An eccentric, unconventional woman whose naive aspirations to rise from her job as a security guard to full-fledged private eye lead her into a tangled PL: mess.
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Emily Watson stars as Trixie, an eccentric woman who aspires to quit her job as a security guard and become a private detective. However, comedy intervenes and the mess begins... Written by
Ari Herzog <ari@ici.net>
Senator Avery talks about going for his 8th term but this is impossible. Even assuming the shortest possible time in office (serving only one day of a vacated Senator's position as his first term plus 5 full terms of 6 years each and he is speaking on the first day of his 7th term) this equals 30 years and two days. He directly states he is 52 and you cannot become a Senator unless you are at least 30 meaning he must be an absolute minimum of 60 yeas and two days old. See more »
One needs a certain warped sense of humor to enjoy this film. Trixie (Emily Watson) is a self proclaimed `Private Defective' whose butchery of English is nothing short of cleavacle. Her command of idioms is not as bad as it is worse. She is Norm Crosby taken to the tenth powder. She mixes semaphores with a high-speed blender. Her malapropriations are so funny they border on historical.
The writing of Trixie's dialogue by Alan Rudolph is extremely clever, but the story that surrounds it is very quirky, meandering off point constantly. I'm not a big fan of Rudolph's wry style of directing, but this film actually has its moments. Some of the things that pop out of Trixie's mouth are priceless. I found myself tolerating the boring story to hear what she would say next.
Emily Watson's performance is excellent. She gives Trixie a naïve charm and gritty determination that is fun to watch. It is hard to fathom how she is able to say her lines with a straight face. Her Chicago accent is horrendous though. Nathan Lane also gives a tragically droll performance and Nick Nolte is absurdly humorous in his caricature of the corrupt state senator.
This film was pounded by almost everyone, but I like this kind of word gymnastics, so I enjoyed it despite itself. I rated it a 6/10. If you can appreciate a punny character without much of a story, it might be worth a try.
4 of 6 people found this review helpful.
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One needs a certain warped sense of humor to enjoy this film. Trixie (Emily Watson) is a self proclaimed `Private Defective' whose butchery of English is nothing short of cleavacle. Her command of idioms is not as bad as it is worse. She is Norm Crosby taken to the tenth powder. She mixes semaphores with a high-speed blender. Her malapropriations are so funny they border on historical.
The writing of Trixie's dialogue by Alan Rudolph is extremely clever, but the story that surrounds it is very quirky, meandering off point constantly. I'm not a big fan of Rudolph's wry style of directing, but this film actually has its moments. Some of the things that pop out of Trixie's mouth are priceless. I found myself tolerating the boring story to hear what she would say next.
Emily Watson's performance is excellent. She gives Trixie a naïve charm and gritty determination that is fun to watch. It is hard to fathom how she is able to say her lines with a straight face. Her Chicago accent is horrendous though. Nathan Lane also gives a tragically droll performance and Nick Nolte is absurdly humorous in his caricature of the corrupt state senator.
This film was pounded by almost everyone, but I like this kind of word gymnastics, so I enjoyed it despite itself. I rated it a 6/10. If you can appreciate a punny character without much of a story, it might be worth a try.