11 items from 2014
It's been 15 years since 1999, because that's how time works. 1999 is generally considered a great year for movies. Transformative, even: A diverse array of films, directed by a fleet of up-and-coming filmmakers, all arriving at the multiplex back when cable was lame enough and the internet was slow enough to make the multiplex a place that mattered. If you happened to be young in 1999—or young-ish—it was possible to feel like you were seeing the entire cinematic art form evolve in front of you. Fifteen years ago this month was Three Kings and Fight Club and Being John Malkovich, instant-cult »
- Darren Franich
We’ve reviewed every summer movie season since 1980 to find out which are the best, and which are the worst. Last week we posted our picks for the worst, and here we post our picks for the best.
2015 and 2016 may just be the most overthetop summer movie seasons yet. It seems like nearly every movie slated for a summer 2015 or 2016 release is heavily anticipated. Because of these impending summers of movie awesomeness, we’ve decided to take a look back at summer movie seasons of years past. The idea of the summer movie season is currently in full swing, but it didn’t catch on immediately. Hollywood had to do its fair share of experimenting to determine what types of films would be most successful. As a result, some summer movie seasons have been better than others. We’ve reviewed them all for you and ranked them from worst to best. »
- email@example.com (G.S. Perno)
The Toronto International Film Festival (Tiff) is coming up fast, but organizers are still putting final touches on the festival’s impressive lineup. Highlights of today’s newly announced titles include the world premiere of the anticipated Bill Murray starrer St. Vincent, for which the actor is tipped to garner awards buzz, and Palme D’Or winner Winter Sleep‘s North American debut.
Check out all the announcements below…
Denzel Washington is one of the film world’s most prominent leading men, known best for his galvanizing portrayals of both real-life figures (Malcolm X, The Hurricane, American Gangster) and fictional characters (Philadelphia, Devil in a Blue Dress, Flight). Washington returns to the Festival starring in The Equalizer, an intense thriller that reunites him with director Antoine Fuqua (Brooklyn’s Finest, Shooter, Olympus Has Fallen) for the first time since their Oscar-winning collaboration on Training Day. »
- Isaac Feldberg
Our continuing look back at some of the biggest summers we've lived through takes us back 15 years to one of the best recent movie seasons overall. In honor of the 2014 summer movie season, Team HitFix will be delivering a mini-series of articles flashing back to key summers from years past. There will be one each month, diving into the marquee events of the era, their impact on the writer and their implications on today's multiplex culture. We continue today with a look back at the summer of 1999. It was the summer I became Moriarty. To be fair, I had been contributing to Ain't It Cool for a little while already by that point, and I had been slowly but surely embracing the potential of the website and the audience that I was reaching. I had already taken a few trips to Austin, including a memorable stay at the third Quentin Tarantino Film Festival, »
- Drew McWeeny
In summers past, Hollywood used to give audiences a break from all the action-packed sequels targeted to teenage boys. Usually, that came in the form of counterprogramming known as the romantic comedy. For most of the late ’90s, Julia Roberts carried the genre: she opened 1997’s “My Best Friend’s Wedding,” which grossed nearly $300 million worldwide, against the disastrous “Batman and Robin.” She was also the star of such summertime hits as 1999’s “Notting Hill” ($364 million worldwide), “Runaway Bride” ($309 million) and 2001’s “America’s Sweethearts” ($138 million), which marked the end of her reign as the queen of romantic comedies.
One of the reasons that the summer of 2014 has been so catastrophic, with box office grosses down 18 percent, is the glut of indistinguishable product. Every movie, from “Transformers 4” to “The Amazing Spider-Man 2,” feels like a photocopy of something that came before it. But the biggest profit margins aren’t »
- Ramin Setoodeh
In the post-Lady in the Water era, it’s tough to remember how bonkers people once went for The Sixth Sense. But a mere millennium ago, M. Night Shyamalan’s atmospheric thriller was the toast of audiences and critics alike — a box office smash, a cultural touchstone, a freakin’ Best Picture nominee. Not only at the MTV Movie Awards, but also at the Oscars!
