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Runaway Bride (1999)

PG  |   |  Comedy, Romance  |  30 July 1999 (USA)
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Ratings: 5.4/10 from 70,081 users   Metascore: 39/100
Reviews: 254 user | 102 critic | 33 from Metacritic.com

A reporter is assigned to write a story about a woman who has left a string of fiances at the altar.


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6 wins & 9 nominations. See more awards »



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Cast overview, first billed only:
Mrs. Pressman
Elaine from Manhattan
Cousin Cindy
Jean Schertler ...
Cory Flemming


Ike Graham has his own by-lined column in USA Today, which he usually uses as a forum to rail against the opposite sex. For his latest column which he writes at the last minute as usual, he, based on some information from a stranger in a bar about a woman he knows of back home, includes the story of still single Hale, Maryland residing Maggie Carpenter, who is known as the "Runaway Bride" since she has been engaged multiple times, but always leaves her betrothed standing at the altar. Because an incensed Maggie complains to the newspaper for factual inaccuracies in her story, Ike is fired, but he realizes that the story still has some life in it and thus decides to go to Hale to do further investigation. He finds that Maggie is again engaged, now for the fourth time, this time to high school football coach and adventurist Bob Kelly, who is confident enough in himself to know he will be different than the previous three grooms. When Maggie finds out that her arch enemy Ike is in town, ... Written by Huggo

Plot Summary | Add Synopsis


Catch her if you can. See more »


Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG for language and some suggestive dialogue | See all certifications »

Parents Guide:





Release Date:

30 July 1999 (USA)  »

Also Known As:

Novia fugitiva  »

Box Office


$70,000,000 (estimated)

Opening Weekend:

$35,055,556 (USA) (30 July 1999)


$152,149,590 (USA) (7 January 2000)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


During the scene where Julia Roberts drives through the town square and sees Richard Gere playing slide guitar with some "locals", Gere not only played the guitar for real but he wrote the part he was playing. See more »


When Ike and Maggie drive away from the tavern in Ike's convertible, after putting Maggie's father in his truck to "sleep it off", their hair should be blowing during the drive in the open convertible - especially Maggie's long mane. Their hair is perfectly still. See more »


Ike Graham: [Mrs. Whittenmeyer refuses to sell a wedding gown to Maggie] You sell wedding dresses, right?
Mrs. Whittenmeyer: Yes, I've been selling wedding gowns for thirty-five years.
Ike Graham: Wonderful! Because we are here to buy one! But not just any one.
[points to a gown in the window]
Ike Graham: She wants "that" one!
Mrs. Whittenmeyer: It's a thousand dollars!
Ike Graham: Listen, Aunt Bea! Conversation has never worked for me, let's try "visual."
[jumps into the window and pulls the mannequin down, knocking its wig off]
Ike Graham: We're buying the dress! And anything else she wants!
See more »

Crazy Credits

After all of the credits have run, Richard Gere and Julia Roberts are seen throwing snowballs. See more »


References The Hunchback of Notre Dame (1939) See more »


You Sang To Me
By Cory Rooney and Marc Anthony
Performed by Marc Anthony
Courtesy of Columbia Records by arrangement with Sony Music Licensing
See more »

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User Reviews

6 August 2000 | by (Canberra, Australia) – See all my reviews

I found "Pretty Woman" charming, and I suppose I still do, but in one respect its storyline is contrived. (In ONE respect? I hear you ask. Well, maybe more than one, but only one that worries me.) This much of the standard formula a light love story MUST follow: (a) boy falls in love with girl, (b) girl falls in love with boy, (c) obstacle, (d) union. Timing is surprisingly unimportant. It doesn't matter when (c) is established - it can be before the curtain rises, or half an hour before it falls - nor does it matter if (a) and (b) are simultaneous, or over an hour apart. (And obviously it doesn't matter which one comes first. Even the order c-b-d-a is acceptable.) The trouble with "Pretty Woman" is (c). So she's a prostitute. So what? It's a pity that twentieth-century writers have somehow acquired the idea that external obstacles are less interesting than internal ones: it isn't true, and in any event, internal obstacles are harder to draw convincingly.

Which is why (FINALLY, I get to the point) "Runaway Bride" is a more pleasant confection than "Pretty Woman". Believe me, you don't know how surprised I am to find myself writing this. Before I saw the movie I was all but certain it would be deathly stale. The premise - love blossoms between an insulting newspaper columnist and a serial jilter he writes about

  • screamed, "This will spend two hours going nowhere" at me ... and the

curious thing is, now that I've seen the film, I can't even remember why I found the idea so unpromising. Maybe I was unduly swayed by the last Julia Roberts romantic comedy I saw, "I Love Trouble", which was at once thin, bloated, and flat.

"Runaway Bride" is none of these things. It's over two hours, but none of this is bloat: it takes its time because it NEEDS this time, given obstacle (c), to convincingly establish (a) and (b). The film doesn't waste our time any more than it wastes our own. I was never bored; very often I was even basking in the glow. Tastes in romantic comedy are hard to justify or defend, so I'll leave it at that.

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