Directed by
| Rachel Perkins | ||
Writing Credits
| Louis Nowra | ... | (screenplay) |
| Louis Nowra | ... | (play) |
Cast (in credits order) complete, awaiting verification
| Deborah Mailman | ... | Nona | |
 |
Trisha Morton-Thomas | ... | Mae |
|
|
Rachael Maza | ... | Cressy |
| Russell Kiefel | ... | Father Doyle | |
| Ben Oxenbould | ... | The Barman | |
Produced by
| Jenny Day | ... | co-producer |
| Ned Lander | ... | producer |
| Andrew Myer | ... | producer |
| Louis Nowra | ... | associate producer |
Music by
| Alistair Jones | ||
Cinematography by
| Warwick Thornton | ||
Editing by
| James Bradley | ||
Production Design by
| Sarah Stollman | ||
Art Direction by
| Catherine Mansill | ||
Costume Design by
| Tess Schofield | ||
Production Management
| Ally Henville | ... | production manager |
| David Suttor | ... | unit manager |
Second Unit Director or Assistant Director
| Jason Di Rosso | ... | third assistant director |
| Tanya Jackson | ... | second second assistant director (as Tanya Jackson-Vaughan) |
| John Martin | ... | first assistant director |
| Noni Roy | ... | second assistant director |
Art Department
| Mandi Bialek-Wester | ... | art department attachment |
| Leroy Plummer | ... | stand-by props |
| Kate Walker | ... | set dresser |
Sound Department
| Craig Butters | ... | sound effects editor |
| John Dennison | ... | sound supervisor |
| Duncan McAllister | ... | foley recordist |
| Bronwyn Murphy | ... | sound recordist |
| John Patterson | ... | sound effects editor / supervising sound editor |
| Tony Vaccher | ... | supervising sound editor |
| Stephen Vaughan | ... | boom operator (as Stephen Jackson-Vaughan) |
Special Effects by
| Jeff Little | ... | special effects technician |
| Tim O'Brien | ... | special effects supervisor |
| Kevin Turner | ... | special effects technician |
Camera and Electrical Department
| Corrie Ancone | ... | still photographer |
| Paul Anderson | ... | grip |
| Himman Dhamija | ... | camera operator |
| Peter Holland | ... | best boy electric / electrician |
| Andrew Horton | ... | clapper loader |
| Paul Johnstone | ... | gaffer |
| Greg Molineaux | ... | key grip |
| Nick Seckold | ... | grip electrics |
| Jodi Anne Smith | ... | focus puller |
Editorial Department
| Margaret Bourke | ... | negative matching |
| Arthur Cambridge | ... | color grading |
| Jenny Gilroy | ... | negative matching |
| Al Hansen | ... | digital colorist |
| Denise Wolfson | ... | laboratory liaison |
Music Department
| Christine Woodruff | ... | music supervisor |
Script and Continuity Department
| Linda Ray | ... | continuity |
Additional Crew
| Pru Donovan | ... | production accountant |
| Teresa-Jayne Hanlon | ... | production coordinator |
Thanks
| Neil Armfield | ... | special thanks |
| Lindy Davies | ... | special thanks |
| Claire Dobbin | ... | special thanks |
| Erica Glynn | ... | special thanks |
| Bridget Ikin | ... | special thanks |
| Robyn Kershaw | ... | special thanks |
| Sue Milliken | ... | special thanks |
| Marion Pilowsky | ... | executive producer showtime |
| Tim Read | ... | special thanks |
| Gina Roncoli | ... | special thanks |
| Wal Saunders | ... | special thanks |
