New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Cool and deadly NYPD detective John Shaft arrests Walter Wade, Jr. in a racially-motivated slaying. The eye witness disappears, Wade jumps bail for Switzerland, and Shaft is livid. Two years later, Wade returns to face trial, confident his father's money and influence (and racial politics) guarantee an innocent verdict. Shaft looks hard for the witness, so Wade wants someone to kill her. He turns to a ghetto drug king, Peoples Hernandez, who's willing to kill for money, use Wade as a route to rich drug customers, and shaft Shaft. Can Shaft find the witness, convince her to testify, and shepherd her through the hail of bullets that Peoples is sure to let fly? Written by
In the beginning, the victim has been bludgeoned in the back of the neck. However, in the flashback, Walter hits him almost dead on in the face. Even within the flashback there is an error; from one angle the victim is quarter turned to face Walter, the next shot he is completely turned around. See more »
An enjoyable but nevertheless quite silly and average remake of the classic television show has the new John Shaft (Samuel L. Jackson) beating up a white racist (Christian Bale) and getting booted off of the police force. Everyone in this film is a racist - primarily the whites - and this whole idea is way too forced. The language and violence is rough, yet the film itself is quite goofy, with not many good scenes and only a few mediocre action sequences. The moral is somewhat depressing: if someone wrongs you, or someone of your race, then beat them up and kill them once they reappear. Richard Roundtree's cameo helps a bit, but regardless, this SHAFT is still only "good" at best.
27 of 42 people found this review helpful.
Was this review helpful to you?