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In the 3rd Century BC, Ying Zheng, heir to the Kingdom of Qin, seeks to dominate the remaining six Chinese kingdoms. Ying's strategy is to seem invincible. Ying sends his concubine Zhao to the Han Kingdom as a spy, to enlist an assassin he can conquer. Zhao persuades Jing Ke, but falls in love. Written by
The task of reproducing the costumes for the production was undertaken by the renowned designer, Mo Xiaomin, whose work is synonymous with the term 'costume design as art'. Mo Xiaomin spent two and a half years visiting historical ruins, collecting vast amounts of information and reading over 100 specialized texts before officially accepting Chen Kaige's offer to create the costumes for the movie. During the early planning stages, there were continuous consultations with the director and thousands of preliminary sketches made before Mo decided on his final 400 designs. The film's costumes are the culmination of four years of continuous labor and the pinnacle of Mo Xiaomin's celebrated twenty year career as a designer. See more »
I've read some grumbles about the court scenes. These people betray their ignorance. This production went to simply amazing lengths to recreate all aspects of the period in which the story occurred. Courtly manners are something few people outside the court ever see. While the acting may appear highly stylized, it is, in fact, as close a replication as possible of the behavior of individuals in their particular stations as the director could create. The actor's facial expressions are a marvel, particularly the duplicitous Marquis Changxin and the King's mother.
There are, of course, reflections of both Greek and Shakespearian tragedy in the relationship between the king, his parents and his love. The juxtaposition of the king transforming from good to bad and the assassin from bad to good provides much food for thought on the evolution of an individual's nature. This movie would provide much to ponder in a college course on the humanities.
At the same time, it almost rushes along, even in the slowest scenes heading towards an inexorable denouement. One suspects the involvement of large portions of the troop movements, which were quite awesome. It makes The Lord of the Rings battle scenes pale by comparison. Few directors have the ability to literally field thousands of humans on the field of battle just for art's sake. I recall one scene in which at least 30,000 troops can be seen moving across a huge plain. The logistics for such a shot would have been staggering.
I could go on... but simply, I can't recommend this film highly enough.
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