Three fraternal bank robbers languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you "know wot I mean?" However when sex and ... See full summary »
The film covers the conflict between a father and his son both being musicians. The father is the leader of a band making rock-music from the 60s but his son becomes a star of techno-pop ... See full summary »
Evie Decker, a shy young woman, falls in love with pop star Drumstrings Casey after hearing his voice on the radio. Summoning the courage to pursue the singer, Evie starts to break out of her shell... Written by
Austin mayor, Kirk Watson makes a cameo in the drugstore scene. See more »
Although it is implied that the movie takes place in North Carolina but in the beginning, when Evie and her father are at the breakfast table, the jam and milk are of a brand that is only sold in HEB stores, which are only found in Texas. (Where the film was actually shot) See more »
Did you ever feel like it wouldn't matter if you lived or died?
How you could just disappear, and no one would notice.
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Sort of warmed-over grits -- containing every trite character and expression that inhabits "Southern" storytelling down through O'Connor, Welty, Flagg, etc. None of the parts is more than one stereotype after another.
Therefore, the viewer is compelled to observe by contrast any small feature that redeems the larger picture. In this instance there is one that stands out: the versatility of actor Guy Pearce playing a weak, indecisive, and mushy musician whose impact lies solely in how he how he takes on an impossible role and somehow brings it to life.
How this Australian actor can master such a wide variety of theatrical work is something of a mystery to me. Lacking the "star" quality of such countrymen as Crowe and Gibson, he nevertheless steals every scene of every picture I have seen in which he appears, from "Priscilla" to "L.A. Confidential" to "Memento." Very impressive indeed. Worth watching this otherwise drab film.
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