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Runaway Bride (1999)

PG | | Comedy, Romance | 30 July 1999 (USA)
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A reporter is assigned to write a story about a woman who has left a string of fiances at the altar.

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6 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mrs. Pressman
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Elaine from Manhattan
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Cousin Cindy
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Grandma
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Cory Flemming
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Storyline

Ike Graham has his own by-lined column in USA Today, which he usually uses as a forum to rail against the opposite sex. For his latest column which he writes at the last minute as usual, he, based on some information from a stranger in a bar about a woman he knows of back home, includes the story of still single Hale, Maryland residing Maggie Carpenter, who is known as the "Runaway Bride" since she has been engaged multiple times, but always leaves her betrothed standing at the altar. Because an incensed Maggie complains to the newspaper for factual inaccuracies in her story, Ike is fired, but he realizes that the story still has some life in it and thus decides to go to Hale to do further investigation. He finds that Maggie is again engaged, now for the fourth time, this time to high school football coach and adventurist Bob Kelly, who is confident enough in himself to know he will be different than the previous three grooms. When Maggie finds out that her arch enemy Ike is in town, ... Written by Huggo

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They're Off And Running July 20. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG for language and some suggestive dialogue | See all certifications »

Parents Guide:

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Details

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Release Date:

30 July 1999 (USA)  »

Also Known As:

Novia fugitiva  »

Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

$35,055,556 (USA) (30 July 1999)

Gross:

$152,149,590 (USA) (7 January 2000)
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Company Credits

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Technical Specs

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The Sunday school scene included many of the cast- and crew-members' children and grandchildren. See more »

Goofs

When Maggie is describing Bob's proposal, she refers to being at an "Oriole" game. When people use the actual name of Baltimore's Major League Baseball team, they always refer to the "Orioles." (The team's nicknames are the "O's" or the "Birds.") See more »

Quotes

Maggie Carpenter: [Ike has just seen Maggie in the mirror in his apartment] Hello Ike.
Ike Graham: Don't tell me, my *doorman* is one of your many admirers.
Maggie Carpenter: I'm making friends with your cat. Is it okay that I'm here?
Ike Graham: I don't have much choice in the matter, do I? But, I can't speak for Italics.
[points at Italics the cat]
Ike Graham: *Traitor*.
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Crazy Credits

After all of the credits have run, Richard Gere and Julia Roberts are seen throwing snowballs. See more »

Connections

References Father of the Bride (1991) See more »

Soundtracks

Wedding March
from "A Midsummer Night's Dream"
By Felix Mendelssohn-Bartholdy
Arranged and Performed by Tony Newman (as Anthony Newman)
Organ courtesy of Sony Classical
by arrangement with Sonic Music Licensing
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User Reviews

 
c-a-b-d
6 August 2000 | by (Canberra, Australia) – See all my reviews

I found "Pretty Woman" charming, and I suppose I still do, but in one respect its storyline is contrived. (In ONE respect? I hear you ask. Well, maybe more than one, but only one that worries me.) This much of the standard formula a light love story MUST follow: (a) boy falls in love with girl, (b) girl falls in love with boy, (c) obstacle, (d) union. Timing is surprisingly unimportant. It doesn't matter when (c) is established - it can be before the curtain rises, or half an hour before it falls - nor does it matter if (a) and (b) are simultaneous, or over an hour apart. (And obviously it doesn't matter which one comes first. Even the order c-b-d-a is acceptable.) The trouble with "Pretty Woman" is (c). So she's a prostitute. So what? It's a pity that twentieth-century writers have somehow acquired the idea that external obstacles are less interesting than internal ones: it isn't true, and in any event, internal obstacles are harder to draw convincingly.

Which is why (FINALLY, I get to the point) "Runaway Bride" is a more pleasant confection than "Pretty Woman". Believe me, you don't know how surprised I am to find myself writing this. Before I saw the movie I was all but certain it would be deathly stale. The premise - love blossoms between an insulting newspaper columnist and a serial jilter he writes about

  • screamed, "This will spend two hours going nowhere" at me ... and the


curious thing is, now that I've seen the film, I can't even remember why I found the idea so unpromising. Maybe I was unduly swayed by the last Julia Roberts romantic comedy I saw, "I Love Trouble", which was at once thin, bloated, and flat.

"Runaway Bride" is none of these things. It's over two hours, but none of this is bloat: it takes its time because it NEEDS this time, given obstacle (c), to convincingly establish (a) and (b). The film doesn't waste our time any more than it wastes our own. I was never bored; very often I was even basking in the glow. Tastes in romantic comedy are hard to justify or defend, so I'll leave it at that.


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