New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Bobby Platt is a mentally slow young man who escapes an abusive, hateful stepfather who has killed his pets one by one. To save himself, Bobby runs away and meets a strange old man who ... See full summary »
The sudden reappearance of his best friend Toni, after ten years absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion.
London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian government, an agent ... See full summary »
Based on the movies of the same name, John Shaft is a two-fisted black private eye along the lines of Mike Hammer and Phillip Marlowe. Each week presents a different case and a different ... See full summary »
Cool and deadly NYPD detective John Shaft arrests Walter Wade, Jr. in a racially-motivated slaying. The eye witness disappears, Wade jumps bail for Switzerland, and Shaft is livid. Two years later, Wade returns to face trial, confident his father's money and influence (and racial politics) guarantee an innocent verdict. Shaft looks hard for the witness, so Wade wants someone to kill her. He turns to a ghetto drug king, Peoples Hernandez, who's willing to kill for money, use Wade as a route to rich drug customers, and shaft Shaft. Can Shaft find the witness, convince her to testify, and shepherd her through the hail of bullets that Peoples is sure to let fly? Written by
John Singleton's original idea was for the main character to be the son of John Shaft and that the two Shafts would work together. But no studio was willing to finance the project. Paramount producer Scott Rudin demanded the character to be changed to be Shaft's nephew and for Richard Roundtree's participation to be reduced. See more »
When Walter Wade Jr. gets into yellow cab to go pawn the jewelry, he tells the cab driver to take him to 47th and 5th. The following shot shows Wade Jr. coming out of a jewelry store with the cash and walking away. As he walks away the green street sign on the corner clearly says 79th St. 47th and 5th is nowhere near 79th street. See more »
[Walter Wade Jr. walks into Peoples' house, trying to look cool]
You tryin' to blend in or something? You look like a fucking duck hunter.
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"Shaft 2000" is a reasonable successor to the original Shaft of 29 years ago. The film shows restraint by keeping Shaft big, but not bigger than life, as it tries to be a human story first and an action flick second. Unfortunately, in spite of good performances (especially by Wright) and good production talent, the story fails on the human level and hedges on the obvious alternative of exaggerated good and bad guys and a profusion of gratuitous violence, sex, and action. Worth a watch but keep expectations low.
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