When 19-year-old gay-rights activist Tommy and 24-year-old Alan first meet in 1973, they find themselves on the opposite sides of the political coin. Despite their many differences, they ... See full summary »
A "coming out" story that avoids all the tired cliches and stays committed to telling the stories of these characters, "East Side Story" examines bias of all kinds and features stirring performances by incredibly attractive actors.
"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
Gabriel, an aspiring writer of Broadway musicals, meets Mark, a muscled stripper, who picks him up on the subway. They spend the night trying to find somewhere to be alone... forced to contend with Gabriel's selfish roommate, his irritating best friend, and a vicious, jealous drag queen in a gay dance club. The sun rises on a promising new relationship. Written by
Randy Goldberg <firstname.lastname@example.org>
In the diner scene Miss Coco Peru is seen cross outside the window and enter the diner but never appears thereafter. This is because he was cut out of the following bathroom scene where Gabriel and Mark almost kiss, which is such a sweet moment that the director Jim Fall decided not to put in another joke with Coco. See more »
Missi Pyle's name is misspelled (Missi Pile) during the closing credits that show their pictures. It is corrected during the end crawl however. See more »
Oh my god, I have to tell you about this reall artsy party this French-Canadian girl in my acting class threw. Like everyone there they wrote like poems or novellas or something. So this one college guy, he was asian, he gets up with his little leather portfolio with a satin ribbon to tie it shut and he's gonna read his poetry. But before he starts reading, he tells us about his fascinations with the human body and he says what fascinates him even more is what comes out of the human body.
[...] See more »
Did I see the same movie as some of the other folks who have posted reviews for "Trick"? My lover and I just watched this last night in New York City, with a predominantly gay audience, and we found it a delightful, unpretentious little comedy.
For starters, this is a "romantic comedy", making full use of all the cliches and conventions of the genre (i.e., our lovers "meet cute" on the subway and endless complications keep them apart). None of this is new, but when I see people complain about these plot devices I wonder just how many movies these people have ever seen? All this groundwork was laid down long, long ago in the silent era and certainly in the golden age of "screwball comedy" in the '30s. So, the idea today is to see how well a filmmaker uses these conventions, not to wonder why none of this isn't terribly original! In the case of "Trick", these rules of film comedy are applied very well.
This film is also, obviously, a "comedy of frustration" in that our two lovers want each other but can't have each other. Events and people conspire against them. Again, none of this is terribly original, but it is well played and diverting. I especially enjoyed the absence of any stupid "heart-felt", sentimental and unmotivated moments that mar so many contemporary Hollywood movies. For instance, the relationship between Gabriel (Christian Campbell) and his best gal pal (Tori Spelling) was quite realistic. She was a difficult-to-get-along with old friend, the kind you find hard to move on from. And the relationship (dating, we are told, from high school days) was convincingly complicated. Yes, she was self-centered, neurotic, even ridiculous. But, then some women are (as are some men). This is misogynistic? What, was she supposed to be some drippy, supportive, self-effacing female saint of a best friend offering her shoulder for Christian to cry on? I liked her better as played by Tori Spelling. Incidentally, Spelling has a marvelous scene of hysteria when she goes off in the diner about the cheese fries!
The acting in this film was uniformly good, and quite high level for an independent film. Far from being a "numb skull", I thought J.P. Pitoc gave the go-go boy character real depth and sympathy. He was beautifully subtle in the first scene in Gabriel's apartment when you can see his interest in Gabriel come alive beyond a casual sexual attraction. This deepening flicker of interest easily explains Mark's staying around through a frustrating evening: he sensed there is more to Gabriel and he wants to find out what. Made perfect sense to me. Also (duh!) if he didn't stick around we would have no plot!
The drag queen (Clinton Leupp) has a very funny monologue, also. His presence in this film was perfectly logical: they are in a gay dance club in Manhattan for gosh sakes! Drag queens do hang out in such places! Further, his entrance into the men's room is also well set-up; he sees Gabriel dancing with Mark and follows him into the john to give him some dirt. Motivation: jealousy! I cannot understand anyone faulting the screenplay on this note.
All-in-all, this is a slight, but very entertaining little film that tugs at the heartstrings a bit. And it certainly is a crowd pleaser! To hear a jaded NYC audience hooting and hollaring at any comedy was refreshing. "Trick" is a carefree delight!
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