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Summer of Sam (1999)

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Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.

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6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Al Palagonia ...
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Helen
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Eddie
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Storyline

Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.

Plot Summary | Plot Synopsis

Taglines:

It Was A Time They'd Never Forget See more »


Motion Picture Rating (MPAA)

Rated R for strong graphic violence and sexuality, pervasive strong language and drug use | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

2 July 1999 (USA)  »

Also Known As:

The Son of Sam  »

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Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend USA:

$7,991,450, 4 July 1999, Wide Release

Gross USA:

$19,283,782, 12 September 1999
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Joey and Brian go to CBGB to search for Richie, there is a band playing called "L.E.S Stitches". They are an actual punk band started in the early 90's in NYC. See more »

Goofs

In the film the British rock band, The Who are repeatedly referred to as a punk rock band. This is wildly incorrect. The Who was founded in 1964 and were part of the trailing edge of the British Invasion. The only thing that related to the violent attitude of hard-core punk bands was the fact that on a couple of occasions the drummer and guitarist (Keith Moon and Pete Townsend) smashed their instruments (which began at the Monterrey Pop Festival in 1967, in response to Jimi Hendrix' burning his guitar). By the time of the Son of Sam murders, the Who had already been hard rockers for nearly a decade and had been using synthesizers for over half that time - something that no punk band would ever do, up until the Clash released Bankrobber in 1980. See more »

Quotes

Ron: What about our weekend in the Catskills? I've already paid for the room!
Ruby: Well, then you can go there and you can jerk off. Cause that's what you are - a real f*ckin' jerk off!
Ron: F*ck you, you dago wop skank!
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Crazy Credits

The credits are in the form of newspaper headlines. See more »


Soundtracks

Psycho Killer
(1977)
Written by David Byrne, Chris Frantz and Tina Weymouth (as Martina Weymouth)
Performed by Talking Heads
Courtesy of Sire Records
By Arrangement with Warner Special Products
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Frequently Asked Questions

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User Reviews

 
A Flashy Departure For Spike Lee...
29 December 1999 | by See all my reviews

Spike Lee goes berserk with SUMMER OF SAM, a twisted revisiting of the Son of Sam killings, New York, 1977. Lee steps away from his usual message pictures depicting the differences between blacks and whites and plunges us into the small Italian neighborhood within the largest city in the United States that serial killer David Berkowitz terrorized for months. The "Son of Sam" himself (played by Michael Badalucco) is placed in the back seat and Lee presents a community and an era for that matter in complete chaos.

SUMMER OF SAM has its good points and its bad points. We get to know this locale very well whether we like it or not. The characters who populate the neighborhood are funny, sad, and stupid all at the same time. You get a feel for the smells and the language of that time in that place. 1977 was the year of Disco's peak, the uprising of British punk rock (represented well by the Adrien Brody character "Ritchie"), and the Yankees were on top of the baseball world. These characters are truly nuts in their vigilante approach to finding the killer. Hell, Reggie Jackson (#44) may be the .44 caliber killer.

Aside from seeing into a sometimes gripping and stupefying world of violence and flash, the film does go overboard many times. Lee continuously rams the sex aspect of the period into our minds and Berkowitz is not seen or known enough. I did not expect a Berkowitz bio at all, however a more focused look at the killer would have proved more effective. The relationship between "Vinny" and "Dionna" (John Leguizamo and Mira Sirvino) is well-done, but over-told. True, "Vinny" is the movie's central character, but he has barely a redeeming quality and is a hard-headed product of his environment.

The cinematography and overall sound of SUMMER OF SAM is awesome. It looks grimy when it should and the use of The Who on the soundtrack is emotionally rousing, especially during the inevitable climax. I liked the picture mostly for cinematic reasons than for historical or emotional ones. The fictional neighborhood pieces are not as good as the small glimpses of Berkowitz, who does indeed chat with dogs. It did remind me in many ways of Lee's DO THE RIGHT THING, but this film has a larger canvas to paint. It works despite the shortcomings.

RATING: ***


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