Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.

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Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.

Plot Summary | Plot Synopsis

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The summer of '77 was a killer........ See more »


Motion Picture Rating (MPAA)

Rated R for strong graphic violence and sexuality, pervasive strong language and drug use | See all certifications »

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Details

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Release Date:

2 July 1999 (USA)  »

Also Known As:

The Son of Sam  »

Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend:

$7,991,450 (USA) (2 July 1999)

Gross:

£173,471 (UK) (14 January 2000)
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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the beginning of the movie, Vinny and the gang go to a disco called Virgo. There is actually no nightclub there, but the outside was painted to make it look so. The Virgo sign remains painted on the same building to this day. See more »

Goofs

While Vinny and Richie are sitting in a diner and the two guys in pink shirts are hassling them, the song "Psycho Killer" is heard as if on the diner's jukebox. The album (Talking Heads 77) upon which the song is featured wasn't released until Sept of 1977. See more »

Quotes

[Tony and Joe T. run into a punk walking the street]
Tony Olives: Watch where you're going, you freak!
Punk: Fuck you, guido.
Tony Olives: ...what did you say to me?
Punk: FUCK YOU GUIDO!
Tony Olives: Alright, you're drunk, so I'm going to give you one more chance. Who's your favorite baseball team?
Punk: Boston Red Sox!
[They attack him]
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Crazy Credits

The credits are in the form of newspaper headlines. See more »

Connections

References The Lodger (1927) See more »

Soundtracks

Don't Go Breaking My Heart
(1975)
Written by Elton John (as Ann Orson) and Bernie Taupin (as Carte Blanche)
Performed by Elton John and Kiki Dee
Courtesy of MCA Records and Polygram International Music B.V.
Under license from Universal Music Special Markets
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Frequently Asked Questions

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User Reviews

 
A Flashy Departure For Spike Lee...
29 December 1999 | by (Philadelphia, PA) – See all my reviews

Spike Lee goes berserk with SUMMER OF SAM, a twisted revisiting of the Son of Sam killings, New York, 1977. Lee steps away from his usual message pictures depicting the differences between blacks and whites and plunges us into the small Italian neighborhood within the largest city in the United States that serial killer David Berkowitz terrorized for months. The "Son of Sam" himself (played by Michael Badalucco) is placed in the back seat and Lee presents a community and an era for that matter in complete chaos.

SUMMER OF SAM has its good points and its bad points. We get to know this locale very well whether we like it or not. The characters who populate the neighborhood are funny, sad, and stupid all at the same time. You get a feel for the smells and the language of that time in that place. 1977 was the year of Disco's peak, the uprising of British punk rock (represented well by the Adrien Brody character "Ritchie"), and the Yankees were on top of the baseball world. These characters are truly nuts in their vigilante approach to finding the killer. Hell, Reggie Jackson (#44) may be the .44 caliber killer.

Aside from seeing into a sometimes gripping and stupefying world of violence and flash, the film does go overboard many times. Lee continuously rams the sex aspect of the period into our minds and Berkowitz is not seen or known enough. I did not expect a Berkowitz bio at all, however a more focused look at the killer would have proved more effective. The relationship between "Vinny" and "Dionna" (John Leguizamo and Mira Sirvino) is well-done, but over-told. True, "Vinny" is the movie's central character, but he has barely a redeeming quality and is a hard-headed product of his environment.

The cinematography and overall sound of SUMMER OF SAM is awesome. It looks grimy when it should and the use of The Who on the soundtrack is emotionally rousing, especially during the inevitable climax. I liked the picture mostly for cinematic reasons than for historical or emotional ones. The fictional neighborhood pieces are not as good as the small glimpses of Berkowitz, who does indeed chat with dogs. It did remind me in many ways of Lee's DO THE RIGHT THING, but this film has a larger canvas to paint. It works despite the shortcomings.

RATING: ***


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