Loved this series, hard to believe nothing in politics has really changed since it aired, as my title says, and is a line spoken by Bill Brand, the tories are still taking the pennies from the dead of this country, not just the clinically deceased!
4 Reviews
Fascinating time capsule with contemporary relevance
kmoh-130 August 2019
Bill Brand evokes a long-gone era of the 1970s when the left pushed hard to take over the British Labour Party - long-gone but relevant, because this is the milieu in which Jeremy Corbyn, since 2015 the leader of the Labour Party, learned his politics.
The series is brilliantly written, from a left wing perspective, but it wears its bias on its sleeve, is not judgmental, and it is a sufficiently honest piece that the contradictions and problems with the position are displayed and wrestled with. Bill Brand (earnest Jack Shepherd) is a newly elected Labour MP, from the party's far left. He is tortured with doubt about the best way to achieve his socialist aims, but has absolute certainty about the correctness of his Marxist theory. But the Labour Party is a broad coalition, in which university-educated theorists like Brand rub shoulders with the working class and trade unions, who have a more pragmatic (and small-c conservative) view of their interests. The Parliamentary Party seems to have its own separate concerns.
Brand joins a group organised around a left wing journal, clearly based on the Tribune Group. A beleaguered Labour government with a tiny minority struggles on under a wily Prime Minister, who suddenly resigns. Can the left take this opportunity to force its own view on the party? Is Parliament a realistic route for socialism, or will it have to emerge from protest outside? Are ideologues like Brand, and pragmatists like his agent Alf Jowett, cabinet ministers like Venables or even prominent leftists like David Last, fighting for the same thing in different ways, or for different things entirely?
This was a highly topical series in the 1970s. It would have seemed arcane and remote in the 1980s and 1990s. Once more, in the 2010s, it is right on topic, as Corbyn has made it to the top of the Labour Party with the help of an extra-Parliamentary internet-based insurgence from a large group of activists later christened Momentum. The split between the working class and the highly educated middle class is evident, for example in Brexit. If anyone wants to get a sense of the nature of Corbynite thinking, this series is as good a place as any to start.
It is also an interesting commentary on the historical events of 1976, with many thinly-disguised characters. Arthur Lowe appears as a Harold Wilson figure - Wilson had suddenly and surprisingly resigned as Prime Minister just 2 months before this series began. Alan Badel plays the ambiguous David Last, Michael Foot in all but name. Ray Smith is a fiery trade unionist. Godfrey Quigley plays the Denis Healey role. The background of the Northern Irish troubles appears once or twice. But it is entirely focused on the Labour Party - there are few trade unionists, and hardly any Tories, Nationalists or Liberals appearing. Almost all the 'ordinary' people are party members.
It is a gritty and realistic series, that places the politics in the context of a deindustrialising Northern town and the febrile environment of Westminster. Brand's tangled personal life features prominently, with the young Cherie Lunghi as his inspiring but difficult teenage girlfriend. Indeed, the 1970s Labour Party was largely blind to sexual politics, but this series is quite ahead of the curve as Brand tries to rethink gender relations. Some well-known directors cut their teeth on the series. It wasn't a comedy by any manner of means, but it brings its politics to life.
The series is brilliantly written, from a left wing perspective, but it wears its bias on its sleeve, is not judgmental, and it is a sufficiently honest piece that the contradictions and problems with the position are displayed and wrestled with. Bill Brand (earnest Jack Shepherd) is a newly elected Labour MP, from the party's far left. He is tortured with doubt about the best way to achieve his socialist aims, but has absolute certainty about the correctness of his Marxist theory. But the Labour Party is a broad coalition, in which university-educated theorists like Brand rub shoulders with the working class and trade unions, who have a more pragmatic (and small-c conservative) view of their interests. The Parliamentary Party seems to have its own separate concerns.