How did a simple, potentially gimmicky ghost story capture our hearts and minds so fully? Easy: because despite the shadow hindsight casts upon it, The Sixth Sense is a great movie. Its brief 107-minute run »
- Hillary Busis
You know, at the very beginning I was a fan of Law & Order: Svu. It probably goes without saying that I’m not inclined to be a fan of anything after 40 or 50 seasons (or whatever this show is on), but beyond the general boredom of a show that has outlived its usefulness, Svu started going downhill after two seasons, and simply wasn’t the same show anymore.
Well, whatever, such is my humble anyway.
As if to specifically mess with me, the show is now forcing me to watch it again, as Donal Logue has been given a recurring role. Fresh off of three of the coolest shows, and roles, you’re going to run into (Copper, Vikings, and Sons of Anarchy), Logue will continue the role as acting commander of the Svu.
The show returns on the 30th, and the Grey’s Anatomy-esque fun continues as Mariska Hargitay‘s character… »
- Marc Eastman
Christopher Meloni has had the kind of varied, almost schizophrenic, and very vivid acting career in which the first thing you see him in would likely color your perceptions of him for years to come. I first encountered him in the sixth season of “1st & Ten,” a raunchy ‘80s HBO comedy about a pro football team whose cast at various points included Delta Burke, Shannon Tweed, O.J. Simpson and, for a season — as an ex-con quarterback calling himself Johnny Gunn — a young Meloni. (Here’s the opening credits for that season.) As a result of that and a few other sitcom roles immediately after, I thought of him as a comedy guy and was thrown when he would pop up playing intense dramatic roles in the ‘90s on shows like “NYPD Blue,” “Homicide” and, for a long and memorable stretch, “Oz,” HBO’s first original dramatic series, in which Meloni »
- Alan Sepinwall
Christopher Meloni, 1990s fashion expert. Sort of. Just kidding. The Surviving Jack star sat down with his TV wife Rachael Harris to test their knowledge on all things '90s. Their Fox show is transporting them back to that wonderful decade of neon and bicycle shorts, so how great is their knowledge of the totally radical decade? Well, that's debatable. Meloni fails his first question about fashion, Harris bombs a softball about Clueless dialogue, but aces one about Runaway Bride. And who can forget Meloni was in Runaway Bride? He certainly didn't! Harris and Meloni play husband and wife in Fox's Surviving Jack, a new family comedy from Justin Halpern and Cougar Town's Bill Lawrence. The show »
London, Mar.4: Julia Roberts reportedly cried when Bette Middler crooned 'Wind Beneath My Wings' at the Oscars after party.
The 'Runaway Bride' star was grabbing a drink with pal Cate Blanchett and her husband Andrew Upton when she got emotional and started crying while watching Midler croon her classic ballad on a monitor, Us magazine reported.
According to an observer, the 46-year-old told her pals that this song always makes her cry and she was overwhelmed with emotions this month. (Ani) »
- Smith Cox
Garry Marshall — the man behind “Happy Days,” “Laverne & Shirley” and “Mork & Mindy” — will receive the Writers Guild of America West’s 2014 Paddy Chayefsky Laurel Award for Television Writing Achievement.
The honor will be presented at the Writers Guild Awards’ West Coast ceremony on Feb. 1 at the Jw Marriott Los Angeles.
“Garry Marshall’s filmography – from ‘The Joey Bishop Show’ to ‘Happy Days’ – is a virtual history of American television comedy,” said WGA West president Christopher Keyser. “Both of-their-time and timeless, his shows are a gentle, generous, comic mirror held up to late mid-century America. And no one is a finer or funnier chronicler of friendship – male or female (or alien) – than Garry Marshall.”
Marshall created or co-created and executive produced “Happy Days” (1974-84), “Laverne & Shirley” (1976-83), “Joanie Loves Chachi,” “Mork & Mindy,” “Angie,” “Makin’ It,” “The Brian Keith Show,” and “Hey, Landlord!”
He also developed “The New Odd Couple.” His other »
- Dave McNary
11 items from 2014
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