the garbage the film was trying sell to me.
Acting wise the film was decent, which did save it a little. Julia Roberts gives an okay performance, although it's one of her worst. However, she is working with rather weak material and she's portraying a woman that is just so hard to like. Richard Gere was also decent although nothing special. The chemistry between these two was basically non-existent which made their relationship seem completely fake and unrealistic. It was hard to buy that a cynical man would fall for a woman that has no problem trampling all over a man's heart. They did have a few funny scenes together though which made the film more enjoyable. Unfortunately, the film runs for an inexplicable 116 minutes so there are a lot of dead spots.
Romantic comedies shouldn't really be loathsome movies. The characters should be likable and engaging so it's easy to get behind them and the story shouldn't be too far-fetched. Unfortunately, Runaway Bride commits the worst sin for a romantic comedy by offering unlikable characters, making it basically impossible to really get into the movie despite how talented the cast may be.
Committing to a relationship means getting married, but if you are not up to
being committed than it can mean you have cold feet'. Well in this movie
the bride to be has anything, but cold feet. She might as well be wearing
running shoes down the alter, as that is what we get to see, not once but
many times, and it is a funny thing to watch as well.
Ike Graham is a big-city newspaper journalist who causes an uproar with an unflattering and wildly erroneous story about Maggie Carpenter, a small-town woman whose reputation for leaving men stranded at the alter has made her a local legend! But while Ike plans to prove he was right about Maggie all along and Maggie plans to even the score with Ike.. neither expect the sparks that fly when they finally meet!
Now considering that Pretty Woman was one of Hollywood's biggest films of the eighties, and with good reason, it was always going to be difficult to cash in on its success for a second time. I believe that Runaway Bride' was trying to do such a thing. Although I personally enjoyed this film, I can see why some people might not have. It did not have the same appeal that audiences everywhere had for Pretty Woman.
Perhaps the cast was in some way responsible for the movie being a popular choice for movie-goers to want to see. Undoubtedly, the onscreen presents of both Julia Roberts and Richard Gere is a big deal for movie fans. I can see why, this film for me backs up that relationship. Roberts is a star in her own right, who deserves all the accolades that come her way. You can not help but like her and that great smile. Gere has had a very good career also. With movies that include The Jackal, alongside Superstar Bruce Willis, Final Analysis and Primal Fear.
I enjoyed the story that was presented to audiences in this film. Having a girl that continually runs out on her husband to be is an interesting concept, which was well adapted to the bigscreen. Though I would hope in real life that a girl as gorgeous as Maggie Carpenter is, would not bolt for the church door when you are about to commit to her for your whole life. The story for this movie was written by two people, Josann Mcgibbon and Sara Parriott. I feel they both
Director Garry Marshal also deserves a mention. You could feel (well I did at least) some part of Pretty Woman coming through in this film, and this undoubtedly was because of Garry. He has done some incredible work which include movies such as The other sister, Beaches and TV shows the caliber of Mork and Mindy, Happy Days and Laverne and Shirley.
This movie also had some good lines when it came to the issues of love, relationships and how men and women interact with each other. The one line that stands out the most would have to be when Maggie asks of Ike
`Is there one right' person for everyone?'
I love his response -
`No, but I think attraction is mistaken for rightness.'
I totally agree, because I think people can make so many mistakes when it comes to looking for that right person. That is the reason, I believe, for the high separation/divorce rate. You need to be able to act like you always do around someone, in order to be able to say they are in someway right' for you, because if you cant then there is no point even trying to make a go with them.
The music of Runaway Bride' was of significance to me, so much so that I did not realise how good that it was the first time. Martina McBride's tune of `I love you' was an obvious favourite from the film, with other artist including Coco- Lee, the Dixie Chicks, with a great rendition of the classic hit `You can't hurry love' , and U2. This is one soundtrack I definitely want to add to my collection.
So the lesson this movie gives to its audience is that marriage might not be for every person. However, it also show that you can overcome your difficulties in taking the next step in your relationship, if that is what has to be or wants to be done, by open and honest with your partner. Warning: For anyone who is about to get married or starting married life this might not be your film, then again it might just be too. If you like a laugh then you should say I do' to what I think is a delightfully engaging romantic comedy!
Rating: 8/10 or 4 Stars
When I first saw this movie, following the wonderful "Notting Hill," I was
less than thrilled. However, I have watched and watched and watched
"Runaway Bride" and it really is a witty romance. What is particularly
poignant about the film is the chemistry between Gere and Roberts. Though
it seems very fast, it is completely natural for fans of "Pretty Woman,"
saw these two fall in love a decade earlier.
