Overview
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Release Date:
14 November 1998 (Hong Kong)
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Plot:
In pre-unified China, the King of Qin sends his concubine to a rival kingdom to produce an assassin for a political plot, but as the king's cruelty mounts she finds her loyalty faltering.
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Awards:
2 wins
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8 nominations
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User Comments:
Love, death and moral choices in a historical epic of China
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Additional Details
Also Known As:
L'empereur et l'assassin (France)
Shikôtei ansatsu (Japan)
The Assassin
The Emperor and the Assassin (Europe: English title)
The First Emperor (Singapore: English title)
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Runtime:
162 min
Aspect Ratio:
1.85 : 1
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Fun Stuff
Trivia:
The task of reproducing the costumes for the production was undertaken by the renowned designer, Mo Xiaomin, whose work is synonymous with the term 'costume design as art'. Mo Xiaomin spent two and a half years visiting historical ruins, collecting vast amounts of information and reading over 100 specialized texts before officially accepting Chen Kaige's offer to create the costumes for the movie. During the early planning stages, there were continuous consultations with the director and thousands of preliminary sketches made before Mo decided on his final 400 designs. The film's costumes are the culmination of four years of continuous labor and the pinnacle of Mo Xiaomin's celebrated twenty year career as a designer.
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Based on the actual event , this epic, is set in the year 221 B.C and tells the true story of the unification of China. Action packed and filled with intrigue, passion, betrayals and unforgettable battle sequences, it held my attention throughout in spite of its 160 minute length.
The king, Ying Zeng, played by Li Xuejian is obsessed with unifying the seven kingdoms of China and becoming its first Emperor. His lover, Lady Zhao, played by the beautiful actress Gong Li, devises a plot whereby she will travel to the neighboring kingdom of Yan to set a fake assassination plot in motion which will give the king an excuse to invade Yan. However, she falls in love with the assassin as the king becomes more and more ruthless.
There are subplots, and tragedy and constant high drama. There are scenes of great beauty and of abject cruelty. There is great cinematography and brilliant use of physical space.
The deep characterization made me think of Shakespeare. And tragic events that call to mind Greek drama. And yet it is totally Chinese as it deals with age-old questions of whether the ends justify the means. And raises the questions dealing with life and death and good and evil and all the blurred edges in between.
It is the story of individuals against the backdrop of history, a history that has shaped China for the past two thousand years. I was swept up in the story as well as the moral questions raised. There are no easy answers and this was one of the strengths of the movie.
Recommended. But be prepared for the violence and gore.