New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Bobby Platt is a mentally slow young man who escapes an abusive, hateful stepfather who has killed his pets one by one. To save himself, Bobby runs away and meets a strange old man who ... See full summary »
The sudden reappearance of his best friend Toni, after ten years absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion.
London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian government, an agent ... See full summary »
Cool and deadly NYPD detective John Shaft arrests Walter Wade, Jr. in a racially-motivated slaying. The eye witness disappears, Wade jumps bail for Switzerland, and Shaft is livid. Two years later, Wade returns to face trial, confident his father's money and influence (and racial politics) guarantee an innocent verdict. Shaft looks hard for the witness, so Wade wants someone to kill her. He turns to a ghetto drug king, Peoples Hernandez, who's willing to kill for money, use Wade as a route to rich drug customers, and shaft Shaft. Can Shaft find the witness, convince her to testify, and shepherd her through the hail of bullets that Peoples is sure to let fly? Written by
"a low down dirty shame" - that's the name of the movie this movie was based on, originally directed & starring Keenan Wayans (1994). But that film is as much comedy as action film. This is... well, obviously, Samuel Jackson wanted to show that he could play "black"; but I don't know who ever doubted that.
The original Shaft suffered from a lack of proper pacing, due largely to the editor's uncertainty as to where that film was going.
This film suffers from the fact that - being a borrowed story all around - the story itself isn't sure where it's going.
Well, it's nice to see Richard roundtree on the big screen again - a wholly underrated and type-cast actor, he deserves more and better roles.
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