Roberts is wonderful in this movie. She is completely comfortable, natural, and highly believable as the spunky Maggie Carpenter. Gere is cocky, weathered, and attractive as the misguided Ike Graham. The plot is predictable, but the first act is snappy and the climax is well-done. It may not please most people on the first run, but rent it again and you'll begin to see the subtleties that make it great.
"Runaway Bride" is one of those films that probably looked good on paper -
bankable stars like Julia Roberts and Richard Gere trying to rework their
"Pretty Woman" magic in a similar plot - but is so horribly mishandled it
became painful to watch.
I rented it because my wife wanted to see it, and besides it was only an extra $1.00 with another 5-day rental at the local video store. How bad could it be for a dollar?
Let's put it this way - paying $1.00 to see this film was a rip-off. I shut off the movie after 30 minutes. My wife, who likes romantic comedies, stopped watching after an hour. The only reason I think she lasted that long was she was on allergy medication and lacked the strength to push the "Stop" button. The last movie I can recall her refusing to finish was "10 Violent Women" (we were in B-Movie/MST3K mode when we rented that one). As you have already determined, lumping "10 Violent Women" and "Runaway Bride" together is a huge red flag for the discriminating moviegoer.
First of all, Richard Gere's character is at best confused, but he is also conniving and mean. He's piggish yet suave - a great combination for a modern romance, I guess. He writes for USA Today, but is surprised when he's fired for not checking the 'facts' of his story. He tries to vindicate himself by getting the real story on Julia Robert's character, but he annoyingly turns up everywhere prying into every last detail of her life - and even though he just skewered her in a nationwide newspaper, everyone including Julia's fiance accepts and loves him. He's not a journalist - he's a stalker.
Julia Roberts is her usual cutesy self. At best, she gets by on charm, and if that's all you require I guess you'll like this film.
Most scenes are predictable and/or require the use of Roger Ebert's infamous "idiot plot." For example - in the first scene in the beauty shop, where I shut off the videotape. I won't give it away for those who want to see this film, but just watch and think about it for one second - would a big-city reporter fall for the towel gag? Why on earth would we buy this as a plot twist?
I found it impossible to identify with or care about any of the characters. Since both main characters and the plot are thin and uninteresting, the smaller aspects of the film might as well be problematic too. Some scenes and dialog, especially those of the minor characters like Julia's family and the ladies at the salon, would be better left on the cutting room floor. Most of the actors either seem uneasy with their dialog or are sleepwalking through stereotypical roles. The first 30 minutes seemed like a continuous product placement ad for USA Today and Z28's. The soundtrack songs are unimaginative - "Maneater" for crying out loud? I felt like I was watching a UPN sitcom instead of a movie.
I wish I could find something positive about this film, but it is only a transparent attempt to sequel "Pretty Woman" and make a bundle. My advice is short: don't see this film. Save yourself the time and money, even if it's only a dollar.
My Rating: 1 out of a possible 10
I am really becoming tired of coming across some 'generic' users' comments about movies such as: 'With a bigger budget, this film would certainly have been better'Runaway Bride, in my opinion, perfectly belies this too many heard statement: I wonder how many millions of dollars have been USELESSLY WASTED to make this stupid, boring and absolutely not funny movie: it is overwhelmed by clichés and extremely stupid dialogs with a thousand times overused storyline. Moreover, I also wonder how many millions Richard Gere and Julia Roberts 'earned' for their BAD ACTING. But, of course, many people will unfortunately still give some credit to this piece of garbage, for the only reason that the director Gary Marshall had directed 'Pretty Woman' nine years before and that he cast Richard Gere and Julia Roberts. However, here I say: STOP! What is more important than money and will always be in order to make a good movie is THE BRAIN and I fear that this time Mr Marshall lost his. I also sympathize with probable thousands of hundreds of people who walked out of the theaters feeling robbed of their money and with others who will buy the DVD (Moreover, with this awful NTSC standard) Fortunately, I am extremely glad I didn't have to pay a single cent for it, because I saw it on TV. but I still feel that they STOLE TWO HOURS OF MY LIFE, which is infuriating me enough. So I sharply encourage people who think like me to give a 1 to this so-called movie to send it to where, despite its big budget and misbegotten pretension, it belongs: THIS IS A PERFECT CANDIDATE FOR THE IMDb BOTTOM 100!!!
