New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
New York Police Detective John Shaft is the lead detective on a sensitive case, a young black man is severely beaten. The man's companions tell Shaft that their friend humiliated the one who was sprouting racial slurs at him. Shaft confronts him and he says he's Walter Wade Jr. , the son of a wealthy man. Shaft finds that he has the id of a woman who's a waitress at the bar where Wade and the guy who was attacked were. When Wade continues to hurl racist comments, Shaft smacks him. Shaft later learns because of his actions Wade was granted bail and fled. Two years later, Wade returns and Shaft arrests him. At his hearing when the judge grants him bail, that's when Shaft throws his badge at the judge. He then sets out to get Wade by finding the waitress. Wade in the meantime asks a drug dealer named Peoples Hernandez to find the waitress and make sure she doesn't talk. Written by
In the beginning, the victim has been bludgeoned in the back of the neck. However, in the flashback, Walter hits him almost dead on in the face. Even within the flashback there is an error; from one angle the victim is quarter turned to face Walter, the next shot he is completely turned around. See more »
This is Egyptian Cotton, motherfucker... two-twenty thread. That's like half your shitty-ass paycheck, okay?
You wouldn't know Egyptian cotton if the Pharaoh himself sent it to you, you knockoff-wearing motherfucker!
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An enjoyable but nevertheless quite silly and average remake of the classic television show has the new John Shaft (Samuel L. Jackson) beating up a white racist (Christian Bale) and getting booted off of the police force. Everyone in this film is a racist - primarily the whites - and this whole idea is way too forced. The language and violence is rough, yet the film itself is quite goofy, with not many good scenes and only a few mediocre action sequences. The moral is somewhat depressing: if someone wrongs you, or someone of your race, then beat them up and kill them once they reappear. Richard Roundtree's cameo helps a bit, but regardless, this SHAFT is still only "good" at best.
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