Brand joins a group organised around a left wing journal, clearly based on the Tribune Group. A beleaguered Labour government with a tiny minority struggles on under a wily Prime Minister, who suddenly resigns. Can the left take this opportunity to force its own view on the party? Is Parliament a realistic route for socialism, or will it have to emerge from protest outside? Are ideologues like Brand, and pragmatists like his agent Alf Jowett, cabinet ministers like Venables or even prominent leftists like David Last, fighting for the same thing in different ways, or for different things entirely?
This was a highly topical series in the 1970s. It would have seemed arcane and remote in the 1980s and 1990s. Once more, in the 2010s, it is right on topic, as Corbyn has made it to the top of the Labour Party with the help of an extra-Parliamentary internet-based insurgence from a large group of activists later christened Momentum. The split between the working class and the highly educated middle class is evident, for example in Brexit. If anyone wants to get a sense of the nature of Corbynite thinking, this series is as good a place as any to start.
It is also an interesting commentary on the historical events of 1976, with many thinly-disguised characters. Arthur Lowe appears as a Harold Wilson figure - Wilson had suddenly and surprisingly resigned as Prime Minister just 2 months before this series began. Alan Badel plays the ambiguous David Last, Michael Foot in all but name. Ray Smith is a fiery trade unionist. Godfrey Quigley plays the Denis Healey role. The background of the Northern Irish troubles appears once or twice. But it is entirely focused on the Labour Party - there are few trade unionists, and hardly any Tories, Nationalists or Liberals appearing. Almost all the 'ordinary' people are party members.
It is a gritty and realistic series, that places the politics in the context of a deindustrialising Northern town and the febrile environment of Westminster. Brand's tangled personal life features prominently, with the young Cherie Lunghi as his inspiring but difficult teenage girlfriend. Indeed, the 1970s Labour Party was largely blind to sexual politics, but this series is quite ahead of the curve as Brand tries to rethink gender relations. Some well-known directors cut their teeth on the series. It wasn't a comedy by any manner of means, but it brings its politics to life.
Passionate, partisan 1970s political drama
alandolton21 October 2019
Warning: Spoilers
I can remember enjoying this series when it was first broadcast in the summer of 1976. Not having seen it for 35 years, I bought the DVD to see how it would appear so much later.
Bill Brand is a socialist who is selected as Labour candidate for a Lancashire textile constituency, following the death of the sitting Labour MP. He holds the seat with a small majority. Although Brand is married with two young children, he is having an affair with an attractive young woman named Alex (an excellent performance by Cherie Lunghi). Early in the series, Brand's wife begins divorce proceedings. Brand also gets into trouble with the Labour whips for voting against the Labour government.
There is a very strong supporting cast. Arthur Lowe plays the Prime Minister, Arthur Watson (loosely based on Harold Wilson) - although he does not get much screen time. Alan Badel has a major role as David Last, a left-wing Cabinet minister and member of the 'Journal group' (a character clearly based on Michael Foot). Geoffrey Palmer and Nigel Hawthorne both appear as Government ministers from the Gaitskellite wing of the Labour party.
Looking back 36 years after the series was broadcast, the series' weaknesses are obvious. Brand's political opponents are stereotypes. Although we are clearly meant to sympathise with Brand's politics, his behaviour towards his wife is appalling. The writer, Trevor Griffiths, was unduly pessimistic in his political forecasting. During the series the Prime Minister resigns through ill-health and is replaced by a Gaitskellite who has no sympathy with the traditional Labour left. In reality Wilson was succeeded by Jim Callaghan, a centrist who wished to keep the party united: he in turn was subsequently succeeded by Michael Foot, and the Gaitskellites left the Labour Party to form the SDP. Finally, it is unfortunate that Griffiths chose to give Brand's mistress the same name as a well-known former Rangers footballer: I can remember this being criticised in 1976 by Rangers supporters who felt that Griffiths (a Catholic) was deliberately baiting them, and it seems even more inappropriate given that the footballer in question subsequently developed into one of Britain's most successful managers.
Despite these weaknesses, I still found the series remarkably gripping and very watchable as a reminder of British politics in the 1970s.
Veiled Political Commentary
Tak00514 April 2018
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