*** This review may contain spoilers ***
I must be immune to sorcery, because I seem to be one of the few Americans
who are not spellbound by Julia Roberts and Richard Gere. I will spend the
rest of my life perplexed as to what is so *great* about these two! Yes,
they were charming together in "Pretty Woman." There, the chemistry,
storyline, and script all just seemed to come together for them. But they
have yet to impress me in anything previous or since! They are one-note
actors who appear to keep playing the same characters with different names.
Richard Gere seems to have trouble changing the expression on his face, and
Julia Roberts, well, she giggles and smiles a lot. Wow.
This movie was just another cutesy "chick flick" staring America's favorite pair with a plot so predictable I was bored to tears ten minutes in. Let's see...two high profile actors start out a movie hating each other...gee...do you think maybe they'll fall in love...? Hmmm...
I'll admit, many of my favorite romance comedies do boarder on the predictable, and many do start off with the soon-to-be couple in conflict with each other. But at least the scenes illustrating the hate-to-love progression in those films are interesting, touching, and believable. Nothing in "Runaway Bride" convinced me that Gere and Roberts should be together, or would last forever as a couple. So, what was the point?
I couldn't believe what good reviews this movie received from credible, professional critics! The lowest moment of the film ever was when the man Julia Roberts dumps to hook up with Richard Gere shows up at their wedding and gives Gere the "eye-contact" sign. Sure, recently jilted men always show up to help out at their ex-fiancees' weddings. At this point, I closed my eyes and tried in vain to get in a power nap during the remainder of the movie.
My rating: rock bottom. 1/10.
This film is a perfect example of why good romantic comedies are hard
to find. Many of them turn out too much like this, not enough laughs or
romance and too entirely predictable. "Runaway Bride" is not horrible
and does manage to provide a few laughs here and there. However, as far
as good romantic comedies go, this one did not satisfy me. For one
thing, I found the plot too unbelievable and unrealistic. Though we
usually don't expect romantic comedy to be entirely realistic, we want
to see good reason for the two main characters to fall in love. I found
the romance between Richard Gere and Julia Roberts to be too suddenly
and awkward. No reason is really given in the film for why Roberts
should start falling in love with a man who starts going around spying
on her. I found Gere's performance just not realistic enough to enjoy.
He does not play a very likable character, which gives me no reason to
want the main characters to fall in love. The supporting cast is really
the only reason I got any laughs out of this film at all. For example,
Joan Cusack plays a funny, entertaining character, as usual, which
brings a little enjoyment to the film. Nevertheless, it just did not
work very well for me. Not a terrible movie, but not really worth your
**1/2 out of ****
*** This review may contain spoilers ***
If you really want to suspend your belief, see this movie. This is a movie
about a woman who leaves a guy at the altar. One would think that she'd be
more careful in her next relationship, but instead she leaves another guy at
the altar. And if you're thinking that both the woman AND her potential
suitors have learned their lessons by now, another guy proposes to her and
ANOTHER guy is left at the altar.
What a charming woman, huh? Jeez, no wonder Richard Gere fell in love with this horrible, stupid woman who has decided last-minute to dump THREE guys! Why do the two of them fall in love? More importantly, are we even supposed to take Julia Roberts's side? Let's look at what she did:
After Gere wrote a TRUE article about her, she complained to the newspaper and got him fired. Then when he shows up in her hometown, she dyes his hair ridiculous colors. Then in order to investigate his article more fully, Gere is forced to pay her a LOT of money. And after they "fall in love", it only gets worse from there.
Then, after Roberts has supposedly found her one true love, this horrible woman has the gall to run away from her FOURTH marriage, with a guy she LOVES! And why? The reason given is that he doesn't make eye contact with her! But after that, she goes BACK and marries him! What kind of horrible, insane woman is this?
END OF SPOILERS
This is one of the worst, most ridiculously written movies I have ever seen. The acting is nothing to be desired either, as some other commenters noticed. It tried to be "Pretty Woman", but it fell flat on its face. The eggs thing was some of the stupidest writing ever (if you really want to know how Julia likes her eggs watch the scene in "America's Sweethearts" where she goes on an eating binge). However, if you're the kind of person who can ignore the writing and the acting just because you feel good when Roberts and Gere kiss, this is a movie for you. But if this is true, I hope I never meet you.
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