Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Ike Graham has his own by-lined column in USA Today, which he usually uses as a forum to rail against the opposite sex. For his latest column which he writes at the last minute as usual, he, based on some information from a stranger in a bar about a woman he knows of back home, includes the story of still single Hale, Maryland residing Maggie Carpenter, who is known as the "Runaway Bride" since she has been engaged multiple times, but always leaves her betrothed standing at the altar. Because an incensed Maggie complains to the newspaper for factual inaccuracies in her story, Ike is fired, but he realizes that the story still has some life in it and thus decides to go to Hale to do further investigation. He finds that Maggie is again engaged, now for the fourth time, this time to high school football coach and adventurist Bob Kelly, who is confident enough in himself to know he will be different than the previous three grooms. When Maggie finds out that her arch enemy Ike is in town, ... Written by
The address on Maggie's truck reads 106 N. Main as the address for the hardware store. However, when Ike rides into town the address above the door reads 104. See more »
I love Eggs Benedict, I hate every other kind. I hate big weddings with everybody staring. I'd like to get married on a weekday while everybody's at work. And when I ride off into the sunset, I want my own horse.
Should I be writing this down?
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After all of the credits have run, Richard Gere and Julia Roberts are seen throwing snowballs. See more »
This could have been a great movie. It should have been a great movie. I wanted it to be a great movie. It was a pretty good movie, but it wasn't a great movie.
I know it's not a PRETTY WOMAN sequel, but with Garry Marshall directing Richard Gere, Julia Roberts, Hector Elizondo, and Larry Miller, I couldn't help but expect at least some of the old magic. And RUNAWAY BRIDE starts with lots of promise. Good characters, interesting plot, actors I enjoyed watching. But after a while, every scene seems like little more than a setup for the next punch line. In any romantic comedy, especially in a Garry Marshall romantic comedy, and ESPECIALLY in a Garry Marshall romantic comedy starring Gere and Roberts, I know how I want it to end. And at a certain point, I don't want any more plot twists ands turns, I just want to see the ending I happily paid 8 bucks for. I'm willing to play the will-they-or-won't-they game for just so long. RUNAWAY BRIDE messes with that formula a bit too much, and it ended up frustrating me. And I had really enjoyed it up to that point. After a while, it seemed like the story was being prolonged just for the sake of prolonging it. It seemed forced.
I won't spoil anything, but I will say that I loved the movie up until the scene with the FedEx truck. Everything after the FedEx truck was unnecessary and frustrating. That last 15 minutes or so took an 8 out of 10 movie and made it much harder than it needed to be. Final vote: 6 out of 10.
Sequel or not, people will invariably compare it to PRETTY WOMAN. If Marshall had wanted RUNAWAY BRIDE to stand on its own, he could have cast different actors. (Kevin Costner or David Duchovny come to mind as the male, Jenna Elfman or Sandra Bullock opposite.) But instead, I left the theatre with the taste of leftovers in my mouth; I liked it better the first time around.
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